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Bach - Magnificat In D Major, BWV 243 | John Eliot Gardiner


John Eliot Gardiner — English Baroque Soloists — Monteverdi Choir
Period Instruments

Nancy Argenta: Soprano I
Patrizia Kwella: Soprano II
Charles Brett: Alto
Anthony Rolfe-Johnson: Tenor
David Thomas: Bass

Spotify: open.spotify.com/album/1WMpzm3ymYln6sqoJ8bo84?si=m8zoHBAYTX2vLNBp5IZr2g
Buy: www.amazon.com/Bach-Magnificat-Jauchzet-allen-Landen/dp/B0000040W4

J. S. Bach - Cantatas BWV 138, BWV 99, BWV 51, BWV100 - J. E. Gardiner (Vol.8 CD1)


J. S. Bach
Cantatas:
BWV 138 [17:03]
BWV 99 [16:43]
BWV 51 [16:29]
BWV 100 [21:02]

Soprano: Malin Hartelius
Counter-tenor: William Towers
Tenor: James Gilchrist
Bass: Peter Harvey
Monteverdi Choir / English Baroque Soloists
John Eliot Gardiner

Live recordings from the Bach Cantata Pilgrimage:
Unser Lieben Frauen, Bremen, Germany.
www.bach-cantatas.com/Performers/Gardiner-Rec2.htm

Bach - The Art of Fugue, BWV 1080 [complete on Organ]


The Art of Fugue or The Art of the Fugue (original German: Die Kunst der Fuge), BWV 1080, is an incomplete masterpiece by Johann Sebastian Bach (1685--1750). The work was most likely started at the beginning of the 1740s, if not earlier. The first known surviving version, which contained 12 fugues and 2 canons, was copied by the composer in 1745. This manuscript has a slightly different title, added afterwards by his son-in-law Johann Christoph Altnickol: Die Kunst der Fuga. Bachs second version was published in 1751 after his death. It contains 14 fugues and 4 canons. «The governing idea of the work», as the eminent Bach specialist Christoph Wolff put it, is «an exploration in depth of the contrapuntal possibilities inherent in a single musical subject.»

Structure

0:00 — Contrapunctus I
3:12 — Contrapunctus II
6:24 — Contrapunctus III
9:20 — Contrapunctus IV
14:38 — Contrapunctus V
17:55 — Contrapunctus VI in Stylo Francese
22:04 — Contrapunctus VII per Augmentationem et Diminutionem
26:04 — Contrapunctus VIII
32:06 — Contrapunctus IX alla Duodecima
35:06 — Contrapunctus X alla Decima
39:30 — Contrapunctus XI Triple fugue
46:41 — Canone allOttava
49:35 — Canone alla Duodecima in Contrapunto alla Quinta
51:52 — Canone alla Decima in Contrapunto alla Terza
56:36 — Canone per Augmentationem in Contrario Motu
1:01:27 — Contrapunctus XIII rectus
1:03:59 — Contrapunctus XIII inversus
1:06:57 — Contrapunctus XII rectus
1:09:50 — Contrapunctus XII inversus

Herbert Tachezi, organ

[Wikipedia en.wikipedia.org/wiki/The_Art_of_Fugue]

Хорошо темперированный клавир, том 1: Прелюдия и фуга...


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Хорошо темперированный клавир, том 1: Прелюдия и фуга No. 4 до-диез минор, BWV 849 · Святослав Рихтер

Святослав Рихтер 100, Том 31 (Live)

℗ 2020 АО «Фирма Мелодия»

Released on: 2015-01-01

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Freue dich, erloste Schar, BWV 30: Part I: Aria: Gelobet sei Gott, gelobet sein Name (Bass)


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Freue dich, erloste Schar, BWV 30: Part I: Aria: Gelobet sei Gott, gelobet sein Name (Bass) · Joanne Lunn

Bach, J.S.: Cantatas, Vol. 1 — Bwv 7, 20, 30, 39, 75, 167

℗ 2000 SDG

Released on: 2000-01-01

Artist: Joanne Lunn
Artist: Wilke te Brummelstroete
Artist: Paul Agnew
Artist: Dietrich Henschel
Choir: Monteverdi Choir
Conductor: John Eliot Gardiner
Ensemble: English Baroque Soloists
Composer: Johann Sebastian Bach

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