Misa en B menor (BWV 232), una de las obras mas famosas del compositor alemán barroco Johann Sebastian Bach.

Y con esta interpretación que a mi parecer es la mejor de parte del organista y director Karl Richter con el Münchener Bach-Chor
y la Münchener Bach-Orchester y como solistas:
Hermann Prey (Bajo)
Horst R. Laubenthal (Tenor)
Gundula Janowitz, (Soprano)
Hertha Töppe (Alto)

*PIEZAS (PARODIAS)
— Kyrie eleison (Chorus)
— Christe eleison (S-A)
— Kyrie eleison (Chorus)
— Gloria in excelsis Deo (Chorus)
— Et in terra pax (Chorus)
— Laudamus te (A)
— Gratias agimus tibi (Chorus)
— Domine Deus (S-T)
— Qui tollis peccata mundi (Chorus)

Internationally acclaimed vocal group VOCES8 headline the Academy of Ancient Musics performance of Handels beloved oratorio Messiah, recorded live at the Chapel of Trinity College, Cambridge.

Download the concert programme here: issuu.com/academy-of-ancient-music/docs/aam_programme_messiah_with_voces8_dec_2019__for_is

PROGRAMME:
George Frideric Handel (1685 — 1759)
Messiah HWV56

========
PART THE FIRST
00:00:10 — Symphony
00:03:30 — Comfort Ye My People (Blake Morgan, tenor)
00:06:54 — Evry Valley Shall Be Exalted (Euan Williamson, tenor)
00:10:33 — And The Glory Of The Lord
00:13:24 — Thus Saith The Lord (Christopher Moore, bass)
00:14:47 — But Who May Abide The Day Of His Coming (Katie Jeffries-Harris, alto)
00:19:10 — And He Shall Purify
00:21:38 — Behold, A Virgin Shall Conceive (Katie Jeffries-Harris, alto)
00:22:15 — O Thou That Tellest Good Tidings To Zion (Katie Jeffries-Harris, alto)
00:27:33 — For Unto Us A Child Is Born
00:31:52 — Pastoral Symphony
00:33:00 — There Were Shepherds Abiding In The Field (Eleonore Cockerham, soprano)
00:33:58 — And Suddenly There Was With An Angel (Eleonore Cockerham, soprano)
00:36:09 — Rejoice Greatly, O Daughter Of Zion (Penelope Appleyard, soprano)
00:40:50 — Then Shall The Eyes Of The Blind (Katie Jeffries-Harris, alto)
00:41:26 — He Shall Feed His Flock (Katie Jeffries-Harris, alto

Henry Purcell (1659 — 1695). Fantasias for the Viols, 1680

* Fantasiaupon one note

3 Fantasias in 3 parts
* Fantasia I
* Fantasia II
* Fantasia III

3 Fantasias en 4 parts
* Fantasia IV
* Fantasia V
* Fantasia VI

* In Nomine in 6 parts

3 Fantasias in 4 parts
* Fantasia VII
* Fantasia VIII
* Fantasia IX

3 Fantasias en 4 parts
* Fantasia X
* Fantasia XI
* Fantasia XII

* In Nomine in 7 parts

HESPÈRION XX
— Jordi Savall, dessus de viole
— Wieland Kuijken, basse de viole
— Sophie Watillon, autecontre de viole
— Eunice Brandao, ténor de viole
— Sergi Casademunt, ténor de viole
— Marianne Müller, basse de viole
— Philippe Pierlot, basse de viole

Provided to YouTube by harmonia mundi

Johannes-Passion, BWV 245, II. Teil: 39. Chorus «Ruht wohl, ihr heiligen Gebeine» · Collegium Vocale Gent · Philippe Herreweghe

J.S. Bach: Johannes-Passion

℗ harmonia mundi s.a.

Released on: 2007-07-31

Artist: Collegium Vocale Gent
Orchestra: Collegium Vocale Gent
Artist: Philippe Herreweghe
Conductor: Philippe Herreweghe
Composer: Johann Sebastian Bach

Auto-generated by YouTube.

Segunda parte de Grandes Obras para órgano de Johann Sebastian Bach. Interpretación a cargo de Hans-André Stamm.

Provided to YouTube by The Orchard Enterprises

Pastorale F Dur BWV 590: Second Movement · Jacques Van Oortmerssen

Bach: Organ Works Vol. 7

℗ 2007 Challenge Classics

Released on: 2007-04-13

Auto-generated by YouTube.

Provided to YouTube by National Digital Aggregator LLC

Хорошо темперированный клавир, том 1: Прелюдия и фуга No. 10 ми минор, BWV 855 · Святослав Рихтер

Святослав Рихтер 100, Том 31 (Live)

℗ 2020 АО «Фирма Мелодия»

Released on: 2015-01-01

Auto-generated by YouTube.

