Bach - The Art of Fugue, BWV 1080 [complete on Organ]


The Art of Fugue or The Art of the Fugue (original German: Die Kunst der Fuge), BWV 1080, is an incomplete masterpiece by Johann Sebastian Bach (1685--1750). The work was most likely started at the beginning of the 1740s, if not earlier. The first known surviving version, which contained 12 fugues and 2 canons, was copied by the composer in 1745. This manuscript has a slightly different title, added afterwards by his son-in-law Johann Christoph Altnickol: Die Kunst der Fuga. Bachs second version was published in 1751 after his death. It contains 14 fugues and 4 canons. «The governing idea of the work», as the eminent Bach specialist Christoph Wolff put it, is «an exploration in depth of the contrapuntal possibilities inherent in a single musical subject.»

Structure

0:00 — Contrapunctus I
3:12 — Contrapunctus II
6:24 — Contrapunctus III
9:20 — Contrapunctus IV
14:38 — Contrapunctus V
17:55 — Contrapunctus VI in Stylo Francese
22:04 — Contrapunctus VII per Augmentationem et Diminutionem
26:04 — Contrapunctus VIII
32:06 — Contrapunctus IX alla Duodecima
35:06 — Contrapunctus X alla Decima
39:30 — Contrapunctus XI Triple fugue
46:41 — Canone allOttava
49:35 — Canone alla Duodecima in Contrapunto alla Quinta
51:52 — Canone alla Decima in Contrapunto alla Terza
56:36 — Canone per Augmentationem in Contrario Motu
1:01:27 — Contrapunctus XIII rectus
1:03:59 — Contrapunctus XIII inversus
1:06:57 — Contrapunctus XII rectus
1:09:50 — Contrapunctus XII inversus

Herbert Tachezi, organ

[Wikipedia en.wikipedia.org/wiki/The_Art_of_Fugue]

J. S. Bach - Brandenburg Concertos


Johann Sebastian Bach (1685-1750).
Brandenburg Concertos.

Concerto nº1 in F major BWV 1046
1. (no tempo indication)
2. Adagio
3. Allegro
4. Menuetto-Trio I-Polacca-Trio II

Concerto nº2 in F major BWV 1047
5. (no tempo indication)
6. Andante
7. Allegro assai

Concerto nº3 in G major BWV 1048
8. (no tempo indication)
9. Adagio — Allegro

Concerto nº4 in G major BWV 1049
10. Allegro
11. Andante
12. Presto

Concerto nº5 in D major BWV 1050
13. Allegro
14. Affettuoso
15. Allegro

Concerto nº6 in B flat major BWV 1051
16. (no tempo indication)
17. Adagio ma non tanto
18. Allegro

Soloists

Orchestra Of The Age Of Enlightenment
Bach, una de las cimas…

XAVER VARNUS PLAYS BACHS TOCCATA


The Varnus Organ Hall needs your help. We are asking the communitys support to restoring and operating Varnus Hall, Canadas only private organ concert venue owned by Xaver Varnus, to provide a worthy home for organists, famous artists and young talent alike, from around the world to perform, and broadcast their concerts online. We are grateful to you if you can help our work with any donations. ca.gofundme.com/f/fundraising-for-varnus-organ-hall-in-nova-scotia

Xaver Varnus plays Toccata and Fugue in D minor (edited by Mendelssohn) on the great Sauer Organ of the Berliner Dom. Recorded live on the Opening Night of the «Berliner Internationaler Orgelsommer 2013».

