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Henry Purcell - The Fairy Queen Z 629 - Complete Opera (Best Version) - Links in description


Complete Opera (Best Version) — Links in description
The Fairy Queen (Semi-Opera Z. 629) by Henry Purcell (1692)

Performed by English Baroque Soloists
Conducted by John Eliot Gardiner

First Music
1. Prelude — 0:00
2. Hornpipe — 1:58
Second Music
3. Air — 2:53
4. Rondeau — 3:40
5. Overture — 5:10
Act I
6. Song In Two Parts: «Come, Come, Come, Let Us Leave» — 7:13
7. Scene Of The Drunken Poet: «Fill Up The Bowl» — 9:37
8. First Act Tune: Jig — 16:17
Act II
9. Prelude And Song: «Come All Ye Songsters Of The Sky» — 17:30
10. Prelude — 19:22
11. Trio: «May The God Of Wit Inspire» — 20:12
12. Echo — 21:16
13. Chorus: «Now Joyn Your Warbling Voices All» — 22:50
14. A Dance Of Fairies — 23:18
15. Song And Chorus: «Sing While We Trip It On The Green» — 24:02
16. Song: «See, Even Night Her Self Is Here» — 25:44
17. Song: «I Am Come To Lock All Fast» — 30:01
18. Song: «One Charming Night» — 31:12
19. Song And Chorus: «Hush, No More, Be Silent All» — 33:10
20. A Dance For The Followers Of Night — 36:30
21. Second Act Tune: Air — 38:21
Act III
22. A Song In Two Parts And Chorus: «If Loves A Sweet Passion» — 39:42
23. Overture: Symphony While The Swans Come Forward — 47:42
24. Dance For The Fairies — 49:45
25. Dance For The Green Men — 50:34
26. Song: «Ye Gentle Spirits Of The Air, Appear» — 52:02
27. Dialogue Between Coridon And Mopsa: «Now The Maids And The Men» — 57:07
28. Song: «When I Have Often Heard» — 1:01:03
29. A Dance Of Haymakers — 1:04:16
30. Song And Chorus: «A Thousand Thousand Ways Well Find» — 1:05:13
31. Third Act Tune: Hornpipe — 1:07:21
Act IV
32. Symphony — 1:08:21
33. Solo And Chorus: «Now The Night Is Chacd Away» — 1:14:32
34. Duet: «Let The Fifes, And The Clarions» — 1:16:38
35. Entry Of Phoebus — 1:18:34
36. Song: «When A Cruel Long Winter»-Chorus: «Hail! Great Parent Of Us All» — 1:19:10
37. Song: «Thus The Ever Grateful Spring» (Spring) — 1:23:28
38. Song: «Heres The Summer, Sprightly, Gay (Summer) — 1:25:25
39. Song: „See My Many Colourd Fields“ (Autumn) — 1:27:04
40. Song And Chorus: „Now Winter Comes Slowly“ (Winter) — 1:30:07
41. Fourth Act Tune: Air — 1:33:29
Act V
42. Prelude — 1:34:25
43. Epithalamium: „Thrice Happy Lovers“ — 1:35:32
44. The Plaint: „O Let Me Weep“ — 1:38:09
45. Entry Dance — 1:45:51
46. Symphony — 1:46:59
47. Song: „Thus The Gloomy World“ — 1:48:12
48. Solo And Chorus: „Thus Happy And Free“ — 1:53:55
49. Song: „Yes Daphne, In Your Looks I Find“ — 1:55:32
50. Monkeys Dance — 1:57:26
51. Song: „Hark How All Things“ — 1:58:28
52. Song And Chorus: „Hark! the Eching Air“ — 2:00:35
53. Duet And Chorus: „Sure The Dull God“ — 2:03:27
54. Prelude — 2:05:32
55. Solo: „See, See, I Obey“ — 2:06:04
56. Duet „Turn Then Thine Eyes“ — 2:08:02
57. Solo: „My Torch, Indeed“ — 2:09:27
58. Trio: They Shall Be As Happy» — 2:10:12
59. Air — 2:11:21
60. Chorus: «They Shall Be As Happy» — 2:12:51
61. Chaconne: Dance For Chinese Man And Woman — 2:14:01

