Henry Purcell (1659 — 1695). Fantasias for the Viols, 1680
* Fantasiaupon one note
3 Fantasias in 3 parts
* Fantasia I
* Fantasia II
* Fantasia III
3 Fantasias en 4 parts
* Fantasia IV
* Fantasia V
* Fantasia VI
* In Nomine in 6 parts
3 Fantasias in 4 parts
* Fantasia VII
* Fantasia VIII
* Fantasia IX
3 Fantasias en 4 parts
* Fantasia X
* Fantasia XI
* Fantasia XII
* In Nomine in 7 parts
HESPÈRION XX
— Jordi Savall, dessus de viole
— Wieland Kuijken, basse de viole
— Sophie Watillon, autecontre de viole
— Eunice Brandao, ténor de viole
— Sergi Casademunt, ténor de viole
— Marianne Müller, basse de viole
— Philippe Pierlot, basse de viole
J.S.Bach HARPSICHORD Concerto in D Minor BWV 1052 Polina Osetinskaya piano
The Mariinsky String Orchestra
Conductor: Anton Gakkel www.antongakkel.org/
St.Petersburg, Mariinsky Theatre, Concert Hall 29.03.2015
0:05 — 1mvt / 8:15 — 2mvt / 16:13 — 3mvt
The life of pianist Polina Osetinskaya can be divided into two stages. The first – that of “wunderkind” (a word that Polina herself cannot abide) – was when Polina performed as a girl in huge halls filled with excited sensationalists. The second, which has continued to the present day, is essentially her victory over the first. It is both a reference to serious performing and to exacting audiences.
Polina Osetinskaya began to perform at the age of five. At the age of seven she entered the Central School of Music of the Moscow Conservatoire. Polina gave her first concert at the age of six at the Great Hall of the Vilnius Conservatoire in Lithuania. Together with her father who accepted the role of manager, the young Polina began to undertake frequent tours throughout the former USSR to packed halls and ovations. In her own country Polina was possibly the most famous child of her time and her relationship with her father was portrayed by the mass media as some kind of soap opera after the thirteen-year-old Polina decided to leave her father and study music seriously at the school of the Leningrad Conservatoire under the acclaimed teacher Marina Wolf.
Polina began to tour once again while still a student at the St Petersburg Conservatoire. (The pianist subsequently completed a postgraduate course at the Moscow Conservatoire under Professor Vera Gornostayeva.) She has appeared with the Tokyo Philharmonic Orchestra, the Orchestra of the Weimar National Opera, the Academic Symphony Orchestra of the St Petersburg Philharmonic (Honoured Ensemble of Russia), the State Academic Svetlanov Symphony Orchestra, the Moscow Virtuosi and the New Russia orchestra among other ensembles.
Polina Osetinskaya’s onstage partners have included conductors Saulius Sondeckis, Vassily Sinaisky, Andrei Boreiko, Gerd Albrecht, Yan Pascal Tortelier and Thomas Sanderling. Polina Osetinskaya has performed at the Wallonie Festival in Brussels, the Mainly Mozart festival, the Frédéric Chopin Festival in Miami, the Stars of the White Nights festival and the December Evenings festival among numerous others.
The pianist has been awarded the Maly Triumph prize. In 2008 she wrote her autobiography Farewell, Sadness, which became a bestseller.
Polina Osetinskaya generally creates unusual and frequently paradoxical solo programmes. She almost always includes works by contemporary composers, frequently justaposing them with traditional classical works: “Contemporary music is not just a continuation of older music. It also helps us discover ideas and beauty in older music that have been lost over decades of the blind museum generation and mechanical and often soulless performing.”
Polina Osetinskaya often performs works by post-avant-garde composers such as Valentin Silvestrov, Leonid Desyatnikov, Vladimir Martynov, Georgs Pelēcis and Pavel Karmanov.
The pianist collaborates with many recording companies including Naxos, Sony Music and Bel Air.
