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J.S. Bach: St. John Passion, BWV 245 / Part Two — No.22 Choral: «Durch dein Gefängnis, Gottes Sohn» · English Baroque Soloists · John Eliot Gardiner · The Monteverdi Choir

Bach, J.S.: St. John Passion

℗ 1986 Deutsche Grammophon GmbH, Berlin

Released on: 1986-01-01

Producer: Dr. Andreas Holschneider
Producer: Charlotte Kriesch
Producer, Recording Producer, Studio Personnel, Balance Engineer: Karl-August Naegler
Studio Personnel, Recording Engineer: Wolf-Dieter Karwatky
Studio Personnel, Recording Engineer: Gregor Zielinsky
Studio Personnel, Editor: Gernot Von Schultzendorff
Composer: Johann Sebastian Bach
Author: Anonymous

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Soothing music and ambience for meditation, relaxation and sleeping.

Tracklist:

Performed by Dag Åsbjørn Johansen:
Bach — Little Prelude in C Major (BWV 924)
Beethoven — Bagatelle No. 25 in A minor (WoO 59, Bia 515) «Für Elise»
Beethoven — Moonlight Sonata (1st Movement, Op. 27, No. 2)
Chopin — Waltz in A Flat Major (Op. 69, No. 1)
Mozart — K. 332 — Piano Sonata No. 12 in F major (2nd Movement)
Satie — Gymnopédie No. 1
Bach — Prelude in C Major (BWV 846) from «Das Wohltemperierte Klavier» vol. 1
Mozart — Romance Piano version of 2. movement from Piano Concerto no. 20 in D minor K. 466
Haydn — Andantino
Mozart — Piano Version of Gavotte (Allegro) from Les petits riens, K.Anh.10/299b
Mozart — 2. movement from Sonata no. 17 in B flat major K. 570
Chopin — Preludes Op. 28 no. 7
Chopin — Preludes Op. 28 no. 4
Chopin — Preludes Op. 28 no. 6
Chopin — Preludes Op. 28 no. 20
Chopin — Preludes Op. 28 no. 15 «Raindrop» prelude
Grieg — A Little Girl I Know — Eg veit ei lita gjente Op. 17 no. 16
Grieg — I Sing With a Sorrowful Heart — Jeg sjunger med sorrigfullt hjerte Op. 17 no. 14
Grieg — Notturno Op. 54 no. 4
Grieg — The Pig — Grisen Op. 17 no. 8
Grieg — When my Eye weary and faint — Når mitt øye trett av møye Op. 17 no. 9
Grieg — Solitary Traveler — Ensom vandrer Op. 43 no. 2
Grieg — Arietta Op. 12 no. 1
Grieg — The Young Man — Ungersvennen Op. 17 no. 2
Grieg — Lullaby of Gjendine — Gjendines bånsull Op. 66 no. 19
Grieg — Shepherdess Song — Leik (kulokk) Op. 17 no. 22
Debussy — Clair de Lune (Suite Bergamasque, No. 3)
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Performed by Various, licensed by PremiumBeat, Storyblocks and YouTube Audio Library:
Chopin — Nocturne in E Flat Major (Op. 9, No. 2) (Storyblocks)
Chopin — Nocturne in E minor (Op. 72, No. 1) (Storyblocks)
Chopin — Waltz in C Sharp Minor (Op. 64, No. 2) (Storyblocks)
Chopin — Nocturne in B Flat Minor (Op. 9, No. 1) (PremiumBeat)
Beethoven — Sonata No. 8 in C minor (2nd Movement, Op. 13) (Storyblocks)
Satie — Gymnopédie No. 3 — Wahneta Meixsell (YouTube Audio Library)
Bach — Suite No. 2 in C minor (BWV 813) Allemande — Wahneta Meixsell (YouTube Audio Library)
Liszt — Consolation No.3 in D flat Major S.172 (Storyblocks)

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J. S. Bach
Cantatas:
BWV 139 [17:29]
BWV 163 [14:29]
BWV 52 [14:55]
BWV 140 [25:25]
Soprano: Gillian Keith [BWV 139, BWV 52]
Soprano: Susan Hamilton [BWV 163, BWV 140]
Alto: Hilary Summers
Tenor: William Kendall
Bass: Peter Harvey
Monteverdi Choir
English Baroque Soloists
John Eliot Gardiner
Live recordings from the Bach Cantata Pilgrimage.
Winchester Cathedral, England.

