BACH THE WELL TEMPERED CLAVIER I No.1~12
(The GLENN GOULD Edition)
Glenn Gould — 01. The Well-Tempered Clavier I No.1 in C Major BWV 846_ I. Praeludium
Glenn Gould — 02. The Well-Tempered Clavier I No.1 in C Major BWV 846_ II. Fuga
Glenn Gould — 03. The Well-Tempered Clavier I No.2 in C Minor BWV 847_ I. Praeludium
Glenn Gould — 04. The Well-Tempered Clavier I No.2 in C Minor BWV 847_ II. Fuga
Glenn Gould — 05. The Well-Tempered Clavier I No.3 in C Sharp Major BWV 848_ I. Praeludium
Glenn Gould — 06. The Well-Tempered Clavier I No.3 in C Sharp Major BWV 848_ II. Fuga
Glenn Gould — 07. The Well-Tempered Clavier I No.4 in C Sharp Minor BWV 849_ I. Praeludium
Glenn Gould — 08. The Well-Tempered Clavier I No.4 in C Sharp Minor BWV 849_ II. Fuga
Glenn Gould — 09. The Well-Tempered Clavier I No.5 in D Major BWV 850_ I. Praeludium
Glenn Gould — 10. The Well-Tempered Clavier I No.5 in D Major BWV 850_ II. Fuga
Glenn Gould — 11. The Well-Tempered Clavier I No.6 in D Minor BWV 851_ I. Praeludium
Glenn Gould — 12. The Well-Tempered Clavier I No.6 in D Minor BWV 851_ II. Fuga
Glenn Gould — 13. The Well-Tempered Clavier I No.7 in E Flat Major BWV 852_ I. Praeludium
Glenn Gould — 14. The Well-Tempered Clavier I No.7 in E Flat Major BWV 852_ II. Fuga
Glenn Gould — 15. The Well-Tempered Clavier I, No.8 in E Flat Minor, BWV 853_ I. Praeludium
Glenn Gould — 16. The Well-Tempered Clavier I, No.8 in D Sharp Minor, BWV 853_ II. Fuga
Glenn Gould — 17. The Well-Tempered Clavier I, No.9 in E Major, BWV 854_ I. Praeludium
Glenn Gould — 18. The Well-Tempered Clavier I, No.9 in E Major, BWV 854_ II. Fuga
Glenn Gould — 19. The Well-Tempered Clavier I, No.10 in E Minor, BWV 855_ I. Praeludium
Glenn Gould — 20. The Well-Tempered Clavier I, No.10 in E Minor, BWV 855_ II. Fuga
Glenn Gould — 21. The Well-Tempered Clavier I, No.11 in F Major, BWV 856_ I. Praeludium
Glenn Gould — 22. The Well-Tempered Clavier I, No.11 in F Major, BWV 856_ II. Fuga
Glenn Gould — 23. The Well-Tempered Clavier I, No.12 in F Minor, BWV 857_ I. Praeludium
Glenn Gould — 24. The Well-Tempered Clavier I, No.12 in F Minor, BWV 857_ II. Fuga
J. S. Bach
Cantatas BWV 2, 10, SWV 386, 76 — J. E. Gardiner (Vol2 CD1)
Live recordings from the Bach Cantata Pilgrimage:
Basilique Saint-Denis, Paris, France.
Disc: 1
Track Listings
1. Ach Gott, Vom Himmel Sieh Darein
2. Tenor Sie Lehren Eitel Falsche List
3. Alt Tilg, O Gott, Die Lehren
4. Bass Die Armen Sind Verstort
5. Tenor Durchs Feuer Wird Das Silber Rein
6. Das Wollst Du, Gott, Bewahren Rein
7. Meine Seel Erhebt Den Herren
8. Sopran Herr, Der Du Stark Und Machtig Bist
9. Tenor Des Hochsten Gut Und Treu
10. Bass Gewaltige Stosst Gott Vom Stuhl
11. Alt, Tenor Er Denket Der Barmherzigkeit
12. Tenor Was Gott Den Vatern Alter Zeiten
13. Lob Und Preis Sei Gott Dem Vater Und Dem Sohn
14. Die Himmel Erzahlen Die Ehre Gottes, SWV386
15. Die Himmel Erzahlen Die Ehre Gottes
16. Tenor So Lasst Sich Gott Nicht Unbezeuget!
17. Sopran Hort, Ihr Volker, Gottes Stimme
18. Bass Wer Aber Hort
19. Bass Fahr Hin, Abgottische Zunft!
20. Alt Du Hast Uns, Herr, Von Allen Strassen
21. Es Woll Uns Gott Genaedig Sein
22. Sinfonia
23. Bass Gott Segne Noch Die Treue Schar
24. Tenor Hasse Nur, Hasse Mich Recht
25. Alt Ich Fuhle Schon Im Geist
26. Alt Liebt, Ihr Christen, in Der Tat!
27. Tenor So Soll Die Christenheit
28. Es Danke, Gott, Und Lobe Dich
The two solo parts of the Concerto for two violins in D minor, performed by the Netherlands Bach Society for All of Bach, have survived in Bach’s own handwriting. This autograph dates from around 1730, a few years after the composer had moved from Köthen to Leipzig. Bach composed most of his instrumental concertos in the period 1717–1723, while working at the court of Leopold von Anhalt-Köthen, but this work appears to be an exception.
