Bach - Cantata Wachet auf, ruft uns die Stimme BWV 140 - Van Veldhoven | Netherlands Bach Society


In Wachet auf, ruft uns die Stimme, performed by the Netherlands Bach Society for All of Bach, everything revolves around the parable of the wise and foolish virgins. They wait throughout the night with burning lamps for the arrival of the bridegroom. Five of them have brought along extra oil to keep their lamp burning. The others run out of oil and go off to buy some more. The bridegroom arrives while they are away.

Recorded for the project All of Bach on February 11th 2018 at the Walloon Church, Amsterdam. If you want to help us complete All of Bach, please subscribe to our channel bit.ly/2vhCeFB and consider donating bit.ly/2uZuMj5.

For the interview with Jos van Veldhoven on Wachet auf, ruft uns die Stimme go to www.youtube.com/watch?v=tvB-sJyZEqw
For more information on BWV 140 and this production go to allofbach.com/en/bwv/bwv-140/

All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and its guest musicians. Visit our free online treasury for more videos and background material allofbach.com/en/. For concert dates and further information go to www.bachvereniging.nl/nederlandse-bachvereniging.

Netherlands Bach Society
Jos van Veldhoven, conductor
Maria Keohane, soprano
Tim Mead, alto
Daniel Johannsen, tenor
Matthew Brook, bass

J. S. Bach - Cantatas BWV61, BWV62, BWV66 - J. E. Gardiner (Vol 13 CD1)


J. S. Bach
Cantatas
BWV 61 [15:06]
BWV 62 [19:33]
BWV 36 [30:26]
Soprano:Joanne Lunn
Counter-tenor: William Towers
Tenor: Jan Kobow
Bass: Dietrich Henschel
Monteverdi Choir
English Baroque Soloists
John Eliot Gardiner
Live recordings from the Bach Cantata Pilgrimage:
St. Maria im Kapitol, Köln, Germany.
Volume 13 CD 1

J. S. Bach - Cantantas BWV148, BWV114, BWV47, Motet BWV226 - J. E. Gardiner (Vol9 CD1)


J.S. Bach
Cantatas:
BWV 148 [16:13]
BWV 114 [24:12]
BWV 47 [21:47]
Motet BWV 226 [7:47]
Soprano: Katharine Fuge
Altos: Frances Bourne [BWV 148], Charles Humphries [BWV 114] Counter tenor: Robin Tyson [BWV 47]
Tenor: Mark Padmore
Bass: Stephan Loges
Monteverdi Choir
English Baroque Soloists
John Eliot Gardiner
Live recordings from the Bach Cantata Pilgrimage:
Allhelgonakyrkan, Lund, Sweden.
Volume 9 CD 1

Giovanni Battista Pergolesi "Stabat Mater"(1736)


Stabat Mater
for soprano, contralto, strings and basso continuo
by Giovanni Battista Pergolesi (1710-1736)
Margaret Marshall (soprano)
Lucia Valentini Terrani (contralto)
Leslie Pearson (organ)
London Symohony Orchestra
Claudio Abbado (conductor)
Recorded in 1985

00:00 «Stabat Mater Dolorosa»
04:39 «Cujus animam gementem»
07:47 «O quam tristis et afflicta»
10:22 «Quae moerebat et dolebat»
13:12 «Quis est homo»—«Pro peccatis suae gentis...»
16:14 «Vidit suum dulcem natum»
19:48 «Eja mater fons amoris»
22:42 «Fac ut ardeat cor meum»
25:23 «Sancta mater, istud agas»
31:22 «Fac ut portem Christi mortem»
35:06 «Inflammatus et accensus»
37:57 «Quando corpus morietur» —«Amen...»

For making this video, the images and music were taken from the following sites:
kickass.to/pergolesi-stabat-mater-claudio-abbado-london-symphony-orch-t1077555.html
m-a-marshall.livejournal.com/pics/catalog/259/1713

This video was made for non-profit, self-educational, entertainment, recreational and improving my video making skills purposes. All rights belong to its rightful owners.