Baroque music is a period or style of Western art music composed from approximately 1600 to 1750. This era followed the Renaissance music era, and was followed in turn by the Classical era. Baroque music forms a major portion of the «classical music» canon, and is now widely studied, performed, and listened to. Key composers of the Baroque era include Johann Sebastian Bach, Antonio Vivaldi, George Frideric Handel, Claudio Monteverdi, Domenico Scarlatti, Alessandro Scarlatti, Henry Purcell, Georg Philipp Telemann, Jean-Baptiste Lully, Jean-Philippe Rameau, Marc-Antoine Charpentier, Arcangelo Corelli, Tomaso Albinoni, François Couperin, Giuseppe Tartini, Heinrich Schütz, Giovanni Battista Pergolesi, Dieterich Buxtehude, and Johann Pachelbel.
The Baroque period saw the creation of common-practice tonality, an approach to writing music in which a song or piece is written in a particular key; this kind of arrangement has continued to be used in almost all Western popular music. During the Baroque era, professional musicians were expected to be accomplished improvisers of both solo melodic lines and accompaniment parts. Baroque concerts were typically accompanied by a basso continuo group (comprising chord-playing instrumentalists such as harpsichordists and lute players improvising chords from a figured bass part) while a group of bass instruments—viol, cello, double bass—played the bassline. A characteristic Baroque form was the dance suite. While the pieces in a dance suite were inspired by actual dance music, dance suites were designed purely for listening, not for accompanying dancers.
During the period, composers and performers used more elaborate musical ornamentation (typically improvised by performers), made changes in musical notation (the development of figured bass as a quick way to notate the chord progression of a song or piece), and developed new instrumental playing techniques. Baroque music expanded the size, range, and complexity of instrumental performance, and also established the mixed vocal/instrumental forms of opera, cantata and oratorio and the instrumental forms of the solo concerto and sonata as musical genres. Many musical terms and concepts from this era, such as toccata, fugue and concerto grosso are still in use in the 2010s. Dense, complex polyphonic music, in which multiple independent melody lines were performed simultaneously (a popular example of this is the fugue), was an important part of many Baroque choral and instrumental works.
The term «baroque» comes from the Portuguese word barroco, meaning «misshapen pearl». Negative connotations of the term first occurred in 1734, in a criticism of an opera by Jean-Philippe Rameau, and later (1750) in a description by Charles de Brosses of the ornate and heavily ornamented architecture of the Pamphili Palace in Rome; and from Jean Jacques Rousseau in 1768 in the Encyclopédie in his criticism of music that was overly complex and unnatural. Although the term continued to be applied to architecture and art criticism through the 19th century, it was not until the 20th century that the term «baroque» was adopted from Heinrich Wölfflins art-history vocabulary to designate a historical period in music.

#Baroque
#BaroqueMusic
#BaroqueHistory

From the Festival d’Ambronay, 2012
Contralto Nathalie Stutzmann conducts violinist Satomi Watanabe and Orfeo 55
Johann Sebastian Bach — Saint Matthew Passion «Ebarme Dich, mein Gott» BWV 244

Click here to watch other concerts at the Festival dAmbronay: bit.ly/ConcertsFestivaldAmbronay
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Satomi Watanabe — violinist
Nathalie Stutzmann — contraalto and conductor
Orfeo 55

A coproduction of
Ozango — Le Festival d’Ambronay
with the participation of France Télévisions
in association with M_Media
with the support of Centre National du Cinéma et de limage animée

Video director: Isabelle Soulard

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2004 ITS Philharmonic Orchestra, Louis Jullien / All Rights Reserved
Violin Concerto in A minor, BWV 1041
00:00:00 Allegro moderato
00:03:46 Andante
00:09:26 Allegro assai

Violin Concerto in E major, BWV 1042
00:12:56 Allegro
00:20:47 Adagio
00:26:38 Allegro assai

Double Violin Concerto in D minor, BWV 1043
00:29:16 Vivace
00:32:59 Largo, ma non tanto
00:39:19 Allegro

Concerto for 3 Violins and Strings in D major, BWV 1064r
00:43:55 Adagio
00:50:30 Allegro
00:56:07 Allegro

Violin Concerto G minor, BWV 1056r
01:00:42 Allegro
01:04:23 Largo
01:06:58 Presto

Concerto for Violin and Oboe in C minor, BWV 1060r
01:10:06 Allegro
01:14:52 Adagio/ Largo
01:19:31 Allegro

Violin Concerto in D minor BWV 1052a
01:23:03 Allegro
01:31:03 Adagio
01:37:31 Allegro

Concerto for Flute, Violin, Harpsichord and Strings in A minor, BWV 1044
01:45:32 Allegro
01:53:51 Adagio ma non tanto e dolce
01:59:44 Tempo di Allabreve

Check our Fantastic Selection with the best Classical Music for Relaxation, Meditation, Focus, Reading, Studying and Stress Relief:
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www.youtube.com/playlist?list=PLeCgNh_ukabpJ687Nu6HKN3_HdSKpOckA

Check our channel including the best music from Grieg, Mozart, Beethoven, Bach, Vivaldi, Debussy, Brahms, Handel, Chopin, Schubert, Haydn, Dvorak, Schumann, Tchaikovsky and many more:
www.youtube.com/playlist?list=PLeCgNh_ukabqiFCLuq8UgpwRWG3TZ9bJH

#classicalmusic #bach #violin