J. S. Bach
Motet BWV 225 [12:59]
Cantatas:
BWV 152 [18:01]
BWV 122 [14:56]
BWV 28 [14:05]
BWV 190 [16:53]
Sopranos: Gillian Keith [BWV 152], Katharine Fuge [BWV 122], Joanne Lunn [BWV 28] Counter-tenor: Daniel Taylor
Tenor: James Gilchrist
Bass: Peter Harvey
Monteverdi Choir
English Baroque Soloists
John Eliot Gardiner
Live recording from the Bach Cantata Pilgrimage, at St Bartholomew’s Church, New York, NY, USA. www.bach-cantatas.com/Performers/Gardiner-Rec3.htm
ytimg.preload(https://r4---sn-pivhx-n8vs.googlevideo.com/generate_204);ytimg.preload(https://r4---sn-pivhx-n8vs.googlevideo.com/generate_204?conn2);Bach Mass in B minor, BWV 232 John Eliot Gardiner
Composer: Franz Schubert
Artists: Alberto Miodini (piano)
When we look past the extended meditations of the sonatas into the rest of Schubert’s piano music, we tend hardly to see beyond the Wanderer Fantasy and the Impromptus. This undervalues the composer’s contribution to the work for his instrument, as the Italian pianist Alberto Miodini reveals on an extensive exploration of the sometimes slighter and lighter but often just shorter works he composed through his all-too-short career. Perhaps the late Klavierstücke D946 are best known, and justly so, for their profound and ruminative contemplation, and Miodini’s fellow-countryman Paolo Bordoni did sterling work for the Waltzes in 1970s recordings that stand the test of time, but there are still tantalising fragments that are no less worth hearing for their frustratingly unfinished status – the ‘Unfinished’ Symphony was by no means the only musical project that Schubert filed in his creative bottom drawer, so fecund was his compositional imagination that he could hardly get the ideas out fast enough. As noted by Alfred Brendel, Schubert chose to interrupt a composition ‘when it was unsatisfying or no longer interesting’ – evidence of the composer’s vigorous pursuit of his own individual Sonata style. Among the complete works here are equally little-known variation sets on melodies by Hüttenbrenner and Diabelli – works full of characteristically Schubertian energy and motive power.
You can find the tracklist in the comments:
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Сергей Васильевич Рахманинов (20 марта [1 апреля] 1873, Семёново, Новгородская губерния — 28 марта 1943, Беверли-Хиллз, США) — русский композитор, пианист, дирижёр. Синтезировал в своём творчестве принципы петербургской и московской композиторских школ (а также традиции западноевропейской музыки) и создал свой оригинальный стиль.
Творческий облик Рахманинова-композитора часто определяют словами «самый русский композитор». В этой краткой и неполной характеристике выражены как объективные качества стиля Рахманинова, так и место его наследия в исторической перспективе мировой музыки. Именно творчество Рахманинова выступило тем синтезирующим знаменателем, который объединил и сплавил творческие принципы московской (П.Чайковский) и петербургской композиторских школ в единый и цельный русский стиль.
Все великие композиторы и гении классической музыки на одном канале: Шопен, Моцарт, Шуберт, Мусоргский, Бах, Чайковский, Вивальди, Бетховен, Дебюсси и многие другие!
TRACKLIST:
Лучшее из Рахманинова
01.Piano Concerto No. 2 in C min (00:00)
02.Vocalise, Op. 34, No. 14 (11:13)
03.Rhapsody on a Theme of Paganini (18:10)
04.Symphony No. 2 in E minor (26:30)
05.Prelude in C sharp minor (39:13)
06.Prelude in G minor (43:59)
07.Symphonic Dances — Andante Con Moto (48:04)
08.Piano Concerto No. 3 in D minor (57:30)
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Concerto for oboe in D minor Opus IX-2
1. Allegro 00:01
2. Adagio 03:47
3. Allegro 09:45
Concerto for two oboes in F major Opus IX-3
4. Allegro 12:28
5. Adagio 17:12
6. Allegro 19:28
Concerto for oboe in C major Opus IX-5
7. Allegro 23:07
8. Adagio 26:08
9. Allegro 28:20
Concerto for two oboes in G major Opus IX-6
10. Allegro 31:18
11. Adagio 34:35
12. Allegro 37:53
Concerto for violin in F major Opus IX-10
13. Allegro 41:08
14. Adagio 44:28
15. Allegro 48:03
Concerto for oboe in B flat major Opus IX-11
16. Allegro 51:07
17. Adagio 54:34
18. Allegro 58:32
Adagio for organ and strings in G minor
19. Adagio / Sol Mineur G-Moll / G Minor 1:01:32
2001 ITS Philharmonic Orchestra, Louis Jullien / All Rights Reserved
Yann Tiersen Nantes EUSA Concert full from 2016
Eusa is the name of the Island Yann Tiersen calls home in Breton Language.In English it is called Ushant, in French it’s Ouessant.
TRACKLIST
00:00 Video introduction
02:43 Hent I — Eusa
05:36 Pern — Eusa
10:47 Porz Goret — Eusa
15:55 Lok Gweltaz — Eusa
19:30 Hent II — Eusa
20:24 Penn ar Roch — Eusa
23:37 Kereon — Eusa
27:34 Yuzin — Eusa
30:48 Roch Ar Vugale — Eusa
36:50 Penn ar Laan — Eusa
41:46 Enez Nein — Eusa
47:00 Kadoran — Eusa
48:32 Hent VIII — Eusa
54:09 Introductory movement -The Waltz of the Monsters)
56:38 Prayer, No 2 -The Waltz of the Monsters-
59:25 Naval — Tabarly
1:04:04 7:PM (Les Retrouvailles)
1:07:25 The waltz of the monsters
1:09:40 The Long Road (La Longue Route) — Portrait
1:12:17 La Dispute — Amelie
1:17:35 The old man still wants it — Cascade Street / Portrait
1:19:46 Sur le fil — Portrait / Cetait Ici
1:24:43 Summer Nursery Rhyme, No. 2 ( Comptine Dun autre Ete no2) — Portrait
О прекрасном принце мечтает каждая, что уж говорить о Распрекрасном. Необычный дар юноша получил еще при рождении: девушки готовы на всё ради его улыбки, но плата за это — праведный гнев мужчин. Такое положение дел не может продолжаться вечно, а дар вот-вот обернется проклятьем. И теперь у Распрекрасного принца всего три дня, чтобы спасти Королевство от самого себя…