J.S.Bach Concerto no.1 in D Minor BWV 1052 Polina Osetinskaya Anton Gakkel


NEW AMAZING MUSIC-VIDEO ON THIS CHANEL
youtu.be/ZCPWPh06FwE — Benjamin Britten
youtu.be/BK3aTsBKj9M — Arshia Samsaminia
youtu.be/_h2-h831iLw — Roberto Di Marino

J.S.Bach HARPSICHORD Concerto in D Minor BWV 1052 Polina Osetinskaya piano
The Mariinsky String Orchestra
Conductor: Anton Gakkel www.antongakkel.org/
St.Petersburg, Mariinsky Theatre, Concert Hall 29.03.2015
0:05 — 1mvt / 8:15 — 2mvt / 16:13 — 3mvt
The life of pianist Polina Osetinskaya can be divided into two stages. The first – that of “wunderkind” (a word that Polina herself cannot abide) – was when Polina performed as a girl in huge halls filled with excited sensationalists. The second, which has continued to the present day, is essentially her victory over the first. It is both a reference to serious performing and to exacting audiences.
Polina Osetinskaya began to perform at the age of five. At the age of seven she entered the Central School of Music of the Moscow Conservatoire. Polina gave her first concert at the age of six at the Great Hall of the Vilnius Conservatoire in Lithuania. Together with her father who accepted the role of manager, the young Polina began to undertake frequent tours throughout the former USSR to packed halls and ovations. In her own country Polina was possibly the most famous child of her time and her relationship with her father was portrayed by the mass media as some kind of soap opera after the thirteen-year-old Polina decided to leave her father and study music seriously at the school of the Leningrad Conservatoire under the acclaimed teacher Marina Wolf.
Polina began to tour once again while still a student at the St Petersburg Conservatoire. (The pianist subsequently completed a postgraduate course at the Moscow Conservatoire under Professor Vera Gornostayeva.) She has appeared with the Tokyo Philharmonic Orchestra, the Orchestra of the Weimar National Opera, the Academic Symphony Orchestra of the St Petersburg Philharmonic (Honoured Ensemble of Russia), the State Academic Svetlanov Symphony Orchestra, the Moscow Virtuosi and the New Russia orchestra among other ensembles.
Polina Osetinskaya’s onstage partners have included conductors Saulius Sondeckis, Vassily Sinaisky, Andrei Boreiko, Gerd Albrecht, Yan Pascal Tortelier and Thomas Sanderling. Polina Osetinskaya has performed at the Wallonie Festival in Brussels, the Mainly Mozart festival, the Frédéric Chopin Festival in Miami, the Stars of the White Nights festival and the December Evenings festival among numerous others.
The pianist has been awarded the Maly Triumph prize. In 2008 she wrote her autobiography Farewell, Sadness, which became a bestseller.
Polina Osetinskaya generally creates unusual and frequently paradoxical solo programmes. She almost always includes works by contemporary composers, frequently justaposing them with traditional classical works: “Contemporary music is not just a continuation of older music. It also helps us discover ideas and beauty in older music that have been lost over decades of the blind museum generation and mechanical and often soulless performing.”
Polina Osetinskaya often performs works by post-avant-garde composers such as Valentin Silvestrov, Leonid Desyatnikov, Vladimir Martynov, Georgs Pelēcis and Pavel Karmanov.

The pianist collaborates with many recording companies including Naxos, Sony Music and Bel Air.
#polinaosetinskaya #musicaaldente #полинаосетинская #бах

Classical Music Everyone Should Know #1 | Compilation by wocomoMUSIC


Enjoy this selection of classical music masterpieces performed by some of the best musicians of our time. From Beethoven to Tchaikovsky, more than an hour of quality music youve surely heard more than once. The best way to get into Classical Music!