At the time of its dedication in 1905, the great Sauer Organ of the Berliner Dom was the largest in Germany, with its 7269 pipes and 113 registers, distributed across four manuals and pedals. The court organ builder Wilhelm Sauer, from Frankfurt on the Oder, created an instrument that embodied the newest technical and musical developments of German organ building at the time. In that way, the organ met the high expectations of both the organ builder and his client: in the Protestant Cathedral of the capital city, there was to be a monumental, modern, and in every way extraordinary instrument of the highest quality. The organ of the Cathedral of Berlin represents the highpoint of Sauer’s career. At the same time, it marks the end of the long development of Romantic orchestral organs, whose sound corresponds to the characteristic sound of a symphonic orchestra of that period. Today, the organ in the Cathedral of Berlin is the largest late-Romantic pneumatic action organ in the world that has survived in its original condition.

•●The Official Video Site of Concert Organist Xaver Varnus●•

Born in Budapest, his first piano teacher was Emma Németh, one of the last pupils of Claude Debussy. Xaver Varnus has played virtually every important organ in the world, including those in Bachs Thomaskirche in Leipzig (2014), Berliner Dom (2013), Notre-Dame (1981), Saint-Sulpice (2006) and Saint-Eustache (1996) in Paris, National Shrine in Washington, D.C. (1985), and Canterbury Cathedral (2004), as well as the largest existing instrument in the world, the Wanamaker Organ in Philadelphia (1985). His Quadruple Platinum Disc winning album From Ravel to Vangelis, released by Sony BMG in 2007, is the best-selling organ CD ever. As a Canadian citizen, Xaver Varnus resides in Berlin, Germany. «Put simply, Varnus is a monster talent, every bit as stimulating and individual as the late Glenn Gould» (The Globe

Хорошо темперированный клавир, том 1: Прелюдия и фуга...


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Хорошо темперированный клавир, том 1: Прелюдия и фуга No. 5 ре мажор, BWV 850 · Святослав Рихтер

Святослав Рихтер 100, Том 31 (Live)

℗ 2020 АО «Фирма Мелодия»

Released on: 2015-01-01

Auto-generated by YouTube.

Хорошо темперированный клавир, том 1: Прелюдия и фуга...


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Хорошо темперированный клавир, том 1: Прелюдия и фуга No. 8 ми-бемоль минор, BWV 853 · Святослав Рихтер

Святослав Рихтер 100, Том 31 (Live)

℗ 2020 АО «Фирма Мелодия»

Released on: 2015-01-01

Auto-generated by YouTube.

St Matthew Passion, BWV 244, Pt. 1: Aria. "Blute nur, du liebes Herz"


Provided to YouTube by Warner Classics International

St Matthew Passion, BWV 244, Pt. 1: Aria. «Blute nur, du liebes Herz» · Nikolaus Harnoncourt · Soloist of the Wiener Sängerknaben

Bach: St Matthew Passion, BWV 244

℗ 1970 TELDEC CLASSICS INTERNATIONAL GMBH

Orchestra: Concentus Musicus Wien
Conductor: Nikolaus Harnoncourt
Boy Soprano: Soloist of the Wiener Sängerknaben
Composer: Johann Sebastian Bach

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Haendel, Dixit Dominus / Bach, Christ lag in Todesbanden - Chapelle Royale du Château de Versailles


En juin 2014, Sir John Eliot Gardiner célébrait les 50 ans du Monteverdi Choir en interprétant, à la Chapelle Royale du Château de Versailles, trois oeuvres majeures de la musique baroque: la déchirante cantate «Christ Lag in Todesbanden» de Bach, le virtuose «Dixit Dominus» de Haendel, authentique feu dartifice vocal, et le grand Motet versaillais «In Convertendo» de Rameau!

PROGRAMME ⤵

George Frideric Haendel (1685 – 1759)
«Dixit Dominus»

Jean-Sébastien Bach (1685 – 1750)
«Christ lag in Todesbanden, cantate BWV 4»

Jean-Philippe Rameau (1683-1764)
«In Convertendo»

DISTRIBUTION ⤵

The Monteverdi Choir
The English Baroque Soloists
Sir John Eliot Gardiner — Direction musicale

Concert filmé à la Chapelle Royale du Château de Versailles le 22 juin 2014.

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