Hans Zimmer


△ Merch @ store.alanwalker.no

Walkers! I’m beyond excited to share this video with you. Collaborating with Hans Zimmer on this release has been an out-of-body experience on a whole different level. Everyone who knows me, knows that I’m a huge fan of his work, and it has played a big part of my musical journey. Especially “Time,” which is probably my favorite song ever. Plus it marks the 10th anniversary for Inception this year too. I’m as grateful as I can possibly be for this opportunity!

Making this music video during a world that’s on lockdown, provided some obvious challenges. However, we decided to use that to our advantage, and I really hope you like the result. Let me know what you think in the comment section below!

— Alan Walker
__________________________________

Check out the song here: walkerxzimmer.lnk.to/TimeFA!AW

More about Hans Zimmer: www.hanszimmerlive.com/

#AlanWalker #HansZimmer #Soundtracks #EDM #Inception #Techno #House
__________________________________

Check out the World of Walker trilogy here:
— On My Way ft. @Sabrina Carpenter

Hans Zimmer performs INCEPTION "Time" - The World of Hans Zimmer


at Hollywood in Vienna 2018
The World of Hans Zimmer

Vienna Radio Symphony Orchestra
Martin Gellner, conductor

Hans Zimmer, guitar
Amir John Haddad, guitar
Eliane Correa, piano
Juan Garcia Herreros, bass
Rusanda Panfili, violin
Marie Spaemann, cello
Pedro Eustache, flute
Aleksandra Suklar, percussion
Lucy Landymore, drums
Luis Ribeiro, ethnic percussion

One Hour of Gandalf Falling to Howard Shores "The Bridge of Khazad Dum" (High Quality Audio)


All rights go to Howard Shore and the soundtrack of the Lord of the Rings films. I do not own the rights to this song.

Last part of «The Bridge of Khazad Dum» from the Fellowship of the Ring soundtrack.

The painting of the Balrog in the beginning of the video is done by Jerry Vanderstelt. See his online studio below:
www.vandersteltstudio.com/

Bach - St John Passion BWV 245 - Van Veldhoven | Netherlands Bach Society


The St John Passion, performed by the Nederlands Bach Society for All of Bach, was the first Passion Bach had written as cantor in Leipzig. The Passion story as told in the Gospel of John is different from that told by the other three evangelists – Matthew, Luke and Mark. John’s version places the emphasis on Christ’s divine origin. Throughout his suffering, this divine origin still plays a role and nowhere is Jesus as human as in the other gospels.

For this performance, we selected a cast of singers under the age of 35. Apart from the leaders, all the orchestra members are also younger than 35. The concert series was preceded by a course of auditions and masterclasses.

Recorded for the project All of Bach on March 11th 2017 at the Grote Kerk, Naarden. If you want to help us complete All of Bach, please subscribe to our channel bit.ly/2vhCeFB and consider donating bit.ly/2uZuMj5.

For the interview with musicians from the Netherlands Bach Society on the St John Passion go to youtu.be/KyHSxv-Y8R0
For the interview with conductor Jos van Veldhoven on leitmotifs in the St John Passion go to youtu.be/VIBJ67VqBOs
For the behind-the-scenes of the auditions for the St John Passion go to www.youtube.com/watch?v=64h8n4FOSlk
For the behind-the-scenes of the masterclasses for BWV 245 go to www.youtube.com/watch?v=mHt-bJ3acLY
For the behind-the-scenes of the general rehearsal of BWV 245 go to www.youtube.com/watch?v=5w9bZOkEZgE
For more information on BWV 245 and this production go to allofbach.com/en/bwv/bwv-245/

All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and her guest musicians. Visit our free online treasury for more videos and background material allofbach.com/en/. For concert dates and further information go to www.bachvereniging.nl/nederlandse-bachvereniging.

Netherlands Bach Society
Jos van Veldhoven, conductor

Soloists
Raphael Höhn, evangelist (tenor)
Myriam Arbouz, soprano
Maria Valdmaa (Maid), soprano
Daniël Elgersma, alto
Marine Fribourg, alto
Gwilym Bowen, tenor
Guy Cutting (Servant), tenor
Felix Schwandtke (Jesus), bass
Drew Santini (Peter), bass
Angus Mc Phee (Pilate), bass

J.S. Bach: St. John Passion, BWV 245 / Part Two - No.27 Evangelist, Chorus, Evangelist: " Die...


