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Wolfgang Amadeus Mozart (1756-1791) — Piano Concertos 20-27.
*Click to activate the English subtitles for the presentation* (00:00-05:43)
A very big « THANKS » to SONY MUSIC who authorized us to release this recording.
Piano Concerto No.20 in D minor, K.466 Ⅰ. Allegro (00:00)
Piano Concerto No.20 in D minor, K.466 II. Romance (13:34)
Piano Concerto No.20 in D minor, K.466 III. Rondo_Allegro Assa (22:31)
Piano Concerto No.21 in C major, K.467 Ⅰ. Allegro maestoso (30:28)
Piano Concerto No.21 in C major, K.467 II. Andante (44:27)
Piano Concerto No.21 in C major, K.467 III. Allegro vivace ass (50:39)
Piano Concerto piano No.22 K.482, a, Allegro (57:47)
Piano Concerto piano No.22 K.482, b, Andante (1:10:53)
Piano Concerto piano No.22 K.482, c, Allegro (1:19:30)
Piano Concerto piano No.23 K.488, a, Allegro (1:31:20)
Piano Concerto piano No.23 K.488, b, Adagio (1:41:57)
Piano Concerto piano No.23 K.488, c, Allegro Assai (1:47:30)
Piano Concerto No.24 C Minor K.491 1.Allegro (1:55:27)
Piano Concerto No.24 C Minor K.491 2.Larghetto (2:08:24)
Piano Concerto No.24 C Minor K.491 3.Allegretto (2:15:23)
Piano Concerto No.25 C Major K.503 1.Allegro (2:24:47)
Piano Concerto No.25 C Major K.503 2.Andante (2:39:38)
Piano Concerto No.25 C Major K.503 3.Allegretto (2:45:48)
Piano Concerto No.26 D Major K.537 1.Allegro (2:55:10)
Piano Concerto No.26 D Major K.537 2.Larghetto (3:09:18)
Piano Concerto No.26 D Major K.537 3.Allegretto (3:15:06)
Piano Concerto No.27 B-Flat Major K.595 1.Allegro (3:27:00)
Piano Concerto No.27 B-Flat Major K.595 2.Larghetto (3:40:29)
Piano Concerto No.27 B-Flat Major K.595 3.Allegro (3:48:17)
Piano: Lili Kraus
Vienna Festival Orchestra
Conductor: Stephen Simon
Recorded in 1965-66
New Mastering in 2017 by AB for CMMR
Find CMRRs recordings on Spotify: spoti.fi/3016eVr
COMMENTAIRE COMPLET: VOIR PREMIER COMMENTAIRE ÉPINGLÉ.
Nulle part plus que dans ses andantes, Mozart na montré combien son expression personnelle a su épouser la forme que lusage de son époque lui présentait. Dans certains de ses allegros et rondos, il peut nous arriver de percevoir jusquà en souffrir la symétrie et la régularité dune section, à tel point que la forme simpose à notre attention plus que le sentiment. Dans ses andantes, inspiration et technique, lyrisme et construction, se fondent avec une telle unité que rien ne nous distrait de la beauté de la pensée elle-même. Les concertos ne mériteraient pas, dans lœuvre de Mozart, la place hautement représentative quils occupent si leurs andantes nétaient pas les égaux des meilleurs de ceux des quatuors et des symphonies. Aucun autre groupe de mouvements chez lui ne les dépasse en variété.
Lili Kraus a comparé son affinité avec Mozart à une mission: « Quand jai commencé à explorer Mozart, jai découvert la beauté infinie de cette musique, et dune certaine manière il mest donné de donner vie à cette beauté. Je trouve quil est de mon devoir, de mon privilège, et si vous voulez, de ma croix, de consacrer ma vie à cette musique. » Certains pianistes et compositeurs deviennent inextricablement liés aux yeux du public. Mentionnons Glenn Gould, par exemple, et les Variations Goldberg de Bach viennent à lesprit. Artur Schnabel et Beethoven étaient pratiquement synonymes, tout comme Walter Gieseking et Debussy, Arthur Rubinstein et Chopin, Alicia de Larrocha et les impressionnistes espagnols. Lorsquil sagissait de la musique pour piano de Mozart, plusieurs générations dauditeurs et de collectionneurs considéraient les interprétations de Lili Kraus comme le dernier mot…
1 No. 1 in D major 0:00
2 No. 2 in F major 14:07
3 No. 3 in C minor 25:26
4 No. 4, in D major 37:17
5 No. 5, in B-flat major 47:50
6 No. 6, in F major 1:00:35
7 No. 7, in D major 1:13:46
8 No. 8, in G minor 1:24:05
9 No. 9, in F major 1:39:55
10 No. 10, in C major 1:50:30
11 No. 11, in B-flat major 2:04:15
12 No. 12, in F major 2:14:19
Picture: Musicians at the court of Crown Prince Ferdinando de Medici by Antonio Domenico Gabbiani 1685. Oil on canvas, 140 x 233cm. Inv.no. 2805 Museo di Strumenti Musicali