Bach - Motet Komm, Jesu, komm... BWV 229 - MacLeod | Netherlands Bach Society


Komm, Jesu, komm, mein Leib ist müde, performed by the Netherlands Bach Society for All of Bach, used to be known amongst singers from Leipzig as ‘Der saure Weg’, after the most difficult phrase in the piece. The path to its origin is a straighter one, as although we still do not know precisely for whom Bach wrote this piece, it is anyway clear that he composed it himself. Moreover, we can presume that it is a funeral or memorial motet.

Recorded for the project All of Bach on May 14th 2016 at the Grote Kerk, Naarden. If you want to help us complete All of Bach, please subscribe to our channel bit.ly/2vhCeFB and consider donating bit.ly/2uZuMj5.

For the interview with soprano Klaartje van Veldhoven and conductor Stephan MacLeod on Komm, Jesu, komm, mein Leib ist müde go to www.youtube.com/watch?v=Hhc23uL8I1w
For more information on BWV 229 and this production go to allofbach.com/en/bwv/bwv-229/

All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and its guest musicians. Visit our free online treasury for more videos and background material allofbach.com/en/. For concert dates and further information go to www.bachvereniging.nl/nederlandse-bachvereniging.

Netherlands Bach Society
Stephan MacLeod, conductor

Beethoven 9 - Chicago Symphony Orchestra - Riccardo Muti


On May 7, 1824, Beethoven shared his 9th Symphony with the world even though he could never hear it. On May 7, 2015 celebrate the anniversary of Beethoven’s most glorious and jubilant masterpiece with Riccardo Muti and the Chicago Symphony Orchestra and Chorus. An exhilarating testament to the human spirit, Beethoven’s Ninth bursts with brooding power and kinetic energy and culminates in the exultant hymn, “Ode to Joy.”The video is now available free on demand for all to enjoy! — See more at: cso.org/beethoven9
#sharethejoy

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Хорошо темперированный клавир, том 1: Прелюдия и фуга...


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Хорошо темперированный клавир, том 1: Прелюдия и фуга No. 7 ми-бемоль мажор, BWV 852 · Святослав Рихтер

Святослав Рихтер 100, Том 31 (Live)

℗ 2020 АО «Фирма Мелодия»

Released on: 2015-01-01

Auto-generated by YouTube.

Хорошо темперированный клавир, том 1: Прелюдия и фуга...


Provided to YouTube by National Digital Aggregator LLC

Хорошо темперированный клавир, том 1: Прелюдия и фуга No. 9 ми мажор, BWV 854 · Святослав Рихтер

Святослав Рихтер 100, Том 31 (Live)

℗ 2020 АО «Фирма Мелодия»

Released on: 2015-01-01

Auto-generated by YouTube.