Provided to YouTube by Universal Music Group

J.S. Bach: St. John Passion, BWV 245 / Part Two — No.27 Evangelist, Chorus, Evangelist: " Die Kriegsknechte aber " · Anthony Rolfe Johnson · Stephen Varcoe · English Baroque Soloists · John Eliot Gardiner · The Monteverdi Choir

Bach, J.S.: St. John Passion

℗ 1986 Deutsche Grammophon GmbH, Berlin

Released on: 1986-01-01

Producer: Dr. Andreas Holschneider
Producer: Charlotte Kriesch
Producer, Recording Producer, Studio Personnel, Balance Engineer: Karl-August Naegler
Studio Personnel, Recording Engineer: Wolf-Dieter Karwatky
Studio Personnel, Recording Engineer: Gregor Zielinsky
Studio Personnel, Editor: Gernot Von Schultzendorff
Composer: Johann Sebastian Bach
Author: Anonymous

Auto-generated by YouTube.

J.S. Bach: Matthäus-Passion, BWV 244 / Zweiter Teil - No. 49 "Aus Liebe will mein Heiland sterben"


Provided to YouTube by Universal Music Group

J.S. Bach: Matthäus-Passion, BWV 244 / Zweiter Teil — No. 49 «Aus Liebe will mein Heiland sterben» · Ann Monoyios · English Baroque Soloists · John Eliot Gardiner

Bach, J.S.: St. Matthew Passion, BWV 244

℗ 1989 Deutsche Grammophon GmbH, Berlin

Released on: 1989-01-01

Producer: Dr. Andreas Holschneider
Producer: Charlotte Kriesch
Producer, Recording Producer: Karl-August Naegler
Studio Personnel, Balance Engineer, Editor: Ulrich Vette
Studio Personnel, Recording Engineer: Klaus Behrens
Studio Personnel, Editor: Werner Roth
Composer: Johann Sebastian Bach
Author: Christian Friedrich Henrici

Auto-generated by YouTube.

Bach - The Art of Fugue, BWV 1080 [complete on Organ]


The Art of Fugue or The Art of the Fugue (original German: Die Kunst der Fuge), BWV 1080, is an incomplete masterpiece by Johann Sebastian Bach (1685--1750). The work was most likely started at the beginning of the 1740s, if not earlier. The first known surviving version, which contained 12 fugues and 2 canons, was copied by the composer in 1745. This manuscript has a slightly different title, added afterwards by his son-in-law Johann Christoph Altnickol: Die Kunst der Fuga. Bachs second version was published in 1751 after his death. It contains 14 fugues and 4 canons. «The governing idea of the work», as the eminent Bach specialist Christoph Wolff put it, is «an exploration in depth of the contrapuntal possibilities inherent in a single musical subject.»

Structure

0:00 — Contrapunctus I
3:12 — Contrapunctus II
6:24 — Contrapunctus III
9:20 — Contrapunctus IV
14:38 — Contrapunctus V
17:55 — Contrapunctus VI in Stylo Francese
22:04 — Contrapunctus VII per Augmentationem et Diminutionem
26:04 — Contrapunctus VIII
32:06 — Contrapunctus IX alla Duodecima
35:06 — Contrapunctus X alla Decima
39:30 — Contrapunctus XI Triple fugue
46:41 — Canone allOttava
49:35 — Canone alla Duodecima in Contrapunto alla Quinta
51:52 — Canone alla Decima in Contrapunto alla Terza
56:36 — Canone per Augmentationem in Contrario Motu
1:01:27 — Contrapunctus XIII rectus
1:03:59 — Contrapunctus XIII inversus
1:06:57 — Contrapunctus XII rectus
1:09:50 — Contrapunctus XII inversus

Herbert Tachezi, organ

[Wikipedia en.wikipedia.org/wiki/The_Art_of_Fugue]