The St John Passion, performed by the Nederlands Bach Society for All of Bach, was the first Passion Bach had written as cantor in Leipzig. The Passion story as told in the Gospel of John is different from that told by the other three evangelists – Matthew, Luke and Mark. John’s version places the emphasis on Christ’s divine origin. Throughout his suffering, this divine origin still plays a role and nowhere is Jesus as human as in the other gospels.

For this performance, we selected a cast of singers under the age of 35. Apart from the leaders, all the orchestra members are also younger than 35. The concert series was preceded by a course of auditions and masterclasses.

Recorded for the project All of Bach on March 11th 2017 at the Grote Kerk, Naarden. If you want to help us complete All of Bach, please subscribe to our channel bit.ly/2vhCeFB and consider donating bit.ly/2uZuMj5.

For the interview with musicians from the Netherlands Bach Society on the St John Passion go to youtu.be/KyHSxv-Y8R0
For the interview with conductor Jos van Veldhoven on leitmotifs in the St John Passion go to youtu.be/VIBJ67VqBOs
For the behind-the-scenes of the auditions for the St John Passion go to www.youtube.com/watch?v=64h8n4FOSlk
For the behind-the-scenes of the masterclasses for BWV 245 go to www.youtube.com/watch?v=mHt-bJ3acLY
For the behind-the-scenes of the general rehearsal of BWV 245 go to www.youtube.com/watch?v=5w9bZOkEZgE
For more information on BWV 245 and this production go to allofbach.com/en/bwv/bwv-245/

All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and her guest musicians. Visit our free online treasury for more videos and background material allofbach.com/en/. For concert dates and further information go to www.bachvereniging.nl/nederlandse-bachvereniging.

Netherlands Bach Society
Jos van Veldhoven, conductor

Soloists
Raphael Höhn, evangelist (tenor)
Myriam Arbouz, soprano
Maria Valdmaa (Maid), soprano
Daniël Elgersma, alto
Marine Fribourg, alto
Gwilym Bowen, tenor
Guy Cutting (Servant), tenor
Felix Schwandtke (Jesus), bass
Drew Santini (Peter), bass
Angus Mc Phee (Pilate), bass

Provided to YouTube by Universal Music Group

J.S. Bach: St. John Passion, BWV 245 / Part Two — No.17 Choral: «Ach großer König, groß zu allen Zeiten» · English Baroque Soloists · John Eliot Gardiner · The Monteverdi Choir

Bach, J.S.: St. John Passion

℗ 1986 Deutsche Grammophon GmbH, Berlin

Released on: 1986-01-01

Producer: Dr. Andreas Holschneider
Producer: Charlotte Kriesch
Producer, Recording Producer, Studio Personnel, Balance Engineer: Karl-August Naegler
Studio Personnel, Recording Engineer: Wolf-Dieter Karwatky
Studio Personnel, Recording Engineer: Gregor Zielinsky
Studio Personnel, Editor: Gernot Von Schultzendorff
Composer: Johann Sebastian Bach
Author: Anonymous

Auto-generated by YouTube.

Johannes-Passion BWV 245
Tolzer Knabenchor, Direction: Gerhard Schmidt-Gaden
Concentus Musicus Wien, Conductor: Nikolaus Harnoncourt
Kurt Equiluz, tenor (Evangelist)
Robert Holl, bass (Jesus)
Soloists of the Tolzer Knabenchor, soprano, contralto
Thomas Moser, tenor
Anton Scharinger, bass
Recording: Dom, Graz, 26-30 June 1985

John Eliot Gardiner: Monteverdi Choir, English Baroque Soloists
— The music published on this channel is exclusively dedicated to divulgation purposes and not commercial. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform me immediately before you submit a claim to Youtube, and it will be a priority to immediately remove the respective video.

The best choral movements from oratorios, cantatas etc. by Johann Sebastian Bach.

01. Christmas oratorio: Jauchzet, frohlocket 00:00
02. Cantata no.21: Ich hatte viel bekümmernis 07:46
03. Cantata no.4: Christ lag in Todesbanden 11:50
04. St John Passion: Herr, unser Herrscher 16:24
05. St John Passion: Ach Herr, lass dein lieb Engelein 27:33
06. Cantata no.80: Ein feste Burg ist unser Gott 30:16
07. Cantata no.80: Das Wort sie sollen lassen stahn 35:10
08. Cantata no.106: Ach, Herr, lehre uns bedenken — Es ist der alte Bund 36:42
09. St Matthew Passion: Kommt, ihr Töchter, helft mir klagen 43:10
10. St Matthew Passion: So ist mein Jesus – Sind Blitze, sind Donner 50:10
11. Cantata no.12: Weinen, Klagen, Sorgen, Zagen 55:40
12. Cantata no.206: Schleicht, spielende Wellen 01:02:04
13. Cantata no.147: Jesus bleibet meine Freude 01:08:24
14. Cantata no.63: Christen, ätzet diesen Tag 01:11:54
15. Cantata no.65: Sie werden aus Saba alle kommen 01:17:25
16. Magnificat: Magnificat 01:20:59
17. Magnificat: Gloria patri 01:23:47

Helmuth Rilling, John Eliot Gardiner, Karl Richter, Philippe Herreweghe etc.

