What Shall We Die For (From «Pirates of the Caribbean: At Worlds End»/Score) · Hans Zimmer
Pirates of the Caribbean: At Worlds End
℗ 2007 Walt Disney Records
Released on: 2007-01-01
Unknown, Other: Hans Zimmer
Unknown, Other: Jerry Bruckheimer
Unknown, Other: Gore Verbinski
Composer Lyricist: Hans Zimmer
Composer Lyricist: Nick Glennie Smith
Composer Lyricist: Gregor Verbinski
«O Fantasma da Ópera», tocada ao vivo em abril de 1998 no Salão Royal Albert celebração de gala do 50 º aniversário de Andrew Lloyd Webber, por Sarah Brightman e Antonio Banderas. Sarah Brightman realiza cinco músicas durante o show, incluindo duetos com Michael Ball e ONeil Dennis. A celebração é uma coleção repleta de estrelas de artistas uma ampla variedade de opções de alguns dos mais conhecidos Andrew Lloyd Webber produções musicais. O programa de uma hora inteira dois, dirigido por David Mallet, está disponível no lançamento do DVD 1999 ", de Andrew Lloyd Webber: The Royal Albert Celebration Hall"., De vídeo Polygram / Universal Music
A canção, «O Fantasma da Ópera», apresenta música por Andrew Lloyd Webber e letras de Richard Stilgoe e é o título da canção a quebra de longa duração musical de mesmo nome. Sarah Brightman era o original Christine Daaé no West End inicial de 1986 e 1988 produções da Broadway. -http://www.facebook.com/recantodosautores
Performed by Various, licensed by PremiumBeat, Storyblocks and YouTube Audio Library:
Chopin — Nocturne in E Flat Major (Op. 9, No. 2) (Storyblocks)
Chopin — Nocturne in E minor (Op. 72, No. 1) (Storyblocks)
Chopin — Waltz in C Sharp Minor (Op. 64, No. 2) (Storyblocks)
Chopin — Nocturne in B Flat Minor (Op. 9, No. 1) (PremiumBeat)
Beethoven — Sonata No. 8 in C minor (2nd Movement, Op. 13) (Storyblocks)
Satie — Gymnopédie No. 3 — Wahneta Meixsell (YouTube Audio Library)
Bach — Suite No. 2 in C minor (BWV 813) Allemande — Wahneta Meixsell (YouTube Audio Library)
Liszt — Consolation No.3 in D flat Major S.172 (Storyblocks)
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wolfgang amadeus mozart
requiem in d minor, k 626
herbert von karajan
wiener philharmoniker
wiener singverein
1986
anna tomowa sintow
helga muller molinari
vinson cole
paata burchuladze
2:05 I. Introitus
7:34 II. Kyrie
III. Sequentia
10:16 1. Dies irae
12:09 2. Tuba mirum
16:01 3. Rex tremendae
18:22 4. Recordare
23:32 5. Confutatis
25:54 6. Lacrimosa
IV. Offertorium
29:29 1. Domine Jesu
33:22 2. Hostias
38:00 V. Sanctus
39:50 VI. Benedictus
45:30 VII. Agnus Dei
49:13 VIII. Communio
thanks aveshsu for his kind care for the time listing.
Komm, Jesu, komm, mein Leib ist müde, performed by the Netherlands Bach Society for All of Bach, used to be known amongst singers from Leipzig as ‘Der saure Weg’, after the most difficult phrase in the piece. The path to its origin is a straighter one, as although we still do not know precisely for whom Bach wrote this piece, it is anyway clear that he composed it himself. Moreover, we can presume that it is a funeral or memorial motet.
Recorded for the project All of Bach on May 14th 2016 at the Grote Kerk, Naarden. If you want to help us complete All of Bach, please subscribe to our channel bit.ly/2vhCeFB and consider donating bit.ly/2uZuMj5.
All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and its guest musicians. Visit our free online treasury for more videos and background material allofbach.com/en/. For concert dates and further information go to www.bachvereniging.nl/nederlandse-bachvereniging.
