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St Matthew Passion, BWV 244, Pt. 1: Chorus. «Kommt, ihr Töchter, helft mir klagen» · Nikolaus Harnoncourt · Choir of Kings College, Cambridge · Regensburger Domspatzen
Bach: St Matthew Passion, BWV 244
℗ 1970 Teldec Classics, a Warner Music UK Division
Choir: Choir of Kings College, Cambridge
Orchestra: Concentus Musicus Wien
Conductor: Nikolaus Harnoncourt
Chorus: Regensburger Domspatzen
Composer: Johann Sebastian Bach
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Johann Sebastian Bach (1685-1750) — St. Matthew Passion BWV244.
Oratorio in two parts for soloists, double choir and orchestra.
*Click to activate the English subtitles for the presentation* (00:00-07:26)
Part one
Kommt, Ihr Töchter, Helft Mir Klagen (00:00)
Da Jesus Diese Rede Vollendet Hatte (11:45)
Herzliebster Jesu, Was Hast Du Verbrochen (12:40)
Da Versammleten Sich Die Hohenpriester (14:09)
Ja Nicht Auf Das Fest (14:42) — Da Nun Jesus (15:00)
Wozu Dienet Dieser Unrat (15:41) — Da Das Jesus Merkete (16:17)
Du Lieber Heiland Du (18:10) — Buss Und Reu (19:15)
Da Ging Hin Der Zwölfen Einer (24:06) — Blute Nur, Du Liebes Herz (24:51)
Aber Am Ersten Tag Der Süssen Brot (30:05) — Wo Willst Du (30:19)
Er Sprach_ Gehet Hin (30:44) — Ich Bins, Ich Sollte Büssen (32:47)
Er Antwortete Und Sprach_ Der Mit Der Hand Mit Mir (34:21)
Wiewohl Mein Herz (38:19) — Ich Will Dir Mein Herze Schenken (39:50)
Und Da Sie Den Lobgesang (43:54) — Erkenne Mich, Mein Huter (45:18)
Petrus Aber Antwortete (47:10) — Ich Will Hier (48:29)
Da Kam Jesus (50:22) — O Schmerz! (52:29)
Ich Will Bei Meinem Jesu (55:35) — Und Ging Hin Ein Wenig (1:01:50)
Der Heiland Fällt (1:02:43) — Gerne Will Ich Mich Bequemen (1:04:05)
Und Er Kam Zu Seinen Jüngern (1:10:41)
Was Mein Gott Will (1:12:16) — Und Er Kam (1:14:20)
So Ist Mein Jesus Nun Gefangen (1:17:25)
Und Siehe, Einer Aus Denen (1:23:25)
O Mensch, Bewein Dein Sunde Groß (1:26:11)
Part two
Ach, Nun Ist Mein Jesus Hin (1:37:24) — Die Aber Jesum Gegriffen (1:42:53)
Mir Hat Die Welt (1:44:03) — Und Wiewohl Viel Falsche Zeugen Herzutraten (1:45:32)
Mein Jesus Schweigt (1:46:57) — Geduld, Wenn Mich Falsche Zungen Stechen (1:47:58)
Und Der Hohepriester (1:52:53) — Da Speieten Sie (1:54:55)
Wer Hat Dich So Geschlagen (1:55:43) — Petrus Aber Saß Draußen Im Palast (1:57:19)
Da Hub Er An, Sich Zu Verfluchen (1:58:43) — Erbarme Dich, Mein Gott (2:00:15)
Bin Ich Gleich Von Dir Gewichen (2:07:38) — Des Morgens Aber (2:09:16)
Und Er Warf Die Silberlinge (2:10:33) — Gebt Mir Meinen Jesum Wieder! (2:11:27)
Sie Hielten Aber Einen Rat (2:15:39) — Befiehl Du Deine Wege (2:18:33)
