0.00
Рейтинг
0.00
Сила

Matthäus Passion, BWV 244. Johann Sebastian Bach (1685 - 1750)


Johann Sebastian Bach. Matthäus Passion, BWV 244

Evangelista; Ian Bostridge, tenor
Jesus: Franz-Josef Selig, bass

— Sibylla Rubens, soprano
– Andreas Scholl, alto
– Werner Güra, tenor
– Dietrich Henschel, bass

Schola Cantorum Cantate Domino, Michaël Ghljs
Choeur et Orcheste du COLLEGIUM VOCALE GENT
PHILIPPE HERREWEGHE

St. Matthew Passion, BWV 244: Part II. No. 47, Erbarme dich, mein Gott (Recorded 1946)


Provided to YouTube by The Orchard Enterprises

St. Matthew Passion, BWV 244: Part II. No. 47, Erbarme dich, mein Gott (Recorded 1946) · Marian Anderson · Johann Sebastian Bach · RCA Symphony Orchestra · Robert Shaw

Marian Anderson in Oratorio and Spiritual Vol. 1

℗ 1996 Nimbus Records Limited

Released on: 1996-01-01

Auto-generated by YouTube.

Glenn Gould plays Bach - The Goldberg Variations, BMV 998 (Zenph re-performance)


Description from Zenphs website:

Glenn Goulds debut album of Bachs Goldberg Variations was recorded in June 1955. The Columbia LP quickly became one of the most revered piano recordings ever made and Gould became the most famous classical artist of the day. His exciting, unorthodox new way of playing Bach left listeners awestruck and critics around the world hailing him as a genius. But until recently this iconic album was limited by the dated recording technology of its time.

On September 25, 2006, history was made again. Zenph Studios recorded its debut re-performance® to standing ovations in the CBCs famed Glenn Gould Studio in Toronto. The date would have been Glenn Goulds 74th birthday, and what a gift Zenph created to give his fans.

The Zenph re-performance is a revelation in its clarity, depth, and vibrancy. Gould seems to play at an almost inhuman speed and yet with complete accuracy. The 30 variations dazzle the listener with their inventiveness and variety. As music historian and Gould biographer Kevin Bazzana writes in the CDs liner notes, «Here, albeit with his trademark vocalizing no longer accompanying the performance, Goulds musical personality is unquestionably present...»