Netherlands Bach Society
Stephan MacLeod, conductor
01. Toccata and Fugue in D Minor, BWV 565 0:00:09
Сергей Дижур
02. Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie 0:09:37
Московский камерный оркестр, Рудольф Баршай
03. Orchestral Suite No. 3 in D Major, BWV 1068: II. Air 0:11:04
Московский камерный оркестр, Рудольф Баршай
04. Orchestral Suite No. 4 in D Major, BWV 1069: IV. Gavotte 0:17:08
Московский камерный оркестр, Рудольф Баршай
05. Sonata No. 1 in B Minor, BWV 1014: II. Allegro 0:18:14
Игорь Ойстрах, Наталья Зерцалова
06. Trio in G Major, BWV 586 0:21:49
Сергей Цацорин
07. Concerto for 2 Harpsichords in C Minor, BWV 1060: I. Allegro 0:25:08
Московский камерный оркестр, Константин Орбелян, Ирина Иванова, Александр Архангельский
08. Harpsichord Concerto No. 5 in F Minor, BWV 1056: II. Largo 0:29:58
Московский камерный оркестр, Константин Орбелян, Карол Розенбергер
09. Orchestral Suite No. 2 in B Minor, BWV 1067: VI. Menuet 0:32:52
Московский камерный оркестр, Рудольф Баршай
10. Sonata No. 4 in C Minor, BWV 1017: I. Largo 0:34:19
Игорь Ойстрах, Наталья Зерцалова
11. Well-Tempered Clavier, Book I, BWV 846: Prelude and Fugue No. 1, in C Major 0:39:39
Андрей Гаврилов
12. Concerto for 3 Harpsichords and Strings in D Minor, BWV 1063: III. Allegro 0:41:37
Московский камерный оркестр, Рудольф Баршай
13. Brandenburg Concerto in G Major, BWV 1048: III. Allegro 0:47:52
Ансамбль скрипачей Большого Театра, Борис Хайкин
14. Sonata No. 2 in A Major, BWV 1015: III. Andante un poco 0:54:22
Игорь Ойстрах, Наталья Зерцалова
15. Harpsichord Concerto No. 5 in F Minor, BWV 1056: I. Allegro moderato 0:58:11
Московский камерный оркестр, Константин Орбелян, Карол Розенбергер
16. Concerto for Flute, Violin and Harpsichord in A Minor, BWV 1044 1:01:35
Московский камерный оркестр, Рудольф Баршай, Сергей Дижур, Куняев Борис, Миранович Леонид
17. Harpsichord Concerto No. 5 in F Minor, BWV 1056: III. Presto 1:11:14
Московский камерный оркестр, Константин Орбелян, Карол Розенбергер
Provided to YouTube by Warner Classics International
St Matthew Passion, BWV 244, Pt. 1: Recitative. «Da ging hin der Zwölfen einer» [Evangelist, Judas] · Nikolaus Harnoncourt · Kurt Equiluz · Max van Egmond
Bach: St Matthew Passion, BWV 244
℗ 1970 TELDEC CLASSICS INTERNATIONAL GMBH
Orchestra: Concentus Musicus Wien
Tenor Vocals: Kurt Equiluz
Bass Vocals: Max van Egmond
Conductor: Nikolaus Harnoncourt
Composer: Johann Sebastian Bach
Johann Sebastian BACH (1685-1750)
Erbarme dich, mein Gott
Aria (No. 39) from the oratorio Matthäuspassion, BWV 244
Text: Picander (1700-1764)
First performance: probably 11 April 1727, in Leipzig (Thomaskirche)
Delphine Galou, contralto
François-Marie Drieux, solo violin
Les Siècles,
conducted by François-Xavier Roth
Recorded in Summer 2008?
German text:
Erbarme dich, mein Gott, um meiner Zähren willen!
Schaue hier, Herz und Auge weint vor dir bitterlich.
English translation:
Have mercy, my God, for the sake of my tears!
See here, before you heart and eyes weep bitterly.