Auf Das Fest Aber Hatte (2:20:12) — Wie Wunderbarlich (2:23:02)
Der Landpfleger Sagte (2:24:26) — Er Hat Uns Allen Wohlgetan (2:24:40)
Aus Liebe Will Mein Heiland Sterben (2:26:00) — Sie Schrieen Aber Noch Mehr (2:30:45)
Erbarm Es Gott! (2:33:24) — Können Tränen Meiner Wangen (2:34:50)
Da Nahmen Die Kriegsknechte (2:44:30) — O Haupt voll Blut und Wunden (2:45:44)
Und da sie ihn verspottet (2:49:01) — Ja! Freilich Will In Uns Das Fleisch Und Blut (2:50:10)
Komm, süßes Kreuz (2:50:53) — Und da sie an die Stätte (2:57:32)
Desgleichen schmähten ihn (3:01:57) — Ach, Golgatha (3:02:15)
Sehet, Jesus hat die Hand (3:03:50) — Und von der sechsten Stunde (3:08:28)
Wenn ich einmal soll scheiden (3:11:21) — Und Siehe Da (3:13:41)
Am Abend, Da Es Kühle War (3:16:46) — Mache dich, mein Herze, rein (3:19:22)
Und Joseph nahm den Leib (3:29:42) — Nun ist der Herr (3:33:05)
Wir setzen uns mit Tränen nieder (3:35:25)
Sopran: Elisabeth Schwarzkopf
Alt: Christa Ludwig
Tenor: Peter Pears / Nicolai Gedda
Bariton: Dietrich Fischer-Dieskau
Bass: Walter Berry
Philarmonia Choir and Boys of Hampstead Parish Church Choir
Wilhelm Pitz ( Choir Master / Chef de Choeur)
Director: OTTO KLEMPERER
Recorded in 1961
Find CMRRs recordings on Spotify: spoti.fi/3016eVr
COMMENTAIRE COMPLET: VOIR PREMIER COMMENTAIRE ÉPINGLÉ
Nous savons que Bach ne dut pas être très satisfait de la manière dont fut exécutée sa plus grande oeuvre ce Vendredi Saint 1729; son memorandum nous le dit de façon très nette. Nous savons également que les musiciens de maintenant jouent dune manière tout à fait différente de celle de leurs collègues du XVII e siècle: nos instruments sont fabriqués, ajustés et joués tout à fait autrement; même nos chanteurs amateurs utilisent une autre technique vocale; et nous sommes tous aujourdhui très éloignés des méthodes dinterprétation entièrement spontanées des Leipzigois de Bach.
Nous ne pouvons espérer — et nous ne le voudrions pas dailleurs — exécuter la Passion selon Saint Matthieu comme elle fut entendue par les Leipzigois en 1729; nous pouvons seulement essayer de rendre la musique aussi proche que possible, après recherche et étude attentives, de ce que nous pensons être le voeu de Bach.
Gundula Janowitz
Christa Ludwig
Peter Schreier
Horst Laubenthal
Dietrich Fischer-Dieskau
Walter Berry
Anton Diakov
Herbert Von Karajan: Berliner Philharmoniker; Wiener Singverein
— The music published on this channel is exclusively dedicated to divulgation purposes and not commercial. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform me immediately before you submit a claim to Youtube, and it will be a priority to immediately remove the respective video.
