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Akademie für alte Musik Berlin
Georg Kallweit, viool/leiding

G.F. Händel 1685-1759

Water Music, HWV 348-350
— Overture: Largo-Allegro
— Adagio e staccato
— Allegro / Andante / Allegro da capo
— Allegro
— Air
— Minuet
— Bourrée
— Hornpipe
— Allegro moderato
— Allegro
— Alla hornpipe
— Minuet
— Rigaudon 1 / Rigaudon 2 / Rigaudon 1 — Lentement
— Bourrée
— Minuet 1 / Minuet 2
— Gigue 1 / Gigue 2 da capo
— Minuet

Opname: 10 januari 2016, Het Concertgebouw Amsterdam voor Het Zondagochtend Concert

Händels Water Music
Bijna drie eeuwen geleden gaf Händel een concert dat we ons nu nóg herinneren. Op een groot vlot voer hij, met orkest, over de Theems. De kabbelende rivier begeleidde de première van zijn Water Music. Een stuk dat niet bedoeld was voor de vissen en trekschuiten, maar voor koning George I. De drie suites van Water Music vormden de achtergrond voor een diner op zijn koninklijke jacht. Het smaakte deze ‘royals’ uitstekend: Händel en zijn musici moesten het werk twee keer herhalen.

Akademie für Alte Musik Berlin
Dit seizoen waagt Akademie für Alte Musik Berlin (Akamus) zich met HändelsWater Music aan een van de bekendste klassieke werken. Akamus won onlangs de Bach-medaille van de stad Leipzig, voor hun verdiensten in het historisch verantwoord uitvoeren van oude muziek. Wat dat betreft is Water Music extra interessant omdat er meerdere versies van het werk bestaan. Op het water klinkt muziek immers heel anders dan op het land.

Ludwig van Beethoven ( 1770 — 1827 )

Piano Sonata No.17 in D Minor, Op.31 No.2 «The Tempest»

00:00 I. Largo — Allegro
09:20 II. Adagio
16:44 III. Allegretto

Sviatoslav Richter, piano
( Praga )

Provided to YouTube by National Digital Aggregator LLC

Хорошо темперированный клавир, том 1: Прелюдия и фуга No. 10 ми минор, BWV 855 · Святослав Рихтер

Святослав Рихтер 100, Том 31 (Live)

℗ 2020 АО «Фирма Мелодия»

Released on: 2015-01-01

Auto-generated by YouTube.

Gundula Janowitz
Christa Ludwig
Peter Schreier
Horst Laubenthal
Dietrich Fischer-Dieskau
Walter Berry
Anton Diakov
Herbert Von Karajan: Berliner Philharmoniker; Wiener Singverein
— The music published on this channel is exclusively dedicated to divulgation purposes and not commercial. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform me immediately before you submit a claim to Youtube, and it will be a priority to immediately remove the respective video.

Provided to YouTube by NAXOS of America

Freue dich, erloste Schar, BWV 30: Part I: Aria: Kommt, ihr angefochtnen Sunder (Alto) · Joanne Lunn

Bach, J.S.: Cantatas, Vol. 1 — Bwv 7, 20, 30, 39, 75, 167

℗ 2000 SDG

Released on: 2000-01-01

Artist: Joanne Lunn
Artist: Wilke te Brummelstroete
Artist: Paul Agnew
Artist: Dietrich Henschel
Choir: Monteverdi Choir
Conductor: John Eliot Gardiner
Ensemble: English Baroque Soloists
Composer: Johann Sebastian Bach