Bach: The Well-Tempered Clavier, Books I


Book I: No. 1 in C major, BWV 846: Prelude • 2:19 Fugue • No. 2 in C minor, BWV847: 3:57 Prelude • 5:38 Fugue • No. 3 in C sharp major, BWV 848: 7:17 Prelude • 8:31 Fugue • No. 4 in C sharp minor, BWV 849: 10:33 Prelude • 13:25 Fugue • No. 5 in D major, BWV 850: 18:54 Prelude • 20:02 Fugue • No. 6 in D minor, BWV 851: 22:06 Prelude • 23:27 Fugue • No. 7 in E flat major, BWV 852: 25:34 Prelude • 30:05 Fugue • No. 8 in E flat minor, BWV 853: 31:40 Prelude • 35:36 Fugue • No. 9 in E major, BWV 854: 42:25 Prelude • 43:36 Fugue • No. 10 in E minor, BWV 855: 44:46 Prelude • 47:02 Fugue • No. 11 in F major, BWV 856: 48:24 Prelude • 49:40 Fugue • No. 12 in F minor, BWV 857: 51:12 Prelude • 53:26 Fugue • No. 13 in F sharp major, BWV 858: 58:07 Prelude • 59:26 Fugue • No. 14 in F sharp minor, BWV 859: 1:01:25 Prelude • 1:02:29 Fugue • No. 15 in G major, BWV860: 1:06:35 Prelude • 1:07:37 Fugue • No. 16 in G minor, BWV 861: 1:10:20 Prelude • 1:12:30 Fugue • No. 17 in A flat major, BWV 862: 1:15:13 Prelude • 1:16:48 Fugue • No. 18 in G sharp minor, BWV 863: 1:19:48 Prelude • 1:21:27 Fugue • No. 19 in A major, BWV 864: 1:25:11 Prelude • 1:26:31 Fugue • No. 20 in A minor, BWV 865: 1:28:48 Prelude • 1:30:04 Fugue • No. 21 in B flat major, BWV 866: 1:34:49 Prelude • 1:36:15 Fugue • No. 22 in B flat minor, BWV 867: 1:38:00 Prelude • 1:41:21 Fugue • No. 23 in B major, BWV 868: 1:45:10 Prelude • 1:46:11 Fugue • No. 24 in B minor, BWV 869: 1:48:26 Prelude • 1:56:53 Fugue • Book II: 2:04:19 No. 1 in C major, BWV 870: Prelude • 2:06:51 Fugue • No. 2 in C minor, BWV 871: 2:08:34 Prelude • 2:10:56 Fugue • No. 3 in C sharp major, BWV 872: 2:13:28 Prelude • 2:15:14 Fugue • No. 4 in C sharp minor, BWV 873: 2:17:04 Prelude • 2:20:47 Fugue • No. 5 in D major, BWV 874: 2:23:00 Prelude • 2:28:37 Fugue • No. 6 in D minor, BWV 875: 2:32:35 Prelude • 2:34:11 Fugue • No. 7 in E flat major, BWV 876: 2:36:07 Prelude • 2:38:27 Fugue • No. 8 in D sharp minor, BWV 877: 2:40:48 Prelude • 2:45:54 Fugue • No. 9 in E major, BWV 878: 2:50:47 Prelude • 2:55:11 Fugue • No. 10 in E minor, BWV 879: 2:59:30 Prelude • 3:04:27 Fugue • No. 11 in F major, BWV 880: 3:07:38 Prelude • 3:11:04 Fugue • No. 12 in F minor, BWV 881: 3:12:47 Prelude • 3:17:09 Fugue • No. 13 in F sharp major, BWV 882: 3:19:04 Prelude • 3:22:36 Fugue • No. 14 in F sharp minor, BWV 883: 3:25:14 Prelude • 3:28:20 Fugue • No. 15 in G major, BWV 884: 3:32:54 Prelude • 3:35:01 Fugue • No. 16 in G minor, BWV 885: 3:36:34 Prelude • 3:39:30 Fugue • No. 17 in A flat major, BWV 886: 3:42:43 Prelude • 3:46:47 Fugue • No. 18 in G sharp minor, BWV 887: 3:50:29 Prelude • 3:54:31 Fugue • No. 19 in A major, BWV 888: 3:59:11 Prelude • 4:00:53 Fugue • No. 20 in A minor, BWV 889: 4:02:11 Prelude • 4:07:34 Fugue • No. 21 in B flat major, BWV 890: 4:09:18 Prelude • 4:16:17 Fugue • No. 22 in B flat minor, BWV 891: 4:20:06 Prelude • 4:24:02 Fugue • No. 23 in B major, BWV 892: 4:30:49 Prelude • 4:32:41 Fugue • No. 24 in B minor, BWV 893: 4:37:08 Prelude • 4:39:56 Fugue

Schubert - Impromptus / Sonatas D.664, 958, 960, 959 Presentation (ref. record. : Claudio Arrau)


