BWV244 Matthaus Passion
Philippe Herreweghe 1998

Provided to YouTube by NAXOS of America

Freue dich, erloste Schar, BWV 30: Part I: Aria: Gelobet sei Gott, gelobet sein Name (Bass) · Joanne Lunn

Bach, J.S.: Cantatas, Vol. 1 — Bwv 7, 20, 30, 39, 75, 167

℗ 2000 SDG

Released on: 2000-01-01

Artist: Joanne Lunn
Artist: Wilke te Brummelstroete
Artist: Paul Agnew
Artist: Dietrich Henschel
Choir: Monteverdi Choir
Conductor: John Eliot Gardiner
Ensemble: English Baroque Soloists
Composer: Johann Sebastian Bach

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Johann Sebastian BACH (1685-1750)
Erbarme dich, mein Gott
Aria (No. 39) from the oratorio Matthäuspassion, BWV 244
Text: Picander (1700-1764)
First performance: probably 11 April 1727, in Leipzig (Thomaskirche)

Delphine Galou, contralto
François-Marie Drieux, solo violin
Les Siècles,
conducted by François-Xavier Roth
Recorded in Summer 2008?

German text:

Erbarme dich, mein Gott, um meiner Zähren willen!
Schaue hier, Herz und Auge weint vor dir bitterlich.

English translation:

Have mercy, my God, for the sake of my tears!
See here, before you heart and eyes weep bitterly.

Marc D.

The opening chorus Herr, unser Herrscher from St John Passion, performed by the Nederlands Bach Society for All of Bach. The St John Passion was the first Passion Bach had written as cantor in Leipzig. The Passion story as told in the Gospel of John is different from that told by the other three evangelists – Matthew, Luke and Mark. John’s version places the emphasis on Christ’s divine origin. Throughout his suffering, this divine origin still plays a role and nowhere is Jesus as human as in the other gospels.

For this performance, we selected a cast of singers under the age of 35. Apart from the leaders, all the orchestra members are also younger than 35. The concert series was preceded by a course of auditions and masterclasses.

Recorded for the project All of Bach on March 11th 2017 at the Grote Kerk, Naarden. If you want to help us complete All of Bach, please subscribe to our channel bit.ly/2vhCeFB and consider donating bit.ly/2uZuMj5.

For the behind-the-scenes of the auditions for the St John Passion go to www.youtube.com/watch?v=64h8n4FOSlk
For the behind-the-scenes of the masterclasses for BWV 245 go to www.youtube.com/watch?v=mHt-bJ3acLY
For the behind-the-scenes of the general rehearsal of BWV 245 go to www.youtube.com/watch?v=5w9bZOkEZgE
For more information on BWV 245 and this production go to allofbach.com/en/bwv/bwv-245/

All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and her guest musicians. Visit our free online treasury for more videos and background material allofbach.com/en/. For concert dates and further information go to www.bachvereniging.nl/nederlandse-bachvereniging.

Netherlands Bach Society
Jos van Veldhoven, conductor

Soloists
Raphael Höhn, evangelist (tenor)
Myriam Arbouz, soprano
Maria Valdmaa (Maid), soprano
Daniël Elgersma, alto
Marine Fribourg, alto
Gwilym Bowen, tenor
Guy Cutting (Servant), tenor
Felix Schwandtke (Jesus), bass
Drew Santini (Peter), bass
Angus Mc Phee (Pilate), bass

The evolution of classical piano music from 1600 to the present day. Let the music take you away on a journey throughout the years of classical piano music. Visit the Baroque period (1600-1750), Classical period (1750-1820), Romantic period (1780-1910), Modernist period (1890-1950) and de Postmodern period (1930-present).

Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): brilliant-classics.lnk.to/ClassicalPianoMusic

This is a video that will show the piano through the years of classical music. We made this to reflect on the amazing music made and for everyone who is new to classical piano music. Let us know what you think of the video and the amazing pieces played. If you think any piece or composer is missing, feel free to leave a comment below. We hope you can enjoy this beautiful music, thank you for watching!

In the tracklist below you can find the musical pieces, the composers who made them and the pianist who played them.

