The St Matthew Passion performed by the Netherlands Bach Society for All of Bach. Whether or not they are an enthusiast of classical music, practically everyone in the Netherlands knows the St Matthew Passion. Since 1870 the Netherlands has had a rich tradition of annual St Matthew Passion performances. The Netherlands Bach Society was formed in 1921, in reaction to the popular performances by Willem Mengelberg and the Concertgebouw Orchestra. The founders believed that the St Matthew should be performed where it belonged – in a church. The annual performance by the Bach Society in Naarden grew to become the Dutch St Matthew Passion.

Recorded for the project All of Bach on April 16th and 19th 2014 at the Grote Kerk, Naarden. If you want to help us complete All of Bach, please subscribe to our channel bit.ly/2vhCeFB or consider donating bit.ly/2uZuMj5.

For the documentary about our performance of St Matthew Passion go to www.youtube.com/watch?v=yvlL-WHXK_w
For the interview with violinist Shunske Sato on BWV 244 go to www.youtube.com/watch?v=ak0Pxyt9Qfw
For the interview with conductor Jos van Veldhoven on BWV 244 (St Matthew tradition) go to www.youtube.com/watch?v=T-ShZbOGdV8
For the interview with conductor Jos van Veldhoven on BWV 244 (manuscript) go to www.youtube.com/watch?v=53VrYf_8B0I
For the interview with conductor Jos van Veldhoven on BWV 244 (rhetoric) go to www.youtube.com/watch?v=LNBD3PYKXWQ
For the interview with tenor Charles Daniels on BWV 244 go to www.youtube.com/watch?v=CC93_G3FgTY
For more information on BWV 244 and this production go to allofbach.com/en/bwv/bwv-244/

All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and her guest musicians. Visit our free online treasury for more videos and background material allofbach.com/en/. For concert dates and further information go to www.bachvereniging.nl/nederlandse-bachvereniging.

Netherlands Bach Society
Kampen Boys Choir
Jos van Veldhoven, conductor

Soloists Coro 1
Benjamin Hulett, evangelist
Griet De Geyter (First Maid, Pilate’s Wife), soprano
Tim Mead, alto
Robert Murray, tenor
Andreas Wolf (Jesus), bass

Soloists Coro 2
Lore Binon, soprano
Alex Potter (First Witness), alto
Charles Daniels (Second Witness), tenor
Sebastian Noack (Judas, Pilate), bass

Antonio Lucio Vivaldi (1678 — 1741)

Concertos for cello
Concerti per violoncello

Concerto for cello, strings and basso continuo in A minor, RV419
Concerto per violoncello, archi e basso continuo in la minore, RV 419

01. Allegro (00:00:01)
02. Andante
03. Allegro

Concerto for cello, strings and basso continuo in F major, RV410
Concerto per violoncello, archi e basso continuo in Fa maggiore, RV 410

01. Allegro (00:09:25)
02. Largo
03. Allegro

Concerto for cello, strings and basso continuo in G major, RV414
Concerto per violoncello, archi e basso continuo in sol maggiore, RV 414

01. Allegro molto (00:21:29)
02. Largo
03. Allegro

Concerto for cello, strings and basso continuo in D minor, RV406
Concerto per violoncello, archi e basso continuo in re minore, RV 406

01. Allegro non molto (00:31:24)
02. Andante
03. Minuetto

Concerto for cello, strings and basso continuo in C major, RV398
Concerto per violoncello, archi e basso continuo in do maggiore, RV 398

01. Allegro (00:42:00)
02. Largo
03. Allegro

Concerto for cello, strings and basso continuo in A minor, RV421
Concerto per violoncello, archi e basso continuo in la minore, RV 421

01. Allegro non troppo (00:49:42)
02. Largo
03. Allegro

Concerto for cello, strings and basso continuo in F major, RV411
Concerto per violoncello, archi e basso continuo in fa maggiore, RV 411

01. Allegro (00:57:43)
02. Largo
03. Allegro molto

Concerto for cello, strings and basso continuo in C minor, RV401
Concerto per violoncello, archi e basso continuo in do minore, RV 401

01. Allegro non molto (01:03:59)
02. Adagio
03. Allegro ma non molto

Concerto for cello, strings and basso continuo in E flat major, RV408
Concerto per violoncello, archi e basso continuo in Mi bemolle maggiore, RV 408

01. Allegro non molto (01:14:54)
02. Largo
03. Allegro

Concerto for cello, strings and basso continuo in G minor, RV417
Concerto per violoncello, archi e basso continuo in sol minore, RV 417

01. Allegro (01:24:51)
02. Andante
03. Allegro

Concerto for cello, strings and basso continuo in C major, RV399
Concerto per violoncello, archi e basso continuo in do maggiore, RV 399

01. Allegro (01:34:00)
02. Largo
03. Allegro

Concerto for cello, strings and basso continuo in D major, RV403
Concerto per violoncello, archi e basso continuo in re maggiore, RV 403

01. Allegro (01:41:00)
02. Andante e spiritoso
03. Allegro

Concerto for cello, strings and basso continuo in A minor, RV422
Concerto per violoncello, archi e basso continuo in la minore, RV 422

01. Allegro (01:48:51)
02. Largo cantabile
03. Allegro

Performers:
Violin solo: Enrico Onofri concertmaster
Violins I: Fabrizio Haim Cipriani*, Luca Giardini, Stefano Barneschi
Violins II: Elin Gabrielsson, Francesco Colletti, Marco Bianchi
Violas: Ernest Braucher*, Maria Cristina Vasi, Riccardo Minasi
Violone: Giancarlo De Frenza, Patxi Montero
Violoncello: Elena Russo, Paolo Beschi
Theorbo

