Provided to YouTube by Universal Music Group

J.S. Bach: St. John Passion, BWV 245 / Part Two — No.26 Choral: «In meines Herzens Grunde» · English Baroque Soloists · John Eliot Gardiner · The Monteverdi Choir

Bach, J.S.: St. John Passion

℗ 1986 Deutsche Grammophon GmbH, Berlin

Released on: 1986-01-01

Producer: Dr. Andreas Holschneider
Producer: Charlotte Kriesch
Producer, Recording Producer, Studio Personnel, Balance Engineer: Karl-August Naegler
Studio Personnel, Recording Engineer: Wolf-Dieter Karwatky
Studio Personnel, Recording Engineer: Gregor Zielinsky
Studio Personnel, Editor: Gernot Von Schultzendorff
Composer: Johann Sebastian Bach
Author: Anonymous

Auto-generated by YouTube.

Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): PianoClassics.lnk.to/CompletePartitasYuanSheng
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Composer: Johann Sebastian Bach
Artist: Yuan Sheng piano

This is the third instalment of Yuan Sheng’s complete Bach cycle played on the piano, previous issues include the Goldberg Variations and the Italian Concerto/French Overture.
“China’s premier interpreter of Bach”, is what International Piano Magazine called Yuan Sheng. A pupil of Solomon Mikowsky (Manhattan School of Music) and notably Rosalyn Tureck Yuan Sheng extensively studied the performance practice of Baroque music. Equally at home at the harpsichord he has an instinctive feeling for the possibilities, sonorities and touch of the instrument at hand, so that “the listener might easily have imagined the composer at the keyboard” (Boston Intelligencer).
This recent recording of the complete 6 Partitas is again a marvel of elegance, wit, rhetoric and brilliance, played on a modern Steinway.
Besides pursuing an international career Yuan Sheng is Professor of Piano at the Bejing Central Conservatory of Music.

00:00:00 Partita No. 1 in B-Flat Major, BWV 825: I. Praeludium
00:01:43 Partita No. 1 in B-Flat Major, BWV 825: II. Allemande
00:05:37 Partita No. 1 in B-Flat Major, BWV 825: III. Corrente
00:08:35 Partita No. 1 in B-Flat Major, BWV 825: IV. Sarabande
00:14:10 Partita No. 1 in B-Flat Major, BWV 825: V. Menuet I

J.S. Bach Brandenburg Concertos 1 — 6

Disc 1
1. Brandenburg Concerto No. 1 in F, BWV 1046 0:00
2. Brandenburg Concerto No. 3 in G, BWV 1048 17:54
3. Brandenburg Concerto No. 5 in D, BWV 1050 28:22

Disc 2
4. Brandenburg Concerto No. 6 in B flat, BWV 1051 47:25
5. Brandenburg Concerto No. 4 in G, BWV 1049 1:03:55
6. Brandenburg Concerto No. 2 in F, BWV 1047 1:20:01

Provided to YouTube by harmonia mundi

Mass in B Minor, BWV 232: Symbolum nicenum: 6. Et resurrexit · Collegium Vocale Gent · Philippe Herreweghe

J.S. Bach: Mass in B Minor

℗ harmonia mundi

Released on: 2007-07-31

Artist: Collegium Vocale Gent
Orchestra: Collegium Vocale Gent
Artist: Philippe Herreweghe
Conductor: Philippe Herreweghe
Composer: Johann Sebastian Bach

Auto-generated by YouTube.

Johan Sebastian Bach
Christmas Oratorio BWV 248
Nikolaus Harnoncourt
Concentus Musicus Wien
Peter Schreier — Tenor
Robert Holl — Bass
Soloists of the Tolzer Knabenchor
Chorusmaster: Gerhard Schmidt-Gaden
Fisrt Part: Cantatas No 1 — 3

J. S. Bach
Cantatas:
BWV 162 [16:08]
BWV 49 [25:42]
BWV 180 [22:48]
Soprano: Magdalena Kožená
Alto: Sara Mingardo
Tenor: Christoph Genz
Bass: Peter Harvey
Monteverdi Choir
English Baroque Soloists
John Eliot Gardiner
Live recordings from the Bach Cantata Pilgrimage:
Cattedrale di San Lorenzo, Genova, Italy
Volume 11 CD 1

Stabat Mater
for soprano, contralto, strings and basso continuo
by Giovanni Battista Pergolesi (1710-1736)
Margaret Marshall (soprano)
Lucia Valentini Terrani (contralto)
Leslie Pearson (organ)
London Symohony Orchestra
Claudio Abbado (conductor)
Recorded in 1985

00:00 «Stabat Mater Dolorosa»
04:39 «Cujus animam gementem»
07:47 «O quam tristis et afflicta»
10:22 «Quae moerebat et dolebat»
13:12 «Quis est homo»—«Pro peccatis suae gentis...»
16:14 «Vidit suum dulcem natum»
19:48 «Eja mater fons amoris»
22:42 «Fac ut ardeat cor meum»
25:23 «Sancta mater, istud agas»
31:22 «Fac ut portem Christi mortem»
35:06 «Inflammatus et accensus»
37:57 «Quando corpus morietur» —«Amen...»