Social media:
Brilliant Classics Facebook: brilliant-classics.lnk.to/Facebook
Piano Classics Facebook: PianoClassics.lnk.to/Facebook
Instagram: brilliant-classics.lnk.to/Instagram

Spotify:
Brilliant Classics: brilliant-classics.lnk.to/Spotify
Piano Classics: PianoClassics.lnk.to/Spotify

Tracklist:

Baroque Era:

Domenico Scarlatti played by Michelangelo Carbonara:
0:00:00 Sonata in C Minor, Kk. 158 (Andante)
0:03:10 Sonata in C Major, Kk. 461 (Allegro)

Georg Frideric Handel played by Scipione Sangiovanni:
0:06:33 Suite in B-Flat Major, HWV 434: I. Praeludium
0:08:51 Suite in D Minor, HWV 436: I. Allemande

Johann Sebastian Bach played by Yuan Sheng:
0:12:25 French Suite No. 1 in D Minor, BWV 812: I. Allemande
0:16:30 French Suite No. 5 in G Major, BWV 816: I. Allemande
0:19:38 Partita No. 1 in B-Flat Major, BWV 825: I. Praeludium

Classical Era:

Joseph Haydn:
0:21:24 Piano Sonata in E-Flat Major, Hob. XVI:52: I. Allegro played by Jeroen van Veen

Wolfgang Amadeus Mozart played by Klára Würtz:
Piano Sonata No. 1 in C Major, K. 279:
0:30:49 I. Allegro
0:35:46 II. Andante
0:40:58 III. Allegro
0:44:21 Piano Sonata No. 11 in A Major, K. 331: III. Alla turca. Allegretto

Romantic Era:

Ludwig van Beethoven played by Misha Goldstein:
0:47:46 Für Elise in A Minor, WoO 59
0:50:40 Piano Sonata No. 14 in C-Sharp Minor «Moonlight»: I. Adagio sostenuto

Frédéric Chopin:
0:56:23 Impromptu No. 2 in F-Sharp, Op. 36 played by Wolfram Schmitt-Leonardy
1:02:11 Nocturnes, Op. 9: II. Andante in E-Flat Major played by Earl Wild

Robert Schumann:
1:06:24 Kinderszenen, Op. 15: VII. Träumerei played by Klára Würtz

Franz Liszt:
1:09:05 Grandes études de Paganini, S. 141: No. 3, La Campanella played by Ivo Sandro Bartoli

Sigismond Thalberg:
1:14:10 LArt du chant appliqué au Piano, Op. 70: XIX. Casta diva, cavatine de lopéra Norma de Bellini played by Mark Viner

Anton Bruckner:
1:21:03 Andante in E-Flat Major played by Francesco Pasqualotto

Modernist Era:

Claude Debussy played by Misha Goldstein:
1:24:28 Deux Arabesques, L. 66: I. Première Arabesque
1:28:37 Clair de Lune, L. 32

Erik Satie:
1:33:36 Valse-ballet played by Jeroen van Veen
1:35:51 3 Gymnopédies: No. 1, Lent et douloureux played by Håkon Austbö

Leopold Godowsky:
1:39:31 Study No. 44 in F Minor on trois nouvelle études No. 1, B. 130 (Left Hand Alone) played by Emanuele Delucchi

Postmodern Era:

Henri Dutilleux:
1:41:25 Piano Sonata, Op. 1: II. Lied played by Akanè Makita

Ryuichi Sakamoto:
1:48:08 Merry Christmas Mr. Lawrence played by Jeroen van Veen

Yann Tiersen played by Jeroen van Veen:
1:52:45 Comptine dun autre été: Laprès midi
1:55:10 La dispute

Yiruma played by Jeroen van Veen:
1:57:27 River Flows in You
2:00:58 Spring Waltz

Thanks for watching! Feel free to subscribe and visit our channel for the best classical music from the greatest composers like: Bach, Satie, Mozart, Tchaikovsky, Beethoven, Chopin, Haydn, Ravel, Debussy, Verdi, Vivaldi, Handel, Brahms, Liszt, Schubert, Mendelssohn, Rachmaninoff, Wagner, Strauss, Handel, Dvorak and many more! We upload complete albums, music for relaxing, working, studying, meditating, concentrating, instrumental music, opera, violin, classical piano music, sonatas and more!

#Classical #Piano #Music

Johann Sebastian Bach
András Schiff, Piano
English Suite No 2 in A minor BWV 807
0:00 Prelude
04:21 Allemande
07:28 Courante
09:02 Sarabande
12:03 Bourrée I
13:58 Bourrée II
15:51 Gigue

Nocturne in E-flat major, Op. 9, No. 2
Played by Vadim Chaimovich (https://www.youtube.com/vadimchaimovich)
FB-Vadim: www.facebook.com/vadimchaimovich
— Instagram
www.instagram.com/andrearomanoandrea

Vincent van Gogh painted The Starry Night one year before dying.
Chopin composed his popular Nocturne when he was about twenty.
it does not matter if you think that it is too late for you or that you still have a lot of time...you have to decide whether you are Chopin or van Gogh.

The idea behind these videos is coming from a research published by the Psychology Department of Berkeley University studying the relation between colors, emotions and how external stimuli are impacting decision making.

