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Composer: Johann Sebastian Bach
Artists: Emmy Verhey (violin), Camerata Antonio Luco, Rainer Kussmaul (violin), Henk Rubingh (violin), Thomas Hengelbrock (violin), Amsterdam Bach (Soloists)

Available as a separate release: all concertos for 1 violin by Bach. They are BWV 1041 and 1042: the well-known concertos. BWV1052, 1056 and 1064 are reconstructions. The latter one being for three violins. Soloists are among others Emmy Verhey and Rainer Kussmaul.

Tracklist:

Violin Concerto in A Minor, BWV 1041:
00:00:00 I. Allegro
00:03:52 II. Adagio
00:10:23 III. Allegro

Violin Concerto in E Major, BWV 1042:
00:14:22 I. Allegro
00:22:05 II. Adagio
00:28:47 III. Allegro assai

Violin Concerto in D Minor, BWV 1052:
00:31:42 I. Allegro
00:39:20 II. Largo
00:46:22 III. Presto

Violin Concerto in G Minor, BWV 1056:
00:54:14 I. Allegro
00:57:37 II. Andante
01:00:52 III. Allegro assai

Concerto for 3 violins, strings

Hans Zimmer — All of Them

Soundtrack King Arthur

In November 1996, Andrea and Sarah Brightman were invited to perform the duet Time To Say Goodbye (Con Te Partirò) at the farewell contest of the German World Light-Heavyweight boxing champion, Henry Maske. A national hero held in unrivaled esteem, he is known for his love of selecting entrance themes to his bouts. Sarah Brightman, the internationally renowned soprano and friend of Henry Maske heard Con Te Partirò in a restaurant while dining with her friends. Entranced by the singer and the song, Brightman made contact with Andrea. Andrea and Brightman re-recorded Con Te Partirò as the duet Time To Say Goodbye with members of the London Symphony Orchestra.

This live version is from Brightmans first full concert recording, «Sarah Brightman: In Concert», from Londons Royal Albert Hall with the London Symphony Orchestra under the direction of Paul Bateman. Guest artists include Andrew Lloyd Webber, Adam Clark and Andrea Bocelli. The concert was released to video in 1998.
The concert was directed by David Mallet.

Sublime, extreme and all-embracing… only superlatives will do to describe Bach’s Mass in B minor, the Hohe Messe, performed by the Netherlands Bach Society for All of Bach. In between an awe-inspiring Kyrie and the jubilant final Dona nobis pacem, there are nine completely unique arias and duets, fourteen impressive ensemble sections for four, five, six and even eight voices, a broad spectrum of instrumental solos, and an incredible variety of styles.

Recorded for the project All of Bach on December 15th 2016 at the Grote Kerk, Naarden. If you want to help us complete All of Bach, please subscribe to our channel bit.ly/2vhCeFB or consider donating bit.ly/2uZuMj5.

For the interview with musicians from the Netherlands Bach Society on the Mass in B minor go to www.youtube.com/watch?v=QU9596vrep8
For more information on BWV 232 and this production go to allofbach.com/en/bwv/bwv-232/

All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and her guest musicians. Visit our free online treasury for more videos and background material allofbach.com/en/. For concert dates and further information go to www.bachvereniging.nl/nederlandse-bachvereniging.

Jos van Veldhoven, conductor
Hana Blažíková, soprano 1
Anna Reinhold, soprano 2
David Erler, alto
Thomas Hobbs, tenor
Peter Harvey, bass

Soundtrack from the movie: England, my England: The story of Henry Purcell (selection of the best-known works by Henry Purcell)

01 Trumpet Sonata in D Major, Z. 850: I. Allegro 00:00
02 Trumpet Sonata in D Major, Z. 850: II. Adagio
03 Trumpet Sonata in D Major, Z. 850: III. Allegro
04 The Married Beau: Overture
05 «Come ye sons of art», Z. 323: II. Ritornello

Primera parte de Grandes Obras para órgano de Johann Sebastian Bach, interpretadas por Hans-André Stamm.

Provided to YouTube by Universal Music Group

J.S. Bach: Matthäus-Passion, BWV 244 / Erster Teil — No. 1 «Kommt, ihr Töchter, helft mir klagen» · English Baroque Soloists · The Monteverdi Choir · The London Oratory Junior Choir · John Eliot Gardiner

Bach, J.S.: St. Matthew Passion, BWV 244

℗ 1989 Deutsche Grammophon GmbH, Berlin

Released on: 1989-01-01

Producer: Dr. Andreas Holschneider
Producer: Charlotte Kriesch
Producer, Recording Producer: Karl-August Naegler
Studio Personnel, Recording Engineer: Klaus Behrens
Studio Personnel, Balance Engineer, Editor: Ulrich Vette
Studio Personnel, Editor: Werner Roth
Associated Performer, Chorus Master: Patrick Russill
Composer: Johann Sebastian Bach
Author: Christian Friedrich Henrici

Auto-generated by YouTube.

Provided to YouTube by harmonia mundi

Matthäus-Passion, BWV 244, Zweiter Teil: Erbarme dich (Aria) · Philippe Herreweghe · Collegium Vocale Gent · Andreas Scholl

J.S. Bach: Matthäus-Passion BWV 244

℗ harmonia mundi

Released on: 2007-07-31

Artist: Andreas Scholl
Soloist: Andreas Scholl
Artist: Collegium Vocale Gent
Choir: Collegium Vocale Gent
Ensemble: Collegium Vocale Gent
Artist: Philippe Herreweghe
Conductor: Philippe Herreweghe
Composer: Johann Sebastian Bach

Auto-generated by YouTube.

‘Erbarme dich, mein Gott’ from St Matthew Passion (BWV 244) by J.S. Bach.
Performed by the Netherlands Bach Society conducted by Jos van Veldhoven.
Soloists: Tim Mead (Alto), Shunske Sato (violin)

The St Matthew Passion tells the story of the last days of Jesus. He is betrayed, tried, crucified and buried. The lyrics were compiled by Picander (the pseudonym of Christian Friedrich Henrici), probably in close consultation with Bach himself. For their theme, they took the story as told by St Matthew the Evangelist. As different groups or people have their say, the singers get different roles – Christ, Judas, Peter, a slave girl, the pupils, the high priests, the people and the soldiers, etc.
At key moments in the story, Bach and Picander added chorales and arias as a reflection of the biblical story. The action is suspended and the events are placed in the theological context of Bach’s day.

The chorale lyrics and melodies come from the Lutheran hymn book, and were well known to the congregation in Leipzig. Even though Bach’s harmonies were new, everyone would have recognised the melody and the words. The lyrics for the opening and closing choruses and the arias were brand new, however. Both the arias and the chorales often link up seamlessly with the evangelical words.

Watch the complete St Matthew Passion and read the full story at ‪www.bachvereniging.nl/en/bwv/bwv-244/

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Жанр: детектив, военный
Тип: мини-сериал
Год: 2009
Режиссер: Сергей Сотниченко
Продюсер: Виктор Мирский, Родион Павлючик
Исполнительный продюсер: Александр Москаленко
Оператор: Виталий Зимовец
Автор сценария: Андрей Маторин
В ролях: Игорь Скляр, Александр Лыков, Виталий Линецкий, Владимир Капустин, Андрей Межулис, Алексей Анищенко

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