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Performed by Various, licensed by PremiumBeat, Storyblocks and YouTube Audio Library:
Chopin — Nocturne in E Flat Major (Op. 9, No. 2) (Storyblocks)
Chopin — Nocturne in E minor (Op. 72, No. 1) (Storyblocks)
Chopin — Waltz in C Sharp Minor (Op. 64, No. 2) (Storyblocks)
Chopin — Nocturne in B Flat Minor (Op. 9, No. 1) (PremiumBeat)
Beethoven — Sonata No. 8 in C minor (2nd Movement, Op. 13) (Storyblocks)
Satie — Gymnopédie No. 3 — Wahneta Meixsell (YouTube Audio Library)
Bach — Suite No. 2 in C minor (BWV 813) Allemande — Wahneta Meixsell (YouTube Audio Library)
Liszt — Consolation No.3 in D flat Major S.172 (Storyblocks)
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wolfgang amadeus mozart
requiem in d minor, k 626
herbert von karajan
wiener philharmoniker
wiener singverein
1986
anna tomowa sintow
helga muller molinari
vinson cole
paata burchuladze
2:05 I. Introitus
7:34 II. Kyrie
III. Sequentia
10:16 1. Dies irae
12:09 2. Tuba mirum
16:01 3. Rex tremendae
18:22 4. Recordare
23:32 5. Confutatis
25:54 6. Lacrimosa
IV. Offertorium
29:29 1. Domine Jesu
33:22 2. Hostias
38:00 V. Sanctus
39:50 VI. Benedictus
45:30 VII. Agnus Dei
49:13 VIII. Communio
thanks aveshsu for his kind care for the time listing.
Like many of his colleagues J.S. Bach frequently borrowed from himself and paid tribute to other composers by transcribing their works for other instruments, For example his oeuvre for organ includes transcriptions of some instrumental concertos based on work of composers like Vivaldi.
These release contains transcriptions of both Bach’s own concertos for solo keyboard and of instrumental concertos by Vivaldi. These works are certainly enhanced by the sonorities of the organ.
Played by the Russian organist Elena Barshai on the Silbermann organ of Arlesheim Cathedral and the Metzler organ of the Church of St. Clara, Basle (both in Switzerland).
Also included is an arrangement for two organs – both played by Barshai — of Bach’s Concerto for four harpsichords (which again is based on a concerto for four violins by Vivaldi).
Tracklist in comments
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Komm, Jesu, komm, mein Leib ist müde, performed by the Netherlands Bach Society for All of Bach, used to be known amongst singers from Leipzig as ‘Der saure Weg’, after the most difficult phrase in the piece. The path to its origin is a straighter one, as although we still do not know precisely for whom Bach wrote this piece, it is anyway clear that he composed it himself. Moreover, we can presume that it is a funeral or memorial motet.
Recorded for the project All of Bach on May 14th 2016 at the Grote Kerk, Naarden. If you want to help us complete All of Bach, please subscribe to our channel bit.ly/2vhCeFB and consider donating bit.ly/2uZuMj5.
All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and its guest musicians. Visit our free online treasury for more videos and background material allofbach.com/en/. For concert dates and further information go to www.bachvereniging.nl/nederlandse-bachvereniging.
Netherlands Bach Society
Stephan MacLeod, conductor