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J. S. Bach
Cantatas BWV 2, 10, SWV 386, 76 — J. E. Gardiner (Vol2 CD1)
Live recordings from the Bach Cantata Pilgrimage:
Basilique Saint-Denis, Paris, France.
Disc: 1
Track Listings
  1. Ach Gott, Vom Himmel Sieh Darein
  2. Tenor Sie Lehren Eitel Falsche List
  3. Alt Tilg, O Gott, Die Lehren
  4. Bass Die Armen Sind Verstort
  5. Tenor Durchs Feuer Wird Das Silber Rein
  6. Das Wollst Du, Gott, Bewahren Rein
  7. Meine Seel Erhebt Den Herren
  8. Sopran Herr, Der Du Stark Und Machtig Bist
  9. Tenor Des Hochsten Gut Und Treu
  10. Bass Gewaltige Stosst Gott Vom Stuhl
  11. Alt, Tenor Er Denket Der Barmherzigkeit
  12. Tenor Was Gott Den Vatern Alter Zeiten
  13. Lob Und Preis Sei Gott Dem Vater Und Dem Sohn
  14. Die Himmel Erzahlen Die Ehre Gottes, SWV386
  15. Die Himmel Erzahlen Die Ehre Gottes
  16. Tenor So Lasst Sich Gott Nicht Unbezeuget!
  17. Sopran Hort, Ihr Volker, Gottes Stimme
  18. Bass Wer Aber Hort
  19. Bass Fahr Hin, Abgottische Zunft!
  20. Alt Du Hast Uns, Herr, Von Allen Strassen
  21. Es Woll Uns Gott Genaedig Sein
  22. Sinfonia
  23. Bass Gott Segne Noch Die Treue Schar
  24. Tenor Hasse Nur, Hasse Mich Recht
  25. Alt Ich Fuhle Schon Im Geist
  26. Alt Liebt, Ihr Christen, in Der Tat!
  27. Tenor So Soll Die Christenheit
  28. Es Danke, Gott, Und Lobe Dich

J. S. Bach
Cantatas:
BWV 46 [18:53]
BWV 101 [25:01]
BWV 102 [21:25]
Monteverdi Choir
English Baroque Soloists
John Eliot Gardiner
Vol. 5 CD 2
Live recordings at Dom, Braunschweig, Germany.

A. Vivaldi (1678-1741) — Gloria RV589
Conductor: A. Mustonen
Barrocade — Israeli Baroque Collective
Voces Musicales Choir (Talinn, Estonia)
Tal Ganor — Soprano
Jaanike Kuusik — Soprano
David Feldman — Alt
Indrek Jurtsenko — Tenor

Amit Tiefenbrunn — Muisic Director
Shlomit Sivan — Director

Provided to YouTube by IDOL

Nocturne in B Major, Op. 32 No. 1: «A la Baronne de Billing» · François Chaplin

Chopin: Nocturnes

℗ 2013 Zig-Zag Territoires
℗ Anima Eterna

Released on: 2010-03-01

Composer: Frédéric Chopin

Auto-generated by YouTube.

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Composer: Franz Schubert
Artists: Alberto Miodini (piano)

When we look past the extended meditations of the sonatas into the rest of Schubert’s piano music, we tend hardly to see beyond the Wanderer Fantasy and the Impromptus. This undervalues the composer’s contribution to the work for his instrument, as the Italian pianist Alberto Miodini reveals on an extensive exploration of the sometimes slighter and lighter but often just shorter works he composed through his all-too-short career. Perhaps the late Klavierstücke D946 are best known, and justly so, for their profound and ruminative contemplation, and Miodini’s fellow-countryman Paolo Bordoni did sterling work for the Waltzes in 1970s recordings that stand the test of time, but there are still tantalising fragments that are no less worth hearing for their frustratingly unfinished status – the ‘Unfinished’ Symphony was by no means the only musical project that Schubert filed in his creative bottom drawer, so fecund was his compositional imagination that he could hardly get the ideas out fast enough. As noted by Alfred Brendel, Schubert chose to interrupt a composition ‘when it was unsatisfying or no longer interesting’ – evidence of the composer’s vigorous pursuit of his own individual Sonata style. Among the complete works here are equally little-known variation sets on melodies by Hüttenbrenner and Diabelli – works full of characteristically Schubertian energy and motive power.

You can find the tracklist in the comments:

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