#polinaosetinskaya #musicaaldente #полинаосетинская #бах
Akademie für alte Musik Berlin
Georg Kallweit, viool/leiding
G.F. Händel 1685-1759
Water Music, HWV 348-350
— Overture: Largo-Allegro
— Adagio e staccato
— Allegro / Andante / Allegro da capo
— Allegro
— Air
— Minuet
— Bourrée
— Hornpipe
— Allegro moderato
— Allegro
— Alla hornpipe
— Minuet
— Rigaudon 1 / Rigaudon 2 / Rigaudon 1 — Lentement
— Bourrée
— Minuet 1 / Minuet 2
— Gigue 1 / Gigue 2 da capo
— Minuet
Opname: 10 januari 2016, Het Concertgebouw Amsterdam voor Het Zondagochtend Concert
Händels Water Music
Bijna drie eeuwen geleden gaf Händel een concert dat we ons nu nóg herinneren. Op een groot vlot voer hij, met orkest, over de Theems. De kabbelende rivier begeleidde de première van zijn Water Music. Een stuk dat niet bedoeld was voor de vissen en trekschuiten, maar voor koning George I. De drie suites van Water Music vormden de achtergrond voor een diner op zijn koninklijke jacht. Het smaakte deze ‘royals’ uitstekend: Händel en zijn musici moesten het werk twee keer herhalen.
Akademie für Alte Musik Berlin
Dit seizoen waagt Akademie für Alte Musik Berlin (Akamus) zich met HändelsWater Music aan een van de bekendste klassieke werken. Akamus won onlangs de Bach-medaille van de stad Leipzig, voor hun verdiensten in het historisch verantwoord uitvoeren van oude muziek. Wat dat betreft is Water Music extra interessant omdat er meerdere versies van het werk bestaan. Op het water klinkt muziek immers heel anders dan op het land.
Performing the first movement of Bachs Keyboard Concerto No. 1 in D minor, BWV 1052, with Leonard Bernstein conducting the New York Philharmonic. Goulds performance begins at 18:03.
Originally aired on January 31, 1960 on CBS Television as part of its Ford Presents series, this program was entitled «The Creative Performer.» The entire show is actually three performances — by Gould, the soprano Eileen Farrell (singing the «Suicidio!» aria from *La Gioconda*),
Tracklist:
00:00:00 Oboe Concerto in C Major, RV 449: I. Allegro00:02:58 Oboe Concerto in C Major, RV 449: II. Largo
00:05:51 Oboe Concerto in C Major, RV 449: III. Allegro
00:09:08 Oboe Concerto in G Minor, RV 460: I. Allegro non tanto
00:12:52 Oboe Concerto in G Minor, RV 460: II. Largo
00:15:54 Oboe Concerto in G Minor, RV 460: III. Allegro non molto
00:19:30 Oboe Concerto in B-Flat Major, RV 465: I. Allegro
00:21:46 Oboe Concerto in B-Flat Major, RV 465: II. Adagio
00:23:29 Oboe Concerto in B-Flat Major, RV 465: III. Allegro
00:25:20 Oboe Concerto in F Major, RV 456 “Harmonia Mundi”: I. Largo
00:29:02 Oboe Concerto in F Major, RV 456 “Harmonia Mundi”: II. Allegro – Adagio
00:31:36 Oboe Concerto in F Major, RV 456 “Harmonia Mundi”: III. Presto
00:33:33 Oboe Concerto in D Minor, RV 454: I. Allegro
00:36:31 Oboe Concerto in D Minor, RV 454: II. Largo
00:38:48 Oboe Concerto in D Minor, RV 454: III. Allegro
00:41:31 Oboe Concerto in B-Flat Major, RV 464: I. Allegro
00:44:12 Oboe Concerto in B-Flat Major, RV 464: II. Largo
00:45:54 Oboe Concerto in B-Flat Major, RV 464: III. Allegro
00:47:43 Oboe Concerto in D Major, RV 453: I. Allegro