Recorded for the project All of Bach on October 7th 2016 at the Muziekgebouw aan t IJ, Amsterdam. If you want to help us complete All of Bach, please subscribe to our channel bit.ly/2vhCeFB and consider donating bit.ly/2uZuMj5.
For the interview with violinists Shunske Sato and Emily Deans on the Concerto for two violins in D minor go to youtu.be/iwHOeTHMiGk
For more information on BWV 1043 and this production go to allofbach.com/en/bwv/bwv-1043/
All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and its guest musicians. Visit our free online treasury for more videos and background material allofbach.com/en/. For concert dates and further information go to www.bachvereniging.nl/nederlandse-bachvereniging.
Netherlands Bach Society
Shunske Sato, violin and leader
Emily Deans, violin
The opening chorus Herr, unser Herrscher from St John Passion, performed by the Nederlands Bach Society for All of Bach. The St John Passion was the first Passion Bach had written as cantor in Leipzig. The Passion story as told in the Gospel of John is different from that told by the other three evangelists – Matthew, Luke and Mark. John’s version places the emphasis on Christ’s divine origin. Throughout his suffering, this divine origin still plays a role and nowhere is Jesus as human as in the other gospels.
For this performance, we selected a cast of singers under the age of 35. Apart from the leaders, all the orchestra members are also younger than 35. The concert series was preceded by a course of auditions and masterclasses.
Recorded for the project All of Bach on March 11th 2017 at the Grote Kerk, Naarden. If you want to help us complete All of Bach, please subscribe to our channel bit.ly/2vhCeFB and consider donating bit.ly/2uZuMj5.
All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and her guest musicians. Visit our free online treasury for more videos and background material allofbach.com/en/. For concert dates and further information go to www.bachvereniging.nl/nederlandse-bachvereniging.
Netherlands Bach Society
Jos van Veldhoven, conductor
Soloists
Raphael Höhn, evangelist (tenor)
Myriam Arbouz, soprano
Maria Valdmaa (Maid), soprano
Daniël Elgersma, alto
Marine Fribourg, alto
Gwilym Bowen, tenor
Guy Cutting (Servant), tenor
Felix Schwandtke (Jesus), bass
Drew Santini (Peter), bass
Angus Mc Phee (Pilate), bass
Johann Sebastian Bach
András Schiff, Piano
English Suite No 2 in A minor BWV 807
0:00 Prelude
04:21 Allemande
07:28 Courante
09:02 Sarabande
12:03 Bourrée I
13:58 Bourrée II
15:51 Gigue
Collegium 1704
Collegium Vocale 1704
Marie-Sophie Pollak — soprano
Raffaele Pe — countertenor
Krystian Adam — tenor
Kresimir Strazanac — bass
Václav Luks — conductor
George Frideric Händel — Messiah, HWV 56 — Part 1
1:40 Scene 1: Isaiahs prophecy of salvation
1. Sinfonie (instrumental)
2. Comfort ye my people (tenor)
3. Evry valley shall be exalted (air for tenor)
4. And the glory of the Lord (anthem chorus)
13:40 Scene 2: The coming judgment
5. Thus saith the Lord of hosts (accompanied recitative for bass)
6. But who may abide the day of His coming (soprano, alto or bass)
7. And he shall purify the sons of Levi (chorus)
21:34 Scene 3: The prophecy of Christs birth
8. Behold, a virgin shall conceive (alto)
9. O thou that tellest good tidings to Zion (air for alto and chorus)
10. For behold, darkness shall cover the earth (bass)
11. The people that walked in darkness have seen a great light (bass)
12. For unto us a child is born (duet chorus)
37:02 Scene 4: The annunciation to the shepherds
13. Pifa («pastoral symphony»: instrumental)
14a. There were shepherds abiding in the fields (secco recitative for soprano)
14b. And lo, the angel of the Lord (accompanied recitative for soprano)
15. And the angel said unto them (secco recitative for soprano)
16. And suddenly there was with the angel (accompanied recitative for soprano)
17. Glory to God in the highest (chorus)
42:55 Scene 5: Christs healing and redemption
18. Rejoice greatly, O daughter of Zion (soprano)
19. Then shall the eyes of the blind be opened (secco recitative for soprano or alto)
20. He shall feed his flock like a shepherd (alto and/or soprano)
21. His yoke is easy (duet chorus)