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Concerto for oboe in D minor Opus IX-2
1. Allegro 00:01
2. Adagio 03:47
3. Allegro 09:45
Concerto for two oboes in F major Opus IX-3
4. Allegro 12:28
5. Adagio 17:12
6. Allegro 19:28
Concerto for oboe in C major Opus IX-5
7. Allegro 23:07
8. Adagio 26:08
9. Allegro 28:20
Concerto for two oboes in G major Opus IX-6
10. Allegro 31:18
11. Adagio 34:35
12. Allegro 37:53
Concerto for violin in F major Opus IX-10
13. Allegro 41:08
14. Adagio 44:28
15. Allegro 48:03
Concerto for oboe in B flat major Opus IX-11
16. Allegro 51:07
17. Adagio 54:34
18. Allegro 58:32
Adagio for organ and strings in G minor
19. Adagio / Sol Mineur G-Moll / G Minor 1:01:32
2001 ITS Philharmonic Orchestra, Louis Jullien / All Rights Reserved
00:00 — Flute Sonata In E Minor BWV1034: I. Adagio Ma Non Tanto
03:13 — Flute Sonata In E Minor BWV1034: II. Allegro
05:53 — Flute Sonata In E Minor BWV1034: III. Andante
09:36 — Flute Sonata In E Minor BWV1034: IV. Allegro
14:18 — Flute Sonata In E BWV1035: I. Adagio Ma Non Tanto
16:38 — Flute Sonata In E BWV1035: II. Allegro
19:34 — Flute Sonata In E BWV1035: III. Siciliano
23:12 — Flute Sonata In E BWV1035: IV. Allegro Assai
26:20 — Flute Sonata In B Minor BWV 1030: Andante
34:13 — Flute Sonata In B Minor BWV 1030: Largo E Dole
38:00 — Flute Sonata In B Minor BWV 1030: Presto
43:49 — Flute Sonata In A Major BWV 1032: Vivace
49:02 — Flute Sonata In A Major BWV 1032: Largo E Dolce
52:00 — Flute Sonata In A Major BWV 1032: Allegro
56:16 — Flute Sonata In C Major BWV 1033: Andante
58:01 — Flute Sonata In C Major BWV 1033: Allegro
01:00:40 — Flute Sonata In C Major BWV 1033: Adagio
01:02:25 — Flute Sonata In C Major BWV 1033: Menuet
01:05:33 — Sonata For Flute
The mandolin was essentially the instrument of amateur musicians in the early to mid 18th century. Vivaldi composed many concertos and trios for the young ladies of the Ospiedale della Pieta – including the famous G major RV532, which must rank as one of his most popular works after the Four Seasons.
The concertos and trios on this CD make a delightful programme, written for the pleasure of gifted students and patrons, full of the hallmarks of Vivaldian style that will not disappoint those who love the famous Four Seasons violin concertos from his Op.8 set. Simple, catchy melodies abound, in both still and often poignant slow movements as well as sparky fast movements.
Other information:
— Recording made in 2009.
— Frederico Gugliemo studied with Salvatore Accardo, Isaac Stern and The Amadeus, LaSalle and Quartetto Italiano string quartets before turning to period instrument performance under the guidance of Christopher Hogwood.
00:00:00 Concerto for 2 mandolins, strings and continuo in G Major RV 532
00:03:54 Concerto for 2 mandolins, strings and continuo in G Major RV 532
00:08:15 Concerto for 2 mandolins, strings and continuo in G Major RV 532
00:11:48 Concerto for mandolin, strings and continuo in C Major RV 425
00:14:26 Concerto for mandolin, strings and continuo in C Major RV 425
00:17:44 Concerto for mandolin, strings and continuo in C Major RV 425
00:19:57 Trio for Violin, lute and basso in g Minor RV 85
00:24:00 Trio for Violin, lute and basso in g Minor RV 85
00:27:01 Trio for Violin, lute and basso in g Minor RV 85
00:28:53 Concerto for 2 Violin, lute and basso in D Major RV 93
00:32:22 Concerto for 2 Violin, lute and basso in D Major RV 93
00:36:33 Concerto for 2 Violin, lute and basso in D Major RV 93
00:38:44 Trio for Violin, lute and basso in C Major RV 82
00:42:51 Trio for Violin, lute and basso in C Major RV 82
00:45:54 Trio for Violin, lute and basso in C Major RV 82
00:47:52 Concerto for Viola d’amore, lute, strings and basso in d Minor RV 540
00:53:13 Concerto for Viola d’amore, lute, strings and basso in d Minor RV 540
00:56:15 Concerto for Viola d’amore, lute, strings and basso in d Minor RV 540
00:59:47 Concerto for harpsichord, strings and continuo in A Major RV 780
01:03:30 Concerto for harpsichord, strings and continuo in A Major RV 780
01:05:40 Concerto for harpsichord, strings and continuo in A Major RV 780
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