Chapters:
0:00 Ludwig van Beethoven — Symphony No. 5 in C minor, Op. 67
7:15 Georg Friedrich Händel — «Zadok the Priest», HWV 258
12:37 Ludwig van Beethoven — Sonata No. 8 in C minor, Op. 13, «Pathétique»
18:07 Léo Delibes — Flower Duet, from Lakmé
23:04 Giacomo Puccini — Nessun Dorma, from Turandot
25:55 Ludwig van Beethoven — Sonata No. 14 in C sharp minor, Op. 27, No. 2 «Moonlight»
32:38 Johann Sebastian Bach — Toccata and Fugue in D minor, BWV 565
40:53 Georges Bizet — Prelude, from Carmen
43:09 Johann Sebastian Bach — Prelude in C major, BWV 846
45:25 Wolfgang Amadeus Mozart — Duet Papageno and Papagena, from Die Zauberflöte
47:43 Pyotr Illych Tchaikovsky — Dance of the Sugar Plum Fairy, from The Nutcracker
49:43 Ludwig van Beethoven — Sonata No. 21 in C major, Op. 53, «Waldstein»
1:00:53 Richard Wagner — The Ride of the Valkyries, from Die Walküre, Act III
1:05:47 Pyotr Illych Tchaikovsky — Piano Concerto No. 1 in B Flat Minor, Op. 23

Watch the full concert you liked the most on the @EuroArtsChannel by following the links below:

Ludwig van Beethoven — Symphony No. 5 in C minor, Op. 67
youtu.be/RegMZfOv4OU
Georg Friedrich Händel — «Zadok the Priest», HWV 258
youtu.be/rNlE9rueKYY
Ludwig van Beethoven — Sonata No. 8 in C minor, Op. 13, «Pathétique»
youtu.be/-Vn0imk60CA
Léo Delibes — Flower Duet, from Lakmé
youtu.be/mKPMZSiIOFY
Giacomo Puccini — Nessun Dorma, from Turandot
youtu.be/or79LIOwa8k
Ludwig van Beethoven — Sonata No. 14 in C sharp minor, Op. 27, No. 2 «Moonlight»
youtu.be/1mH-qwWcyc4
Johann Sebastian Bach — Toccata and Fugue in D minor, BWV 565
youtu.be/LQ4pa1y9oVA
Georges Bizet — Prelude, from Carmen
Johann Sebastian Bach — Prelude in C major, BWV 846
youtu.be/oh-4F17wlCQ
Wolfgang Amadeus Mozart — Duet Papageno and Papagena, from Die Zauberflöte
youtu.be/ULihXz-MHH8
Pyotr Illych Tchaikovsky — Dance of the Sugar Plum Fairy, from The Nutcracker
youtu.be/xtLoaMfinbU
Ludwig van Beethoven — Sonata No. 21 in C major, Op. 53, «Waldstein»
youtu.be/Y7BjlA0gDvg
Richard Wagner — The Ride of the Valkyries, from Die Walküre, Act III
www.youtube.com/watch?v=7hbhys8Nrpw
Pyotr Illych Tchaikovsky — Piano Concerto No. 1 in B Flat Minor, Op. 23
youtu.be/Bj_DgWSI5ZM

Subscribe to wocomoMUSIC: goo.gl/ahZRzC
Follow us on Facebook: www.facebook.com/wocomo

Do you want more? Check out the second compilation here: youtu.be/uM9PQ3IpumU

#wocomoCLASSICAL

Bach: St. Matthew Passion (Karajan)


Gundula Janowitz
Christa Ludwig
Peter Schreier
Horst Laubenthal
Dietrich Fischer-Dieskau
Walter Berry
Anton Diakov
Herbert Von Karajan: Berliner Philharmoniker; Wiener Singverein
— The music published on this channel is exclusively dedicated to divulgation purposes and not commercial. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform me immediately before you submit a claim to Youtube, and it will be a priority to immediately remove the respective video.