The study results demonstrate a strong correlation between faster music in minor tone and the choice from participants of colors from that were saturated, yellower and lighter whereas a slower and minor music produced the opposite pattern (choice of desaturated, darker and bluer colors).

Based on these findings, we wanted to create synesthesia in our videos and trigger more intense and long-lasting emotions in our viewers, get higher audience retention and interaction. We decided to do that by associating drawings from the major painters that were following the scientific findings of this research.
The choice of these paintings and the consecutive association with the music is also based on an accurate work that requires significant time and energy.

The analysis of the melodies returned to us a lot of information on how the painting should have been made. We needed a simple blue pattern but with an intrinsic meaning. Something that people could watch for a while without really understand it.

By creating this video I tried to do only one thing which turned to be the most difficult one: make you feel an emotional synesthesia.
When hearing the melody, dont you feel that everything is...blue? aren’t you lost in the sky? is your mind going over? It’s not for no reason.
it is not only an image, it is not only a melody. It is a trip.
You dont feel bored. Its your mind using the notes and the colors to create your own experience.

Most of the videos online with only one image are only music, but not this.

The research behind the perfect combination is the key for the unconscious.

The research:
«Music–color associations are mediated by emotion»
www.pnas.org/content/110/22/8836
Stephen E. Palmer, Karen B. Schloss, Zoe Xu, and Lilia R. Prado-León
— This popular nocturne is in rounded binary form (A, A, B, A, B, A) with coda, C. The A and B sections become increasingly ornamented with each recurrence. The penultimate bar utilizes considerable rhythmic freedom, indicated by the instruction, senza tempo (without tempo). Nocturne in E-flat major opens with a legato melody, mostly played piano, containing graceful upward leaps which becomes increasingly wide as the line unfolds. This melody is heard again three times during the piece. With each repetition, it is varied by ever more elaborate decorative tones and trills. The nocturne also includes a subordinate melody, which is played with rubato.

Arcangelo Corelli 12 Concerti Grossi Op.6
www.facebook.com/groups/133188033500359
plus.google.com/communities/118426072862344520173
Bohdan Warchal Violin
Quido Holbling Violin
Juraj Alexander Violoncello
Slovak Chamber Orchestra
1975

1 No. 1 in D major 0:00
2 No. 2 in F major 14:07
3 No. 3 in C minor 25:26
4 No. 4, in D major 37:17
5 No. 5, in B-flat major 47:50
6 No. 6, in F major 1:00:35
7 No. 7, in D major 1:13:46
8 No. 8, in G minor 1:24:05
9 No. 9, in F major 1:39:55
10 No. 10, in C major 1:50:30
11 No. 11, in B-flat major 2:04:15
12 No. 12, in F major 2:14:19

Picture: Musicians at the court of Crown Prince Ferdinando de Medici by Antonio Domenico Gabbiani 1685. Oil on canvas, 140 x 233cm. Inv.no. 2805 Museo di Strumenti Musicali

Provided to YouTube by harmonia mundi

Nocturnes, Op. 32: No. 1 in B major. Andante sostenuto · Brigitte Engerer

Chopin: Complete Nocturnes

℗ harmonia mundi

Released on: 2010-06-22

Artist: Brigitte Engerer
Soloist: Brigitte Engerer
Composer: Frederic Chopin

Auto-generated by YouTube.

Когда реальность более загадочна, чем вымысел. Первый сезон проекта смотрите по ссылке: goo.gl/QkgvQY

Каждая серия состоит из двух историй. Все они основаны на реальных событиях, и были лишь реконструированы при помощи съемочной группы и талантливой игры непрофессиональных актеров.

Мы пытались не вносить в истории свои правки (поскольку намеренно таких вещей не придумаешь), стараясь пересказать их так, как услышали от реальных участников описываемых событий либо от экстрасенсов, работавших с участниками. Мы хотели показать эти события именно так, как их увидели и пережили конкретные люди. Возможно, поэтому зрителю наши истории могут показаться местами чересчур страшными, иногда странными или смешными. Однако именно такой и является наша жизнь.

В проекте задействованы различные специалисты, которые анализируют происходящие в кадре события, и высказывают свое мнение. Здесь и психологи, и экстрасенсы, и биоэнергетики, и врачи, и даже ведьмы. Каждый из них имеет свое собственное видение происходящего. Однако мы не ставим перед собой задачу перессорить наших экспертов — они лишь озвучивают свои мнения. Вывод о том, кто прав, и действительно ли в основе рассказанных историй лежит мистика, или же результат самовнушения, — делает сам зритель.

Ведущий: Павел Костицын, Виктор Вержбицкий, Евгений Князев.

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