J. S. Bach
Cantatas:
BWV 25 [17:42]
BWV 78 [23:05]
BWV 17 [16:24]
Monteverdi Choir
English Baroque Soloists
John Eliot Gardiner
Live recordings from the Bach Cantata Pilgrimage:
Abbaye d’Ambronay, France
Vol. 7 CD 1 www.bach-cantatas.com/Performers/Gardiner-Rec2.htm
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Wolfgang Amadeus Mozart (1756-1791) — Piano Concertos 11,12,13,14,17,18,19.
*Click to activate the English subtitles for the presentation* (00:00-06:45)
A very big « THANKS » to Sony Music who authorized us to release this recording.
Piano Concerto #11 in F major, K.413_ I.Allegro (00:00)
Piano Concerto #11 in F major, K.413_ II.Larghetto (09:24)
Piano Concerto #11 in F major, K.413_ III.Tempo di menuetto (17:14)
Piano Concerto #12 in A major, K.414_ I.Allegro (23:04)
Piano Concerto #12 in A major, K.414_ II.Andante (32:41)
Piano Concerto #12 in A major, K.414_ III.Rondo. Allegretto (41:06)
Piano Concerto #13 in C major, K.415_ I.Allegro (47:39)
Piano Concerto #13 in C major, K.415_ II.Andante (58:15)
Piano Concerto #13 in C major, K.415_ III.Rondeau_Allegro-Adagio-Allegro (1:05:43)
Piano Concerto #14 in E flat major, K.449_ I.Allegro vivace (1:14:04)
Piano Concerto #14 in E flat major, K.449_ II.Andantino (1:23:08)
Piano Concerto #14 in E flat major, K.449_ III.Allegro ma non troppo (1:29:10)
Piano Concerto #17 in G major, K.453_ I.Allegro (1:35:41)
Piano Concerto #17 in G major, K.453_ II.Andante (1:47:16)
Piano Concerto #17 in G major, K.453_ III.Allegretto — Finale_ Presto (1:56:19)
Piano Concerto #18 in B flat major, K.456_ I.Allegro vivace (2:04:33)
Piano Concerto #18 in B flat major, K.456_ II.Andante un poco sostenuto (2:16:26)
Piano Concerto #18 in B flat major, K.456_ III.Allegro vivace (2:26:43)
Piano Concerto #19 in F major, K.459_ I.Allegro (2:34:12)
Piano Concerto #19 in F major, K.459_ II.Allegretto (2:46:43)
Piano Concerto #19 in F major, K.459_ III.Allegro assai (2:55:02)
Piano: Lili Kraus
Vienna Festival Orchestra
Direction: Stephen Simon
Recorded in 1965-66
New Mastering 2017 by AB for CMRR
Find CMRRs recordings on Spotify: spoti.fi/3016eVr
COMMENTAIRE COMPLET: VOIR PREMIER COMMENTAIRE ÉPINGLÉ.
La véritable conception du concerto, l’essence du genre consiste dans la lutte qui se livre entre lorchestre, dune part, et linstrument ou le groupe dinstruments solos de lautre. Cette lutte est entrecoupée de trêves pendant lesquelles orchestre et soliste collaborent amicalement, et elle se termine par une réconciliation; elle nen est pas moins une lutte véritable. Tantôt, les armes sont communes aux deux adversaires: ce sont les thèmes principaux qui reviennent dans les soli et dans les tuttis; tantôt, chacun a les siennes: ce sont dautres thèmes réservés au soliste, et dautres, enfin, qui nappartiennent quà lorchestre.
Les péripéties de la lutte sont diverses: elle peut rester indécise et solo et orchestre se renvoient alors les thèmes de lun à lautre; le tutti peut remporter une victoire momentanée et claironner bruyamment son triomphe; ou bien, le soliste, à coups daccords, de gammes et darpèges, peut voir ses efforts couronnés de victoire, et, dans un trille étincelant, narguer lorchestre vaincu. Mais, quelle que soit lissue momentanée, nous savons quen fin de compte ni lun ni lautre ne triomphera et que la dernière cadence scellera paix et alliance entre les ennemis réconciliés.
