The best choral movements from oratorios, cantatas etc. by Johann Sebastian Bach.
01. Christmas oratorio: Jauchzet, frohlocket 00:00
02. Cantata no.21: Ich hatte viel bekümmernis 07:46
03. Cantata no.4: Christ lag in Todesbanden 11:50
04. St John Passion: Herr, unser Herrscher 16:24
05. St John Passion: Ach Herr, lass dein lieb Engelein 27:33
06. Cantata no.80: Ein feste Burg ist unser Gott 30:16
07. Cantata no.80: Das Wort sie sollen lassen stahn 35:10
08. Cantata no.106: Ach, Herr, lehre uns bedenken — Es ist der alte Bund 36:42
09. St Matthew Passion: Kommt, ihr Töchter, helft mir klagen 43:10
10. St Matthew Passion: So ist mein Jesus – Sind Blitze, sind Donner 50:10
11. Cantata no.12: Weinen, Klagen, Sorgen, Zagen 55:40
12. Cantata no.206: Schleicht, spielende Wellen 01:02:04
13. Cantata no.147: Jesus bleibet meine Freude 01:08:24
14. Cantata no.63: Christen, ätzet diesen Tag 01:11:54
15. Cantata no.65: Sie werden aus Saba alle kommen 01:17:25
16. Magnificat: Magnificat 01:20:59
17. Magnificat: Gloria patri 01:23:47
Helmuth Rilling, John Eliot Gardiner, Karl Richter, Philippe Herreweghe etc.
J.S. Bach: Christmas Oratorio, BWV 248 / Part One — For The First Day Of Christmas — No. 1 Chorus: «Jauchzet, frohlocket» · The Monteverdi Choir · English Baroque Soloists · John Eliot Gardiner
Bach, J.S.: Christmas Oratorio — Arias and Choruses
℗ 1987 Deutsche Grammophon GmbH, Berlin
Released on: 1987-11-11
Producer: Dr. Andreas Holschneider
Producer: Charlotte Kriesch
Producer, Recording Producer, Studio Personnel, Balance Engineer: Karl-August Naegler
Studio Personnel, Recording Engineer: Gregor Zielinsky
Composer: Johann Sebastian Bach
Author: Christian Friedrich Henrici
Misa en B menor (BWV 232), una de las obras mas famosas del compositor alemán barroco Johann Sebastian Bach.
Y con esta interpretación que a mi parecer es la mejor de parte del organista y director Karl Richter con el Münchener Bach-Chor
y la Münchener Bach-Orchester y como solistas:
Hermann Prey (Bajo)
Horst R. Laubenthal (Tenor)
Gundula Janowitz, (Soprano)
Hertha Töppe (Alto)
*PIEZAS (PARODIAS)
— Kyrie eleison (Chorus)
— Christe eleison (S-A)
— Kyrie eleison (Chorus)
— Gloria in excelsis Deo (Chorus)
— Et in terra pax (Chorus)
— Laudamus te (A)
— Gratias agimus tibi (Chorus)
— Domine Deus (S-T)
— Qui tollis peccata mundi (Chorus)
Henry Purcell (1659 — 1695). Fantasias for the Viols, 1680
* Fantasiaupon one note
3 Fantasias in 3 parts
* Fantasia I
* Fantasia II
* Fantasia III
3 Fantasias en 4 parts
* Fantasia IV
* Fantasia V
* Fantasia VI
* In Nomine in 6 parts
3 Fantasias in 4 parts
* Fantasia VII
* Fantasia VIII
* Fantasia IX
3 Fantasias en 4 parts
* Fantasia X
* Fantasia XI
* Fantasia XII
* In Nomine in 7 parts
HESPÈRION XX
— Jordi Savall, dessus de viole
— Wieland Kuijken, basse de viole
— Sophie Watillon, autecontre de viole
— Eunice Brandao, ténor de viole
— Sergi Casademunt, ténor de viole
— Marianne Müller, basse de viole
— Philippe Pierlot, basse de viole
J.S.Bach HARPSICHORD Concerto in D Minor BWV 1052 Polina Osetinskaya piano
The Mariinsky String Orchestra
Conductor: Anton Gakkel www.antongakkel.org/
St.Petersburg, Mariinsky Theatre, Concert Hall 29.03.2015
0:05 — 1mvt / 8:15 — 2mvt / 16:13 — 3mvt
The life of pianist Polina Osetinskaya can be divided into two stages. The first – that of “wunderkind” (a word that Polina herself cannot abide) – was when Polina performed as a girl in huge halls filled with excited sensationalists. The second, which has continued to the present day, is essentially her victory over the first. It is both a reference to serious performing and to exacting audiences.
Polina Osetinskaya began to perform at the age of five. At the age of seven she entered the Central School of Music of the Moscow Conservatoire. Polina gave her first concert at the age of six at the Great Hall of the Vilnius Conservatoire in Lithuania. Together with her father who accepted the role of manager, the young Polina began to undertake frequent tours throughout the former USSR to packed halls and ovations. In her own country Polina was possibly the most famous child of her time and her relationship with her father was portrayed by the mass media as some kind of soap opera after the thirteen-year-old Polina decided to leave her father and study music seriously at the school of the Leningrad Conservatoire under the acclaimed teacher Marina Wolf.
Polina began to tour once again while still a student at the St Petersburg Conservatoire. (The pianist subsequently completed a postgraduate course at the Moscow Conservatoire under Professor Vera Gornostayeva.) She has appeared with the Tokyo Philharmonic Orchestra, the Orchestra of the Weimar National Opera, the Academic Symphony Orchestra of the St Petersburg Philharmonic (Honoured Ensemble of Russia), the State Academic Svetlanov Symphony Orchestra, the Moscow Virtuosi and the New Russia orchestra among other ensembles.
Polina Osetinskaya’s onstage partners have included conductors Saulius Sondeckis, Vassily Sinaisky, Andrei Boreiko, Gerd Albrecht, Yan Pascal Tortelier and Thomas Sanderling. Polina Osetinskaya has performed at the Wallonie Festival in Brussels, the Mainly Mozart festival, the Frédéric Chopin Festival in Miami, the Stars of the White Nights festival and the December Evenings festival among numerous others.
The pianist has been awarded the Maly Triumph prize. In 2008 she wrote her autobiography Farewell, Sadness, which became a bestseller.
Polina Osetinskaya generally creates unusual and frequently paradoxical solo programmes. She almost always includes works by contemporary composers, frequently justaposing them with traditional classical works: “Contemporary music is not just a continuation of older music. It also helps us discover ideas and beauty in older music that have been lost over decades of the blind museum generation and mechanical and often soulless performing.”
Polina Osetinskaya often performs works by post-avant-garde composers such as Valentin Silvestrov, Leonid Desyatnikov, Vladimir Martynov, Georgs Pelēcis and Pavel Karmanov.
The pianist collaborates with many recording companies including Naxos, Sony Music and Bel Air.
#polinaosetinskaya #musicaaldente #полинаосетинская #бах