Johann Sebastian Bach
Mass in B minor, BWV 232 — 18. Et resurrexit (chorus)
The English Concert, Harry Bicket conductor

In Wachet auf, ruft uns die Stimme, performed by the Netherlands Bach Society for All of Bach, everything revolves around the parable of the wise and foolish virgins. They wait throughout the night with burning lamps for the arrival of the bridegroom. Five of them have brought along extra oil to keep their lamp burning. The others run out of oil and go off to buy some more. The bridegroom arrives while they are away.

Recorded for the project All of Bach on February 11th 2018 at the Walloon Church, Amsterdam. If you want to help us complete All of Bach, please subscribe to our channel bit.ly/2vhCeFB and consider donating bit.ly/2uZuMj5.

For the interview with Jos van Veldhoven on Wachet auf, ruft uns die Stimme go to www.youtube.com/watch?v=tvB-sJyZEqw
For more information on BWV 140 and this production go to allofbach.com/en/bwv/bwv-140/

All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and its guest musicians. Visit our free online treasury for more videos and background material allofbach.com/en/. For concert dates and further information go to www.bachvereniging.nl/nederlandse-bachvereniging.

Netherlands Bach Society
Jos van Veldhoven, conductor
Maria Keohane, soprano
Tim Mead, alto
Daniel Johannsen, tenor
Matthew Brook, bass

J. S. Bach
Cantatas
BWV 48 [15:56]
BWV 5 [21:37]
BWV 90 [12:44]
BWV 56 [20:05]
Soprano: Joanne Lunn
Counter-tenor: William Towers
Tenor: James Gilchrist
Bass: Peter Harvey
Monteverdi Choir
English Baroque Solists
John Eliot Gardiner
Live recordings from the Bach Cantata Pilgrimage.
Erlöserkirche, Potsdam, Germany
Volume 10 CD 1

J. S. Bach
Cantatas
BWV 70 [22:59]
BWV 132 [17:40]
BWV 147 [28:07]
Soprano: Brigitte Geller
Counter-tenor: Michael Chance
Tenor: Jan Kobow
Bass: Dietrich Henschel
Monteverdi Choir
English Baroque Soloists
John Eliot Gardiner
Live recordings from the Bach Cantata Pilgrimage:
Michaeliskirche, Lüneburg, Germany.
Volume 13 CD 2

James Gaffigan dirige lOrchestre national de France et le Choeur de Radio France dans le Requiem en ré mineur K.626 de Wolfgang Amadeus Mozart, avec la soprano Marita Solberg, la mezzo-soprano Karine Deshayes, le ténor Joseph Kaiser, et la basse Alexander Vinogradov. Concert enregistré le 29 juin 2017 en direct de la basilique de Saint-Denis dans le cadre du Festival de saint-Denis.

#Mozart #MozartRequiem #OrchestreNationalDeFrance

00:00 — Début du concert
01:19 — I. Introïtus
02:00 — Requiem
05:46 — II. Kyrie
08:13 — III. Sequentia. Dies Irae
10:09 — Tuba mirum
13:29 — Rex tremendae
15:31 — Recordare
20:27 — Confutatis
22:49 — Lacrimosa
25:52 — IV. Offertorium Domine Jesu Hostias
32:52 — V. Sanctus
34:30 — VI. Benedictus
38:52 — VII. Agnus Dei
41:45 — VIII. Communio — Lux Aeterna

A propos de l’œuvre:

Mozart croule sous les problèmes quand il entreprend l’écriture de son Requiem en 1791. Accablé par les dettes, le maestro viennois est aussi gravement malade. Pour ajouter à son malheur, sa musique ne séduit plus, la fréquentation de ses concerts diminue.

On ne compte plus les légendes qui entourent le contexte de création de l’œuvre. Mais parmi elles, une vérité se dessine. Le commanditaire de l’œuvre serait le comte von Walsegg, désireux d’obtenir une messe des morts pour célébrer le souvenir de son épouse, tout juste disparue. La demande est faite à Mozart de manière anonyme. Le comte souhaitait en effet se faire passer pour lauteur de l’œuvre, une supercherie dont il était familier!

Épuisé, Mozart s’éteint le 5 décembre 1791 à lâge de 35 ans. S’il a probablement composé entièrement les deux premières parties de l’œuvre, l’Introïtus et le Kyrie, le reste a été repris en main par l’un de ses élèves, Franz-Xaver Süssmayr, à partir d’esquisses plus ou moins détaillées.

Distribution:

Marita Solberg, soprano
Karine Deshayes, mezzo-soprano
Joseph Kaiser, ténor
Alexander Vinogradov, basse
Chœur de Radio France,
Nicolas Fink, chef de chœur
Orchestre National de France,
James Gaffigan, direction

A propos du compositeur Wolfgang Amadeus Mozart (1756 — 1791):

Wolfgang Amadeus Mozart est l’un des compositeurs les plus importants de l’histoire de la musique occidentale, et la figure majeure de la période du classicisme. Il fait partie avec Haydn et Beethoven de la « triade classique viennoise », incarnant l’un des trois maîtres dont l’influence a été la plus considérable sur les générations suivantes de compositeurs. Virtuose du clavecin et du violon, il connaît un succès précoce et une carrière fulgurante, en portant toutes les formes musicales existantes à un état d’accomplissement inégalé.

Retrouvez tous les concerts filmés de France Musique sur www.francemusique.fr/concerts

Pour plus de contenu France Musique rendez-vous sur le site www.francemusique.fr/

Cliquez ici pour vous abonner: bit.ly/2oeEr3e

Suivez nous sur:
► Facebook — bit.ly/2nDuQSd
► Twitter — bit.ly/2okZSfP
► Instagram — bit.ly/2nDA547