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00:00:00 — Overture (Suite) No. 3 in D Major, BWV 1068: II. Air, «Air on a G String»
00:04:57 — Brandenburg Concerto No. 2 in F Major, BWV 1047
00:09:25 — Concerto for 2 Violins in D Minor, BWV 1043
00:12:58 — Harpsichord Concerto in F Minor, BWV 1056: II. Largo
00:15:48 — Harpsichord Concerto in D Major, BWV 1045
00:23:10 — Violin Concerto in E Major, BWV 1042
00:30:32 — Concerto for Flute, Violin, Harpsichord and Strings in A Minor, BWV 1044, «Triple Concerto»
00:38:19 — Brandenburg Concerto No. 3 in G Major, BWV 1048
00:43:01 — Concerto for Violin and Oboe in C Minor, BWV 1060: I. Allegro
00:48:00 — Harpsichord Concerto in E Major, BWV 1053
00:55:36 — Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie
00:56:55 — Toccata and Fugue in D Minor, BWV 565: Toccata
00:59:52 — Goldberg Variations, BWV 988: I. Aria
01:03:49 — Cello Suite No. 1 in G Major, BWV 1007: Prelude
01:06:20 — Concerto in the Italian Style, BWV 971, «Italian Concerto»: I. Allegro
01:10:07 — Herz und Mund und Tat und Leben, BWV 147: X. Jesu, joy of mans desiring (arr. M. Hess)
01:13:21 — Violin Partita No. 3 in E Major, BWV 1006: I. Preludio
01:17:20 — Brandenburg Concerto No. 4 in G Major, BWV 1049: I. Allegro
01:23:41 — Well-Tempered Clavier, Book I: Prelude and Fugue No. 1 in C Major, BWV 846
01:28:04 — Anna Magdalena Notenbuch: Minuet in G Major, BWV Anh 114
01:29:36 — Violin Concerto in A Minor, BWV 1041: III. Allegro assai
01:33:21 — Kommt, eilet und laufet, BWV 249, «Easter Oratorio»: Adagio
01:38:24 — Cantata Nº 208, Sheep May Safely Graze, BWV 208
01:42:55 — Air on the G String Suite No. 3, BWV 1068
01:46:21 — Double Violin Concerto in D minor BWV1043 — Largo ma non tanto
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Music entertains, uplifts and inspires us. We need it now more than ever. So while our doors may be closed, the music continues online.
ABOUT THE CONCERT
Performed live in March this year, shortly before the Centre had to close the its doors due to coronavirus, our Signature Event saw standing ovations for the players of Freiburg Baroque, Bezuidenhout and their masterful interpretations of Beethoven. Now you can relieve this performance online or enjoy it for the very first time.
About this Album:
Born in 1681, Georg Philip Telemann would inevitably suffer from comparisons with one of the towering figures of western Classical music, born just four years later: Johann Sebastian Bach. Although after his death Telemann may have been constantly cast into the Leipzig composer’s shadow, during his lifetime he was exalted as Bach’s equal and was considered one of the greatest German composers of the early 18th century. Certainly, the size of his output compares very favourably with Bach’s; Telemann was also a highly productive composer, writing over 3,000 works during his lifetime (although not all have survived). Despite his popularity falling away in the 19th century, today Telemann is almost as highly regarded as he was in his own lifetime – the large number of new recordings on this edition pays tribute to the flurry of interest that has grown around the composer Telemann over the past 30 years. After starting his career in Leipzig, Telemann became Kapellmeister in Sorau (now Żary in Poland), where by his own estimation he wrote over 200 overtures, imbued with the Polish and French influences of the court that surrounded him. The cornerstone of his output, many of these diverse overtures make up a large part of this disc. Telemann then moved first to Eisenach, in central Germany, followed by Frankfurt, his fame steadily increasing along with his output. Among his new compositions were church cantatas, psalms and other sacred works, as well as instrumental music; he became known for his concertos in the French style, which he valued above the Italian style that was more popular at the time. It was in Frankfurt that he began to write concertos for various different instruments, many of which are to be found in this edition.
Gundula Janowitz
Christa Ludwig
Peter Schreier
Horst Laubenthal
Dietrich Fischer-Dieskau
Walter Berry
Anton Diakov
Herbert Von Karajan: Berliner Philharmoniker; Wiener Singverein
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From the protestant church Trogen in Switzerland
Choir and Orchestra of the J. S. Bach Foundation
Rudolf Lutz — conductor
Soloist
Claude Eichenberger — alto
Johann Sebastian Bach — Cantata BWV «169 Gott soll allein mein Herze haben» (God alone shall have my heart)
1:10 Sinfonia
9:03 Arioso e Recitativo (alto): Gott soll allein mein Herze haben
11:39 Aria (alto): Gott soll allein mein Herze haben
17:00 Recitative (alto): Was ist die Liebe Gottes?
18:01 Aria (alto): Stirb in mir, Welt, und alle deine Liebe
22:51 Recitative (alto): Doch meint es auch dabei
23:29 Chorale: Du süße Liebe, schenk uns deine Gunst