00:50:54 Oboe Concerto in D Major, RV 453: II. Largo
00:52:57 Oboe Concerto in D Major, RV 453: III. Allegro
00:56:06 Oboe Concerto in A Minor, RV 463: I. Allegro
00:59:11 Oboe Concerto in A Minor, RV 463: II. Largo
01:02:40 Oboe Concerto in A Minor, RV 463: III. Allegro
01:05:35 Oboe Concerto in C Major, RV 450: I. Allegro molto
01:09:49 Oboe Concerto in C Major, RV 450: II. Larghetto
01:12:57 Oboe Concerto in C Major, RV 450: III. Allegro
01:15:47 Oboe Concerto in F Major, RV 457: I. Allegro non molto
01:20:22 Oboe Concerto in F Major, RV 457: II. Andante
01:23:19 Oboe Concerto in F Major, RV 457: III. Allegro molto
01:26:04 Oboe Concerto in C Major, RV 448: I. −
01:30:31 Oboe Concerto in C Major, RV 448: II. Larghetto
01:34:31 Oboe Concerto in C Major, RV 448: III. Allegro
01:37:15 Oboe Concerto in A Minor, RV 461: I. Allegro non molto
01:40:45 Oboe Concerto in A Minor, RV 461: II. Larghetto
01:43:42 Oboe Concerto in A Minor, RV 461: III. Allegro
01:46:13 Oboe Concerto in C Major, RV 451: I. Allegro molto
01:48:58 Oboe Concerto in C Major, RV 451: II. Largo
01:52:15 Oboe Concerto in C Major, RV 451: III. Allegro
01:55:07 Oboe Concerto in C Major, RV 184: I. Allegro — Adagio
02:00:22 Oboe Concerto in C Major, RV 184: II. Andante
02:02:55 Oboe Concerto in C Major, RV 184: III. Allegro
02:06:21 Oboe Concerto in A Minor, RV 462: I. Allegro
02:08:13 Oboe Concerto in A Minor, RV 462: II. Largo
02:10:41 Oboe Concerto in A Minor, RV 462: III. Allegro
02:12:44 Oboe Concerto in C Major, RV 447: I. Allegro non molto
02:17:27 Oboe Concerto in C Major, RV 447: II. Larghetto
02:21:00 Oboe Concerto in C Major, RV 447: III. Minuetto
02:27:23 Oboe Concerto in F Major, RV 455: I. −
02:30:52 Oboe Concerto in F Major, RV 455: II. Grave
02:33:07 Oboe Concerto in F Major, RV 455: III. Allegro
02:35:49 Oboe Concerto in C Major, RV 452: I. Allegro
02:37:58 Oboe Concerto in C Major, RV 452: II. Adagio
02:39:54 Oboe Concerto in C Major, RV 452: III. Allegro
02:42:07 Oboe Concerto in F Major, RV 458: I. Allegro
02:44:12 Oboe Concerto in F Major, RV 458: II. Adagio e staccato
02:48:08 Oboe Concerto in F Major, RV 458: III. Allegro presto
02:47:56 Oboe Concerto in C Major, RV 446: I. −
02:51:10 Oboe Concerto in C Major, RV 446: II. Adagio
02:54:06 Oboe Concerto in C Major, RV 446: III. Allegro
02:56:06 Oboe Concerto in G Minor, RV 459: I. Allegro
02:58:10 Oboe Concerto in G Minor, RV 459: II. Adagio
02:59:08 Oboe Concerto in G Minor, RV 459: III. Allegro da capo
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Artist: Joanne Lunn
Artist: Wilke te Brummelstroete
Artist: Paul Agnew
Artist: Dietrich Henschel
Choir: Monteverdi Choir
Conductor: John Eliot Gardiner
Ensemble: English Baroque Soloists
Composer: Johann Sebastian Bach
J. S. Bach
Cantatas:
BWV 75 [29:15]
BWV 39 [21:00]
BWV 20 [23:46]
Soprano: Gillian Keith
Mezzo-soprano: Wilke te Brummelstroete
Tenor: Paul Agnew
Bass: Dietrich HenschelLive
Monteverdi Choir
English Baroque Soloists
John Eliot Gardiner
Recordings from the Bach Cantata Pilgrimage: at St. Giles Cripplegate, London, England.
Volume 1 CD 2