J. S. Bach
Cantatas:
BWV 138 [17:03]
BWV 99 [16:43]
BWV 51 [16:29]
BWV 100 [21:02]

Soprano: Malin Hartelius
Counter-tenor: William Towers
Tenor: James Gilchrist
Bass: Peter Harvey
Monteverdi Choir / English Baroque Soloists
John Eliot Gardiner

Live recordings from the Bach Cantata Pilgrimage:
Unser Lieben Frauen, Bremen, Germany.
www.bach-cantatas.com/Performers/Gardiner-Rec2.htm

J. S. Bach
Cantatas:
BWV 25 [17:42]
BWV 78 [23:05]
BWV 17 [16:24]
Monteverdi Choir
English Baroque Soloists
John Eliot Gardiner
Live recordings from the Bach Cantata Pilgrimage:
Abbaye d’Ambronay, France
Vol. 7 CD 1
www.bach-cantatas.com/Performers/Gardiner-Rec2.htm

Provided to YouTube by Warner Classics International

Upon a quiet Conscience, Z. 184: «Close thine eyes and sleep secure» · John Eliot Gardiner

Purcell Edition Volume 3: Odes, Anthems

The Art of Fugue or The Art of the Fugue (original German: Die Kunst der Fuge), BWV 1080, is an incomplete masterpiece by Johann Sebastian Bach (1685--1750). The work was most likely started at the beginning of the 1740s, if not earlier. The first known surviving version, which contained 12 fugues and 2 canons, was copied by the composer in 1745. This manuscript has a slightly different title, added afterwards by his son-in-law Johann Christoph Altnickol: Die Kunst der Fuga. Bachs second version was published in 1751 after his death. It contains 14 fugues and 4 canons. «The governing idea of the work», as the eminent Bach specialist Christoph Wolff put it, is «an exploration in depth of the contrapuntal possibilities inherent in a single musical subject.»

Structure

0:00 — Contrapunctus I
3:12 — Contrapunctus II
6:24 — Contrapunctus III
9:20 — Contrapunctus IV
14:38 — Contrapunctus V
17:55 — Contrapunctus VI in Stylo Francese
22:04 — Contrapunctus VII per Augmentationem et Diminutionem
26:04 — Contrapunctus VIII
32:06 — Contrapunctus IX alla Duodecima
35:06 — Contrapunctus X alla Decima
39:30 — Contrapunctus XI Triple fugue
46:41 — Canone allOttava
49:35 — Canone alla Duodecima in Contrapunto alla Quinta
51:52 — Canone alla Decima in Contrapunto alla Terza
56:36 — Canone per Augmentationem in Contrario Motu
1:01:27 — Contrapunctus XIII rectus
1:03:59 — Contrapunctus XIII inversus
1:06:57 — Contrapunctus XII rectus
1:09:50 — Contrapunctus XII inversus

Herbert Tachezi, organ

[Wikipedia en.wikipedia.org/wiki/The_Art_of_Fugue]

Komm, Jesu, komm, mein Leib ist müde, performed by the Netherlands Bach Society for All of Bach, used to be known amongst singers from Leipzig as ‘Der saure Weg’, after the most difficult phrase in the piece. The path to its origin is a straighter one, as although we still do not know precisely for whom Bach wrote this piece, it is anyway clear that he composed it himself. Moreover, we can presume that it is a funeral or memorial motet.

Recorded for the project All of Bach on May 14th 2016 at the Grote Kerk, Naarden. If you want to help us complete All of Bach, please subscribe to our channel bit.ly/2vhCeFB and consider donating bit.ly/2uZuMj5.

For the interview with soprano Klaartje van Veldhoven and conductor Stephan MacLeod on Komm, Jesu, komm, mein Leib ist müde go to www.youtube.com/watch?v=Hhc23uL8I1w
For more information on BWV 229 and this production go to allofbach.com/en/bwv/bwv-229/

All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and its guest musicians. Visit our free online treasury for more videos and background material allofbach.com/en/. For concert dates and further information go to www.bachvereniging.nl/nederlandse-bachvereniging.

Netherlands Bach Society
Stephan MacLeod, conductor

No matter where you are watching or listening from we are #HearTogether.

Music entertains, uplifts and inspires us. We need it now more than ever. So while our doors may be closed, the music continues online.

ABOUT THE CONCERT

Performed live in March this year, shortly before the Centre had to close the its doors due to coronavirus, our Signature Event saw standing ovations for the players of Freiburg Baroque, Bezuidenhout and their masterful interpretations of Beethoven. Now you can relieve this performance online or enjoy it for the very first time.

View the program notes for this concert here: mrc-assets.s3.amazonaws.com/assets/File/10286.pdf

PROGRAM

Ludwig van Beethoven
Piano Concerto No.1 in C, Op.15
Piano Concerto No.2 in B flat, Op.19
Piano Concerto No.3 in C minor, Op.37

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Хорошо темперированный клавир, том 1: Прелюдия и фуга No. 4 до-диез минор, BWV 849 · Святослав Рихтер

Святослав Рихтер 100, Том 31 (Live)

℗ 2020 АО «Фирма Мелодия»

Released on: 2015-01-01

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BWV244 Matthaus Passion
Philippe Herreweghe 1984