Or, de tous les concertos, ceux de Mozart forment le groupe le plus important. Cest une raison pour laquelle ils ont droit à une étude spéciale. Il en existe une autre. Il ny a pas, dans toute lœuvre de leur compositeur, de genre où il se soit exprimé dune manière aussi complète. Ses concertos pour piano, échelonnés à travers ses années depuis sa dix-huitième jusquà sa trente-sixième, nous le présentent à tous les âges; ils constituent le témoignage le plus varié et le plus étendu de sa vie artistique.
Nous y retrouvons ses joies et ses tristesses, ses espérances et ses déceptions; nous pénétrons par eux dans ce sanctuaire intérieur, où lhomme harassé et surmené retrouvait la vie fraîche et rayonnante qui ne cessa jamais de renaître au fond de son coeur. Dans presque tous les genres si divers où il a prodigué ses richesses, on trouve une ou deux œuvres qui comptent parmi ses plus belles, mais aucun de ces genres n’offre une succession de chefs-dœuvre aussi abondante que celle des concertos pour piano.
«Counterpoint passes back and forth between the hands in a conversational and judiciously balanced manner, while a strong lyrical inlpulse informs the cross-handed variations rapid, bravura passages (Vars 5 and 19, for example). Ishizakas restrained and concentrated way with slow minor-key variations (Vars 15,21 and 25) lets the musics agonising harmonic tension speak softly for itself.»
— Jed Distler, Gramophone Magazine
«She has the fleet fingers to speed through the virtuoso variations with compelling clarity and the sensitivity to probe the dramatic potential of the slower, more profound numbers, pleasurably aided by her consistently lovely tone.»
— Robert Schulslaper, Issue 36:1 (Sept/Oct 2012), Fanfare Magazine
«The sound quality of the recording is top notch»
«In fact, the albums an audiophile gem.»
— Reviewed by Christopher Lim in The Business Times, July 20, 2012.
J.S. Bachs «Goldberg Variations», BWV 988, recorded by Kimiko Ishizaka on a Bösendorfer grand piano, with score following provided by the iPad app from MuseScore. For more information on this project, see www.opengoldbergvariations.org
The evolution of classical piano music from 1600 to the present day. Let the music take you away on a journey throughout the years of classical piano music. Visit the Baroque period (1600-1750), Classical period (1750-1820), Romantic period (1780-1910), Modernist period (1890-1950) and de Postmodern period (1930-present).
This is a video that will show the piano through the years of classical music. We made this to reflect on the amazing music made and for everyone who is new to classical piano music. Let us know what you think of the video and the amazing pieces played. If you think any piece or composer is missing, feel free to leave a comment below. We hope you can enjoy this beautiful music, thank you for watching!
In the tracklist below you can find the musical pieces, the composers who made them and the pianist who played them.
Domenico Scarlatti played by Michelangelo Carbonara:
0:00:00 Sonata in C Minor, Kk. 158 (Andante)
0:03:10 Sonata in C Major, Kk. 461 (Allegro)
Georg Frideric Handel played by Scipione Sangiovanni:
0:06:33 Suite in B-Flat Major, HWV 434: I. Praeludium
0:08:51 Suite in D Minor, HWV 436: I. Allemande
Johann Sebastian Bach played by Yuan Sheng:
0:12:25 French Suite No. 1 in D Minor, BWV 812: I. Allemande
0:16:30 French Suite No. 5 in G Major, BWV 816: I. Allemande
0:19:38 Partita No. 1 in B-Flat Major, BWV 825: I. Praeludium
Classical Era:
Joseph Haydn:
0:21:24 Piano Sonata in E-Flat Major, Hob. XVI:52: I. Allegro played by Jeroen van Veen
Wolfgang Amadeus Mozart played by Klára Würtz:
Piano Sonata No. 1 in C Major, K. 279:
0:30:49 I. Allegro
0:35:46 II. Andante
0:40:58 III. Allegro
0:44:21 Piano Sonata No. 11 in A Major, K. 331: III. Alla turca. Allegretto
Romantic Era:
Ludwig van Beethoven played by Misha Goldstein:
0:47:46 Für Elise in A Minor, WoO 59
0:50:40 Piano Sonata No. 14 in C-Sharp Minor «Moonlight»: I. Adagio sostenuto
Frédéric Chopin:
0:56:23 Impromptu No. 2 in F-Sharp, Op. 36 played by Wolfram Schmitt-Leonardy
1:02:11 Nocturnes, Op. 9: II. Andante in E-Flat Major played by Earl Wild
Robert Schumann:
1:06:24 Kinderszenen, Op. 15: VII. Träumerei played by Klára Würtz
Franz Liszt:
1:09:05 Grandes études de Paganini, S. 141: No. 3, La Campanella played by Ivo Sandro Bartoli
Sigismond Thalberg:
1:14:10 LArt du chant appliqué au Piano, Op. 70: XIX. Casta diva, cavatine de lopéra Norma de Bellini played by Mark Viner
Anton Bruckner:
1:21:03 Andante in E-Flat Major played by Francesco Pasqualotto
Modernist Era:
Claude Debussy played by Misha Goldstein:
1:24:28 Deux Arabesques, L. 66: I. Première Arabesque
1:28:37 Clair de Lune, L. 32
Erik Satie:
1:33:36 Valse-ballet played by Jeroen van Veen
1:35:51 3 Gymnopédies: No. 1, Lent et douloureux played by Håkon Austbö
Leopold Godowsky:
1:39:31 Study No. 44 in F Minor on trois nouvelle études No. 1, B. 130 (Left Hand Alone) played by Emanuele Delucchi
Postmodern Era:
Henri Dutilleux:
1:41:25 Piano Sonata, Op. 1: II. Lied played by Akanè Makita
Ryuichi Sakamoto:
1:48:08 Merry Christmas Mr. Lawrence played by Jeroen van Veen
Yann Tiersen played by Jeroen van Veen:
1:52:45 Comptine dun autre été: Laprès midi
1:55:10 La dispute
Yiruma played by Jeroen van Veen:
1:57:27 River Flows in You
2:00:58 Spring Waltz
Thanks for watching! Feel free to subscribe and visit our channel for the best classical music from the greatest composers like: Bach, Satie, Mozart, Tchaikovsky, Beethoven, Chopin, Haydn, Ravel, Debussy, Verdi, Vivaldi, Handel, Brahms, Liszt, Schubert, Mendelssohn, Rachmaninoff, Wagner, Strauss, Handel, Dvorak and many more! We upload complete albums, music for relaxing, working, studying, meditating, concentrating, instrumental music, opera, violin, classical piano music, sonatas and more!
From the Chapelle de la Trinité, Château de Fontainebleau,
13th-century Christian hymn to Mary «Stabat Mater» by Giavanni Battista Pergolesi
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0:00 Stabat Mater
3:19 «Stabat Mater Dolorosa»
7:15 «Cujus animam gementem»
8:51 «O quam tristis et afflicta»
11:17 «Quae moerebat et dolebat»
13:37 «Quis est homo»—«Pro peccatis suae gentis...»
16:23 «Vidit suum dulcem natum»
19:30 «Eja mater fons amoris»
21:31 «Fac ut ardeat cor meum»
24:13 «Sancta mater, istud agas»
29:42 «Fac ut portem Christi mortem»
33:03 «Inflammatus et accensus»
35:24 «Quando corpus morietur» — «Amen...»
Amélie Soundtrack ♥ Le beau monde dAmélie en 1 heure ♥ Le monde fabuleux dAmélie — SoundTrack
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ВОЕННЫЙ ФИЛЬМ ЗАХВАТЫВАЕТ ДУХ! «ФРОНТ» Русские фильмы Детективы, Премьера, HD
Вторая мировая война. Советское руководство узнаёт, что немецкий концерн «Ауэрге» ведёт разработку атомного оружия. В «Ауэрге» работает учёный-физик Катерина Штур — полька, побывавшая в немецком концлагере. Она пока не осознаёт всей опасности своих научных изысканий, панически боится гестапо и мечтает сбежать туда, где ей ничто не будет угрожать.
ПОДПИСЫВАЙСЯ НА КАНАЛ. СМОТРИ БЕСПЛАТНО ЛУЧШИЕ ФИЛЬМЫ.