For making this video, the images and music were taken from the following sites:
kickass.to/pergolesi-stabat-mater-claudio-abbado-london-symphony-orch-t1077555.html
m-a-marshall.livejournal.com/pics/catalog/259/1713

This video was made for non-profit, self-educational, entertainment, recreational and improving my video making skills purposes. All rights belong to its rightful owners.

Provided to YouTube by Warner Classics International

The Married Beau: Overture · John Eliot Gardiner

Purcell Edition Volume 2: The Indian Queen, The Tempest, Dioclesian

Selection of opera, ballet etc. movements of the works by Jean-Baptiste Lully.
(Soundtrack from the movie: Le Roi Danse)

1. Lully: Te Deum Motet a deux choeurs 00:00
2. Cordier: La Bocanne primitive
3. Cordier: La Bocanne compliquée
4. Lully: Phaéton — Troupe dAstrée dansante
5. Lully: La Nuit Ballet — Ouverture
6. Lully: La Plaisiers Ballet — Sarabande
7. Lully: La Nuit Ballet — Le Roi représentant le soleils levant 10:14
8. Lully: Xerxes Ballet — Air pour les matelots jouants des trompettes marines
9. Lully: Xerxes Ballet — Air pour les esclaves et singes dansants
10. Lully: Xerxes Ballet — Air pour les postures de Scaramouche
11. Lully: Xerxes Ballet — Air pour les docteurs, Frivelins et Polichinelles
12. Lully: Xerxes Ballet — Air pour les esclaves dansants
13. Lully: Idylle sur la paix — Air pour Madame la Dauphine
14. Lully: Alcidiane Ballet — Ritournelle et air de Mademoiselle Hilaire 21:01
15. Lully: Alcidiane Ballet — Ouverture
16. Lully: Triumphe de LAmour — Ouverture
17. Lully: Persée — Entrée des divinités infernales
18. Lully: Le Bourgeois Gentilhomme — Marche pour la cérémonie des Turcs 30:05
19. Lully: Le Bourgeois Gentilhomme — Giourdina
20. Lully: Le Bourgeois Gentilhomme — Chaconne des Scaramouches, Frivelins et Arlequins
21. Lambert: Ombre de mon amant (Air de cour)
22. Lully: Triumphe de LAmour — Prélude pour la nuit 38:13
23. Cambert: Pomone — Passons nos jours dans ces vergers
24. Cambert: Pomone — Que voyez-vous mes yeux
25. Lully: Armide — Plus jobserve ces lieux 47:14
26. Lully: Atys, «Le Sommeil» — Dormons, dormons tous
27. Lully: Armide — Passacaille 58:08
28. Lully: Armide — Prelude
29. Lully: Les Folies dEspagne
30. Lully: Les Amants magnifiques — Entrée dApollon
31. Lully: Triumphe de LAmour — Entrée dApollon 01:07:28
32. Lully: Triumphe de LAmour — Deuxieme air
33. Lully: Isis — Cest lui dont les dieux ont fait choix
34. Lully: Armide — Que léclat de son nom
35. Lully: Amadis — Esprits empressés a nous plaire

Reinhard Goebel
Musica Antiqua Cologne

Henry Purcell (1659 — 1695). Odes

Come, Ye Sons Of Art, Away. Ode For The Birthday Of Queen Mary II, 1694
* Ouverture
* Come, Ye Sons Of Art, Away
* Sound The Trumpet, Sound
* Come, Ye Sons Of Art
* Strike The Viol, Touch The Lute
* The Day That Such A Blessing Gave
* Bid The Virtues, Bid The Graces
* These Are The Sacred Charmes
* See Nature, Rejoicing

Welcome To All The Pleasures. Ode For St. Cecilias Day, 1683
* Ouverture
* Welcome To All The Pleasures
* Here The Deities Approve / While Joys Celestial
* Then Lift Up Your Voice / The Powr Shall Divert Us A Pleasanter Way
* Beauty, Thou Scene Of Love
* In A Consort Of Voices

Of Old, When Heroes Thought It Base. The Yorkshire Feast Song, 1690
* Symphony
* Of Old, When Heroes Thought It Base / Brigantium, Honourd With A Race Divine
* The Bashful Thames, For Beauty So Renowned
* The Pale And The Purple Rose
* And In Each Track Of Glory Since
* Symphony
* And Now When The Renownd Nassau
* They Did No Stroms, No Threatnings Fear
* So When The Glittring Queen Of Night
* Let Music Join
* Sound, Trumpets, Sound!
* Sound All To Him

The English Concert Choir
The English Concert
Trevor Pinnock