Hymn to the Sea - 10 hour version


I DO NOT own this song. Please enjoy this 10 version of hymn to the sea from titanic. This song is excellent to sleep to. This kind of sleeping music can also be used for meditation or yoga. For more peaceful songs like this give this video a thumbs up. Like Subscribe and Share .gf.me/u/xpdhrs Hello Guys!!! If any of you are able or interested I have a Go Fund Me for attend appalachian state. Any contributions would be greatly appreciated. gf.me/u/xpdhrs

Top 10 Most Beautiful Songs by Henry Purcell


See more Henry Purcell Top 10s here: www.youtube.com/playlist?list=PLSCQUdohbKioKt4nVQmQUAasVqZsg9LYc

10. Ah, How happy Are We — The Indian Queen (1695) 00:03 — Performed by The Academy of Ancient Music
9. Strike The Viol, Touch the Lute — Come, Ye Sons of Art, Away (1694) 02:06 — Performed by The English Concert
8. Sweetness of Nature, And True Wit — Loves Goddess Sure Was Blind (1692) 06:49 — Performed by The Sixteen
7. Long May She Reign Over this Isle — Loves Goddess Sure Was Blind (1692) 09:33 — Performed by The Sixteen
6. Hail! Bright Cecilia! — Hail! Bright Cecilia! (1692) 12:21 — Performed by Collegium Vocale Gent
5. If Loves a Sweet Passion — The Fairy Queen (1692) 16:09 — Performed by English Baroque Soloists
4. Fairest Isle — King Arthur (1691) 24:08 — Performed by Le Concert Spirituel
3. Thou Tunst this World — Hail! Bright Cecilia! (1692) 28:08 — Performed by Collegium Vocale Gent
2. Passacaglia: How happy the lover — King Arthur (1691) 33:23 — Performed by Le Concert Spirituel
1. Here the Deities Approve — Welcome to all the Pleasures (1683) 39:19 — Performed by The English Concert

Samuil Feinberg plays Bach The Well-Tempered Clavier Book 1


Samuel Feinberg (1890- 1962),
was a Russian and Soviet composer and pianist.

Johann Sebastian Bach (1685- 1750)
The Well-Tempered Clavier
Book 1

00:00 Prelude No.1 in C major, BWV 846
02:34 Fugue
04:45 Prelude No.2 in C minor, BWV 847
06:12 Fugue
07:42 Prelude No.3 in C♯ major, BWV 848
09:09 Fugue
11:05 Prelude No.4 in C♯ minor, BWV 849
13:56 Fugue
18:56 Prelude No.5 in D major, BWV 850
20:07 Fugue
21:59 Prelude No.6 in D minor, BWV 851
23:25 Fugue
25:40 Prelude No.7 in E♭ major, BWV 852
28:48 Fugue
30:21 Prelude No.8 in E♭ minor, BWV 853
34:40 Fugue
39:34 Prelude No.9 in E major, BWV 854
40:46 Fugue
41:50 Prelude No.10 in E minor, BWV 855
44:21 Fugue
45:31 Prelude No.11 in F major, BWV 856
46:33 Fugue
47:38 Prelude No.12 in F minor, BWV 857
49:32 Fugue
54:53 Prelude No.13 in F♯ major, BWV 858
56:10 Fugue
57:53 Prelude No.14 in F♯ minor, BWV 859
58:56 Fugue
1:02:54 Prelude No.15 in G major, BWV 860
1:03:37 Fugue
1:06:03 Prelude No.16 in G minor, BWV 861
1:07:57 Fugue
1:10:52 Prelude No.17 in A♭ major, BWV 862
1:12:11 Fugue
1:14:56 Prelude No.18 in G♯ minor, BWV 863
1:16:23 Fugue
1:18:42 Prelude No.19 in A major, BWV 864
1:19:41 Fugue
1:21:35 Prelude No.20 in A minor, BWV 865
1:22:46 Fugue
1:27:05 Prelude No.21 in B♭ major, BWV 866
1:28:17 Fugue
1:29:52 Prelude No.22 in B♭ minor, BWV 867
1:32:17 Fugue
1:35:25 Prelude No.23 in B major, BWV 868
1:36:30 Fugue
1:38:51 Prelude No.24 in B minor, BWV 869
1:43:28 Fugue

(My favorite CD transfer of famous Feinberg’s Bach WTC.)

Glenn Gould plays Bach - The Goldberg Variations, BMV 998 (Zenph re-performance)


Description from Zenphs website:

Glenn Goulds debut album of Bachs Goldberg Variations was recorded in June 1955. The Columbia LP quickly became one of the most revered piano recordings ever made and Gould became the most famous classical artist of the day. His exciting, unorthodox new way of playing Bach left listeners awestruck and critics around the world hailing him as a genius. But until recently this iconic album was limited by the dated recording technology of its time.

On September 25, 2006, history was made again. Zenph Studios recorded its debut re-performance® to standing ovations in the CBCs famed Glenn Gould Studio in Toronto. The date would have been Glenn Goulds 74th birthday, and what a gift Zenph created to give his fans.

The Zenph re-performance is a revelation in its clarity, depth, and vibrancy. Gould seems to play at an almost inhuman speed and yet with complete accuracy. The 30 variations dazzle the listener with their inventiveness and variety. As music historian and Gould biographer Kevin Bazzana writes in the CDs liner notes, «Here, albeit with his trademark vocalizing no longer accompanying the performance, Goulds musical personality is unquestionably present...»