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Franz Schubert (1797-1828) — Sonatas, Impromptus and Allegretto
Sonata in A / A-dur / La Maj, Op.posth.120 D.664
*Click to activate the English subtitles for the presentation* (00:00-01:52)
Allegro moderato (00:00)
Andante (11:35)
Allegro (16:57)

Impromptus, Op.90 D.899
*Click to activate the English subtitles for the presentation* (25:09-26:43)
N°1 in C minor / c-moll / ut min (25:09)
N°2 in E flat / Es-dur / Mi bémol Majeur (35:02)
N°3 in G flat / Ges-dur / Sol bémol Majeur (40:43)
N°4 in A flat / As-dur / La bémol Majeur (47:25)

Allegretto in C minor, D.915 (55:52)
*Click to activate the English subtitles for the presentation* (55:52-56:18)
c-moll / Ut mineur

Sonata in C minor / c-moll / Ut min, Op.posth. D.958
*Click to activate the English subtitles for the presentation* (1:02:37-1:05:32)
Allegro (1:02:37)
Adagio (1:14:16)
Menuetto — Allegro (1:22:40)
Allegro (1:26:19)

Sonata in B flat / B-dur / Si bémol Maj, D.960
*Click to activate the English subtitles for the presentation* (1:36:14-1:39:51)
Molto moderato (1:36:14)
Andante sostenuto (1:56:27)
Scherzo — Allegro vivace con delicatezza (2:07:17)
Allegro, ma non troppo (2:12:05)

Sonata in A / A-dur / La Maj, D.959
*Click to activate the English subtitles for the presentation* (2:20:31-2:24:13)
Allegro (2:20:31)
Andantino (2:36:08)
Scherzo — Allegro vivace (2:45:04)
Rondo — Allegretto (2:50:54)

Piano: Claudio Arrau
Recorded in 1978,1980,1982
Find CMRRs recordings on Spotify: spoti.fi/3016eVr

*COMMENTAIRE COMPLET: VOIR PREMIER COMMENTAIRE ÉPINGLÉ.*
Impromptus op. 90 D.899
Les deux groupes de quatre Impromptus chacun (D 899 et D 935) ont presque certainement été composés en 1827, et le n° I et le n° 2 de D 899 ont été imprimés peu avant la fin de 1827. Lorsque le troisième Impromptu a été publié dix ans plus tard, il est apparu un demi-ton plus haut en sol au lieu de sol bémol pour faciliter la tâche du joueur. Si un signe en croix est plus facile à lire que six signes en si bémol, la pièce nest pas plus facile à jouer. Ainsi, lintention de Schubert de faire se terminer le second Impromptu dans une tonalité mineure au lieu dune majeure, comme préparation à la tonalité de sol, est également détruite par la transposition.

Le titre «Impromptu», qui est apparu pour la première fois quelques années auparavant, fait référence à une pièce de caractère similaire à une improvisation. Comme relativement peu de matériaux de composition sont traités de différentes manières dans ces œuvres, chaque Impromptu de Schubert donne limpression davoir été créé dans un moment dinspiration créative. Mais quel soin extrême a été apporté par le compositeur pour assurer les fins développements harmoniques et les modulations! Dans le détail, les Impromptus (D 899 et D 935) montrent le compositeur au sommet de son art; ensemble, ils forment une de ses œuvres majeures.

Le premier et le plus vaste des quatre Impromptus, D 899, nest pas sans rappeler un rondo et se développe, même dans ses variations et ses prolongements, à partir dun seul thème. Le troisième, de caractère nocturne, est tout aussi dense, tandis que les Impromptus 3 et 4 sont basés sur la forme ABA. Le 2e Impromptu est suivi dune coda basée sur la partie centrale de la pièce, qui apporte avec elle la surprenante tonalité mineure.

Claudio Arrau: The Emperor (A film in English — Español Subtitulado) / The Emperor Concerto www.youtube.com/watch?v=lqFGXwomwOw