Les six suites pour violoncelle de JS Bach, interprétées par Marc Coppey. Juin 2015
Production Séquence SDP / ARTE concerts
Réalisation: Paul Ouazan
Direction artistique — montage son: Cécile Lenoir
Prise de son: Cécile Lenoir et Jean-Yves Pouyat
Mixage: Jean-Yves Pouyat
Montage: David Renaud
Image: Stéphane Aveneau
Internationally acclaimed vocal group VOCES8 headline the Academy of Ancient Musics performance of Handels beloved oratorio Messiah, recorded live at the Chapel of Trinity College, Cambridge.
PROGRAMME:
George Frideric Handel (1685 — 1759)
Messiah HWV56
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PART THE FIRST
00:00:10 — Symphony
00:03:30 — Comfort Ye My People (Blake Morgan, tenor)
00:06:54 — Evry Valley Shall Be Exalted (Euan Williamson, tenor)
00:10:33 — And The Glory Of The Lord
00:13:24 — Thus Saith The Lord (Christopher Moore, bass)
00:14:47 — But Who May Abide The Day Of His Coming (Katie Jeffries-Harris, alto)
00:19:10 — And He Shall Purify
00:21:38 — Behold, A Virgin Shall Conceive (Katie Jeffries-Harris, alto)
00:22:15 — O Thou That Tellest Good Tidings To Zion (Katie Jeffries-Harris, alto)
00:27:33 — For Unto Us A Child Is Born
00:31:52 — Pastoral Symphony
00:33:00 — There Were Shepherds Abiding In The Field (Eleonore Cockerham, soprano)
00:33:58 — And Suddenly There Was With An Angel (Eleonore Cockerham, soprano)
00:36:09 — Rejoice Greatly, O Daughter Of Zion (Penelope Appleyard, soprano)
00:40:50 — Then Shall The Eyes Of The Blind (Katie Jeffries-Harris, alto)
00:41:26 — He Shall Feed His Flock (Katie Jeffries-Harris, alto
01. Utrecht Te Deum in D major HWV 278 00:00
02. Utrecht Jubilate in D major HWV 279 24:44
03. Queen Caroline Te Deum in D major HWV 280 42:24
04. Chandos Te Deum in B flat major HWV 281 57:50
05. Te Deum in A major HWV 282 01:32:18
06. Dettingen Te Deum in D major HWV 283 01:48:22
Choir of Christ Church Cathedral, Oxford, The Academy of Ancient Music, Simon Preston
Netherlands Bach Society
Jos Van Veldhoven
Les Arts Florissants, William Christie
Gerhard Jenemann
Drottningholms Baroque Ensemble*
Vocalsolisten Frankfurt
Concerto Polacco
Alsfelder Vocal Ensemble
Helbich, Wolfgang
Choir of Westminster Abbey
The English Concert
Trevor Pinnock
Simon Preston
The Art of Fugue or The Art of the Fugue (original German: Die Kunst der Fuge), BWV 1080, is an incomplete masterpiece by Johann Sebastian Bach (1685--1750). The work was most likely started at the beginning of the 1740s, if not earlier. The first known surviving version, which contained 12 fugues and 2 canons, was copied by the composer in 1745. This manuscript has a slightly different title, added afterwards by his son-in-law Johann Christoph Altnickol: Die Kunst der Fuga. Bachs second version was published in 1751 after his death. It contains 14 fugues and 4 canons. «The governing idea of the work», as the eminent Bach specialist Christoph Wolff put it, is «an exploration in depth of the contrapuntal possibilities inherent in a single musical subject.»
Structure
0:00 — Contrapunctus I
3:12 — Contrapunctus II
6:24 — Contrapunctus III
9:20 — Contrapunctus IV
14:38 — Contrapunctus V
17:55 — Contrapunctus VI in Stylo Francese
22:04 — Contrapunctus VII per Augmentationem et Diminutionem
26:04 — Contrapunctus VIII
32:06 — Contrapunctus IX alla Duodecima
35:06 — Contrapunctus X alla Decima
39:30 — Contrapunctus XI Triple fugue
46:41 — Canone allOttava
49:35 — Canone alla Duodecima in Contrapunto alla Quinta
51:52 — Canone alla Decima in Contrapunto alla Terza
56:36 — Canone per Augmentationem in Contrario Motu
1:01:27 — Contrapunctus XIII rectus
1:03:59 — Contrapunctus XIII inversus
1:06:57 — Contrapunctus XII rectus
1:09:50 — Contrapunctus XII inversus
The Varnus Organ Hall needs your help. We are asking the communitys support to restoring and operating Varnus Hall, Canadas only private organ concert venue owned by Xaver Varnus, to provide a worthy home for organists, famous artists and young talent alike, from around the world to perform, and broadcast their concerts online. We are grateful to you if you can help our work with any donations. ca.gofundme.com/f/fundraising-for-varnus-organ-hall-in-nova-scotia
Xaver Varnus plays Toccata and Fugue in D minor (edited by Mendelssohn) on the great Sauer Organ of the Berliner Dom. Recorded live on the Opening Night of the «Berliner Internationaler Orgelsommer 2013».
