Rageed William — Duduk

Performer

John Eliot Gardiner: Monteverdi Choir, English Baroque Soloists
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The opening of this sonata in D minor, performed by Matthias Havinga for All of Bach, has an uncertain and emphatically andante sound. To the ears of seventeenth and eighteenth-century musicologists the key of D minor represented melancholy, devotion, solemnity and seriousness. Following this tentative start, Bach launches into experimentation, by juggling motifs almost wildly and searching for new keys.

Recorded for the project All of Bach on September 21st 2016 at the Sint-Bavokerk, Haarlem. If you want to help us complete All of Bach, please subscribe to our channel bit.ly/2vhCeFB and consider donating bit.ly/2uZuMj5.

For the interview with organist Matthias Havinga on Sonata No. 3 in D minor go to www.youtube.com/watch?v=bSdzFW-9OWg
For more information on BWV 527 and this production go to allofbach.com/en/bwv/bwv-527/

All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and its guest musicians. Visit our free online treasury for more videos and background material allofbach.com/en/. For concert dates and further information go to www.bachvereniging.nl/nederlandse-bachvereniging.

Matthias Havinga, organist
Organ: Christian Müller, 1738

J.S. Bach
BWV 147 [27:07]
BWV 80 [25:41]
BWV 8 [18:22]
CD-1 [71:23]
The Bach Ensemble (on authentic instruments)
(OVPP — No Choir)
Joshua Rifkin
www.bach-cantatas.com/Performers/Rifkin.htm

Complete Opera (Best Version) — Links in description
The Fairy Queen (Semi-Opera Z. 629) by Henry Purcell (1692)

Performed by English Baroque Soloists
Conducted by John Eliot Gardiner

First Music
1. Prelude — 0:00
2. Hornpipe — 1:58
Second Music
3. Air — 2:53
4. Rondeau — 3:40
5. Overture — 5:10
Act I
6. Song In Two Parts: «Come, Come, Come, Let Us Leave» — 7:13
7. Scene Of The Drunken Poet: «Fill Up The Bowl» — 9:37
8. First Act Tune: Jig — 16:17
Act II
9. Prelude And Song: «Come All Ye Songsters Of The Sky» — 17:30
10. Prelude — 19:22
11. Trio: «May The God Of Wit Inspire» — 20:12
12. Echo — 21:16
13. Chorus: «Now Joyn Your Warbling Voices All» — 22:50
14. A Dance Of Fairies — 23:18
15. Song And Chorus: «Sing While We Trip It On The Green» — 24:02
16. Song: «See, Even Night Her Self Is Here» — 25:44
17. Song: «I Am Come To Lock All Fast» — 30:01
18. Song: «One Charming Night» — 31:12
19. Song And Chorus: «Hush, No More, Be Silent All» — 33:10
20. A Dance For The Followers Of Night — 36:30
21. Second Act Tune: Air — 38:21
Act III
22. A Song In Two Parts And Chorus: «If Loves A Sweet Passion» — 39:42
23. Overture: Symphony While The Swans Come Forward — 47:42
24. Dance For The Fairies — 49:45
25. Dance For The Green Men — 50:34
26. Song: «Ye Gentle Spirits Of The Air, Appear» — 52:02
27. Dialogue Between Coridon And Mopsa: «Now The Maids And The Men» — 57:07
28. Song: «When I Have Often Heard» — 1:01:03
29. A Dance Of Haymakers — 1:04:16
30. Song And Chorus: «A Thousand Thousand Ways Well Find» — 1:05:13
31. Third Act Tune: Hornpipe — 1:07:21
Act IV
32. Symphony — 1:08:21
33. Solo And Chorus: «Now The Night Is Chacd Away» — 1:14:32
34. Duet: «Let The Fifes, And The Clarions» — 1:16:38
35. Entry Of Phoebus — 1:18:34
36. Song: «When A Cruel Long Winter»-Chorus: «Hail! Great Parent Of Us All» — 1:19:10
37. Song: «Thus The Ever Grateful Spring» (Spring) — 1:23:28
38. Song: «Heres The Summer, Sprightly, Gay (Summer) — 1:25:25
39. Song: „See My Many Colourd Fields“ (Autumn) — 1:27:04
40. Song And Chorus: „Now Winter Comes Slowly“ (Winter) — 1:30:07
41. Fourth Act Tune: Air — 1:33:29
Act V
42. Prelude — 1:34:25
43. Epithalamium: „Thrice Happy Lovers“ — 1:35:32
44. The Plaint: „O Let Me Weep“ — 1:38:09
45. Entry Dance — 1:45:51
46. Symphony — 1:46:59
47. Song: „Thus The Gloomy World“ — 1:48:12
48. Solo And Chorus: „Thus Happy And Free“ — 1:53:55
49. Song: „Yes Daphne, In Your Looks I Find“ — 1:55:32
50. Monkeys Dance — 1:57:26
51. Song: „Hark How All Things“ — 1:58:28
52. Song And Chorus: „Hark! the Eching Air“ — 2:00:35
53. Duet And Chorus: „Sure The Dull God“ — 2:03:27
54. Prelude — 2:05:32
55. Solo: „See, See, I Obey“ — 2:06:04
56. Duet „Turn Then Thine Eyes“ — 2:08:02
57. Solo: „My Torch, Indeed“ — 2:09:27
58. Trio: They Shall Be As Happy» — 2:10:12
59. Air — 2:11:21
60. Chorus: «They Shall Be As Happy» — 2:12:51
61. Chaconne: Dance For Chinese Man And Woman — 2:14:01

Bella canción, hermosa interpretación

Provided to YouTube by Universal Music Group

J.S. Bach: Matthäus-Passion, BWV 244 / Zweiter Teil — No. 49 «Aus Liebe will mein Heiland sterben» · Ann Monoyios · English Baroque Soloists · John Eliot Gardiner

Bach, J.S.: St. Matthew Passion, BWV 244

℗ 1989 Deutsche Grammophon GmbH, Berlin

Released on: 1989-01-01

Producer: Dr. Andreas Holschneider
Producer: Charlotte Kriesch
Producer, Recording Producer: Karl-August Naegler
Studio Personnel, Balance Engineer, Editor: Ulrich Vette
Studio Personnel, Recording Engineer: Klaus Behrens
Studio Personnel, Editor: Werner Roth
Composer: Johann Sebastian Bach
Author: Christian Friedrich Henrici

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Andreas Scholl — Bach: St. Matthew Passion BWV 244 — Können Tränen meiner Wangen
Johann Sebastian Bach
Conducted by Philippe Herreweghe

Chœr et Orchestre de Collegium Vocale Gent / Schola Cantorum Cantate Domino (Director: Michäel Ghljs)

Tenor [Evangelist]: Ian Bostridge; Bass [Jesus]: Franz-Josef Selig; Soprano [arias, Pilatus wife]: Sibylla Rubens; Alto: Andreas Scholl; Tenor: Werner Güra; Bass: Dietrich Henschel; Bass [Pilatus]: Dietrich Henschel; Baritone [Judas