Goldberg Variations Complete (J.S. Bach BWV 988), with score, Kimiko Ishizaka piano


Download the Goldberg Variations (mp3, wav): kimikoishizaka.bandcamp.com/album/j-s-bach-open-goldberg-variations-bwv-988-piano
Silence of the Lambs, Hannibal, The English Patient, Captain Fantastic, Before Sunrise, and Solaris are just a few films to have featured Bachs Goldberg Variations.

«Counterpoint passes back and forth between the hands in a conversational and judiciously balanced manner, while a strong lyrical inlpulse informs the cross-handed variations rapid, bravura passages (Vars 5 and 19, for example). Ishizakas restrained and concentrated way with slow minor-key variations (Vars 15,21 and 25) lets the musics agonising harmonic tension speak softly for itself.»
— Jed Distler, Gramophone Magazine

«She has the fleet fingers to speed through the virtuoso variations with compelling clarity and the sensitivity to probe the dramatic potential of the slower, more profound numbers, pleasurably aided by her consistently lovely tone.»
— Robert Schulslaper, Issue 36:1 (Sept/Oct 2012), Fanfare Magazine

«The sound quality of the recording is top notch»
«In fact, the albums an audiophile gem.»
— Reviewed by Christopher Lim in The Business Times, July 20, 2012.

J.S. Bachs «Goldberg Variations», BWV 988, recorded by Kimiko Ishizaka on a Bösendorfer grand piano, with score following provided by the iPad app from MuseScore. For more information on this project, see www.opengoldbergvariations.org

0:00 Aria
5:00 Variation 1
6:57 Variation 2
9:03 Variation 3
11:00 Variation 4
12:10 Variation 5
13:44 Variation 6
15:22 Variation 7
17:35 Variation 8
19:31 Variation 9
21:38 Variation 10
23:24 Variation 11
25:33 Variation 12
27:49 Variation 13
32:04 Variation 14
34:20 Variation 15
38:54 Variation 16 «Ouverture»
42:03 Variation 17
43:47 Variation 18
45:37 Variation 19
47:03 Variation 20
49:08 Variation 21
53:02 Variation 22
54:36 Variation 23
56:55 Variation 24
59:41 Variation 25 («Black Pearl» — slideshow)
1:09:01 Variation 26
1:11:03 Variation 27
1:12:55 Variation 28
1:15:20 Variation 29
1:17:30 Variation 30 «Quodlibet»
1:19:32 Aria da Capo

New album from Kimiko Ishizaka featuring her own compositions: www.youtube.com/playlist?list=PLeWVBqJrTS7fVZoVreWC0LN3G2EePa2op

Die Goldberg-Variationen | 哥德堡变奏曲 | ゴルトベルク変奏曲 | 골트베르크 변주곡 | Вариации Гольдберга

Pergolesi - Stabat Mater (with Philippe Jaroussky and Emöke Barath)


From the Chapelle de la Trinité, Château de Fontainebleau,
13th-century Christian hymn to Mary «Stabat Mater» by Giavanni Battista Pergolesi
Subscribe for more content: goo.gl/ZWoSxm

Emöke Barath — soprano
Philippe Jaroussky — contratenor
ORFEO 55
Nathalie Stutzmann — conductor

0:00 Stabat Mater
3:19 «Stabat Mater Dolorosa»
7:15 «Cujus animam gementem»
8:51 «O quam tristis et afflicta»
11:17 «Quae moerebat et dolebat»
13:37 «Quis est homo»—«Pro peccatis suae gentis...»
16:23 «Vidit suum dulcem natum»
19:30 «Eja mater fons amoris»
21:31 «Fac ut ardeat cor meum»
24:13 «Sancta mater, istud agas»
29:42 «Fac ut portem Christi mortem»
33:03 «Inflammatus et accensus»
35:24 «Quando corpus morietur» — «Amen...»

Мистические истории. Когда реальность более загадочна, чем вымысел.


Когда реальность более загадочна, чем вымысел. Первый сезон проекта смотрите по ссылке: goo.gl/QkgvQY

Каждая серия состоит из двух историй. Все они основаны на реальных событиях, и были лишь реконструированы при помощи съемочной группы и талантливой игры непрофессиональных актеров.

Мы пытались не вносить в истории свои правки (поскольку намеренно таких вещей не придумаешь), стараясь пересказать их так, как услышали от реальных участников описываемых событий либо от экстрасенсов, работавших с участниками. Мы хотели показать эти события именно так, как их увидели и пережили конкретные люди. Возможно, поэтому зрителю наши истории могут показаться местами чересчур страшными, иногда странными или смешными. Однако именно такой и является наша жизнь.

В проекте задействованы различные специалисты, которые анализируют происходящие в кадре события, и высказывают свое мнение. Здесь и психологи, и экстрасенсы, и биоэнергетики, и врачи, и даже ведьмы. Каждый из них имеет свое собственное видение происходящего. Однако мы не ставим перед собой задачу перессорить наших экспертов — они лишь озвучивают свои мнения. Вывод о том, кто прав, и действительно ли в основе рассказанных историй лежит мистика, или же результат самовнушения, — делает сам зритель.

Ведущий: Павел Костицын, Виктор Вержбицкий, Евгений Князев.

Сайт: film.ua/
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Twitter: twitter.com/filmuagroup
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