At the time of its dedication in 1905, the great Sauer Organ of the Berliner Dom was the largest in Germany, with its 7269 pipes and 113 registers, distributed across four manuals and pedals. The court organ builder Wilhelm Sauer, from Frankfurt on the Oder, created an instrument that embodied the newest technical and musical developments of German organ building at the time. In that way, the organ met the high expectations of both the organ builder and his client: in the Protestant Cathedral of the capital city, there was to be a monumental, modern, and in every way extraordinary instrument of the highest quality. The organ of the Cathedral of Berlin represents the highpoint of Sauer’s career. At the same time, it marks the end of the long development of Romantic orchestral organs, whose sound corresponds to the characteristic sound of a symphonic orchestra of that period. Today, the organ in the Cathedral of Berlin is the largest late-Romantic pneumatic action organ in the world that has survived in its original condition.
•●The Official Video Site of Concert Organist Xaver Varnus●•
Born in Budapest, his first piano teacher was Emma Németh, one of the last pupils of Claude Debussy. Xaver Varnus has played virtually every important organ in the world, including those in Bachs Thomaskirche in Leipzig (2014), Berliner Dom (2013), Notre-Dame (1981), Saint-Sulpice (2006) and Saint-Eustache (1996) in Paris, National Shrine in Washington, D.C. (1985), and Canterbury Cathedral (2004), as well as the largest existing instrument in the world, the Wanamaker Organ in Philadelphia (1985). His Quadruple Platinum Disc winning album From Ravel to Vangelis, released by Sony BMG in 2007, is the best-selling organ CD ever. As a Canadian citizen, Xaver Varnus resides in Berlin, Germany. «Put simply, Varnus is a monster talent, every bit as stimulating and individual as the late Glenn Gould» (The Globe
Composer: Wolfgang Amadeus Mozart
Artists: Derek Han (piano), Philharmonia Orchestra and Paul Freeman (conductor)
This an issue of series consisting of 14 3CD-sets with selected highlights taken from our complete edition. This part contains the following works: No. 1 K. 37, No. 11 K. 413, No. 15 K. 450, No. 20 K. 466, No. 21 K. 467 “Elvira Madigan”, No. 22 K. 482, No. 23 K. 488, No. 25 K. 503.
Tracklist:
Piano Concerto No. 15 In B-Flat Major, K 450:
0:00:00 I. Allegro
0:11:04 II. Adagio
0:16:24 III. Allegro Assai
Piano Concerto No. 11 In F Major K 413:
0:24:16 I. Allegro
0:33:29 II. Larghetto
0:41:05 III. Tempo Di Menuetto
Piano Concerto No. 23 In A Major K 488:
0:46:28 I. Allegro
0:57:16 II. Andante
1:03:31 III. Allegro
Piano Concerto No. 21 in C Major, K 467 «Elvira Madigan»:
1:11:30 I. Allegro
1:26:09 II. Andante
1:32:57 III. Allegro Vivace Assai
Piano Concerto No. 1 In F Major, K 37:
1:40:31 I Allegro
1:45:51 II. Andante
1:51:22 III. Allegro
Piano Concerto No. 25 In C Major, K 503:
1:56:19 I. Allegro Maestoso
2:13:38 II. Andante
2:21:01 III. Allegretto
Piano Concerto No. 20 In D Minor, K 466:
2:30:59 I. Allegro
2:44:54 II. Romanze
2:53:18 III. Allegro Assai
Piano Concerto No. 22 In E-Flat Major, K 482:
3:01:09 I. Allegro
3:15:10 II. Andante
3:24:02 III. Allegro
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