Artist: Joanne Lunn
Artist: Wilke te Brummelstroete
Artist: Paul Agnew
Artist: Dietrich Henschel
Choir: Monteverdi Choir
Conductor: John Eliot Gardiner
Ensemble: English Baroque Soloists
Composer: Johann Sebastian Bach
J. S. Bach
Motet BWV 225 [12:59]
Cantatas:
BWV 152 [18:01]
BWV 122 [14:56]
BWV 28 [14:05]
BWV 190 [16:53]
Sopranos: Gillian Keith [BWV 152], Katharine Fuge [BWV 122], Joanne Lunn [BWV 28] Counter-tenor: Daniel Taylor
Tenor: James Gilchrist
Bass: Peter Harvey
Monteverdi Choir
English Baroque Soloists
John Eliot Gardiner
Live recording from the Bach Cantata Pilgrimage, at St Bartholomew’s Church, New York, NY, USA. www.bach-cantatas.com/Performers/Gardiner-Rec3.htm
Composer: Franz Schubert
Artists: Alberto Miodini (piano)
When we look past the extended meditations of the sonatas into the rest of Schubert’s piano music, we tend hardly to see beyond the Wanderer Fantasy and the Impromptus. This undervalues the composer’s contribution to the work for his instrument, as the Italian pianist Alberto Miodini reveals on an extensive exploration of the sometimes slighter and lighter but often just shorter works he composed through his all-too-short career. Perhaps the late Klavierstücke D946 are best known, and justly so, for their profound and ruminative contemplation, and Miodini’s fellow-countryman Paolo Bordoni did sterling work for the Waltzes in 1970s recordings that stand the test of time, but there are still tantalising fragments that are no less worth hearing for their frustratingly unfinished status – the ‘Unfinished’ Symphony was by no means the only musical project that Schubert filed in his creative bottom drawer, so fecund was his compositional imagination that he could hardly get the ideas out fast enough. As noted by Alfred Brendel, Schubert chose to interrupt a composition ‘when it was unsatisfying or no longer interesting’ – evidence of the composer’s vigorous pursuit of his own individual Sonata style. Among the complete works here are equally little-known variation sets on melodies by Hüttenbrenner and Diabelli – works full of characteristically Schubertian energy and motive power.
You can find the tracklist in the comments:
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봄에 피지 못한 꽃 사라가 봄을 만나 서로 사랑에 빠진다.
계절이 지나감에 따라 어쩔 수 없이 헤어지게 되는 봄과 사라.
봄은 사라에게 사랑의 징표로 나비를 남기고 떠난다.
사라는 사랑하는 봄을 기다리며 나비를 지키고
여름, 가을, 겨울의 계절의 순리를 버티어보려 하지만 끝내 사라진다…
감독: 김나경, 양나래
제작: 이유경, 강혜린, 엄명환, 황혜린, 차수민, 이선영
청강문화산업대학교 애니메이션스쿨 2016년 졸업작품
Hair Love, an Oscar®-winning animated short film from Matthew A. Cherry, tells the heartfelt story of an African American father learning to do his daughter’s hair for the first time.
Directors:
Matthew A. Cherry (Executive Producer, “BlacKkKlansman”)
Everett Downing Jr. (Animator, «Up»)
Bruce W. Smith (Creator, “The Proud Family,” Animator, “The Princess and the Frog”)
Producers:
Karen Rupert Toliver
Stacey Newton
Monica A. Young
Matthew A. Cherry
David Steward II
Carl Reed
Executive Producers:
Peter Ramsey (“Spider-Man: Into the Spider-Verse”)
Frank Abney (Animator, “Toy Story 4”)
Features:
Issa Rae (“Insecure”) as Zuris mother
Co-Executive Producers:
Jordan Peele
Andrew Hawkins
Harrison Barnes
Yara and Keri Shahidi
Associate Producers:
N’Dambi Gillespie
Gabrielle Union-Wade
Dwayne Wade Jr.
Gabourey Sidibe
Stephanie Fredric
Claude Kelly
Music Composers:
Paul Mounsey
Daniel D. Crawford
Additional Composer:
Taylor Graves
Production Partners:
Lion Forge Animation
Chasing Miles
Matthew A. Cherry Entertainment
The project is a collaboration with Sony Pictures Animation that was launched as a Kickstarter campaign in 2017 with a fundraising goal of $75,000. Strong support led to the campaign amassing nearly $300,000, making it the most highly-funded short film campaign in Kickstarter history.