J. S. Bach
Cantatas:
BWV 138 [17:03]
BWV 99 [16:43]
BWV 51 [16:29]
BWV 100 [21:02]

Soprano: Malin Hartelius
Counter-tenor: William Towers
Tenor: James Gilchrist
Bass: Peter Harvey
Monteverdi Choir / English Baroque Soloists
John Eliot Gardiner

Live recordings from the Bach Cantata Pilgrimage:
Unser Lieben Frauen, Bremen, Germany.
www.bach-cantatas.com/Performers/Gardiner-Rec2.htm

Pyotr Ilyich Tchaikovsky — the Violin Concerto in D major, op.35 (1878)

1. Allegro moderato — 00:03
2. Canzonetta. Andante — 19:36
3. Finale. Allegro vivacissimo — 26:03

Encore — 38:16
Johann Sebastian Bach — Ich ruf zu Dir, BWV 639
Anders Hillborgs arrangement for violin and strings

The Nobel Prize Concert 2018

Bachfest Leipzig 11.06.2010. www.youtube.com/playlist?list=PLhIP1CNbYhVObXv7ByHmE5oETjj6RXyAN
00:05 — Allemande
03:00 — Courante
04:33 — Sarabande
08:49 — Gavotte
09:58 — Bourree
11:05 — Loure
12:52 — Gigue

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———
Wolfgang Amadeus Mozart (1756-1791) — Piano Concertos 11,12,13,14,17,18,19.
*Click to activate the English subtitles for the presentation* (00:00-06:45)
A very big « THANKS » to Sony Music who authorized us to release this recording.
Piano Concerto #11 in F major, K.413_ I.Allegro (00:00)
Piano Concerto #11 in F major, K.413_ II.Larghetto (09:24)
Piano Concerto #11 in F major, K.413_ III.Tempo di menuetto (17:14)

Piano Concerto #12 in A major, K.414_ I.Allegro (23:04)
Piano Concerto #12 in A major, K.414_ II.Andante (32:41)
Piano Concerto #12 in A major, K.414_ III.Rondo. Allegretto (41:06)

Piano Concerto #13 in C major, K.415_ I.Allegro (47:39)
Piano Concerto #13 in C major, K.415_ II.Andante (58:15)
Piano Concerto #13 in C major, K.415_ III.Rondeau_Allegro-Adagio-Allegro (1:05:43)

Piano Concerto #14 in E flat major, K.449_ I.Allegro vivace (1:14:04)
Piano Concerto #14 in E flat major, K.449_ II.Andantino (1:23:08)
Piano Concerto #14 in E flat major, K.449_ III.Allegro ma non troppo (1:29:10)

Piano Concerto #17 in G major, K.453_ I.Allegro (1:35:41)
Piano Concerto #17 in G major, K.453_ II.Andante (1:47:16)
Piano Concerto #17 in G major, K.453_ III.Allegretto — Finale_ Presto (1:56:19)

Piano Concerto #18 in B flat major, K.456_ I.Allegro vivace (2:04:33)
Piano Concerto #18 in B flat major, K.456_ II.Andante un poco sostenuto (2:16:26)
Piano Concerto #18 in B flat major, K.456_ III.Allegro vivace (2:26:43)

Piano Concerto #19 in F major, K.459_ I.Allegro (2:34:12)
Piano Concerto #19 in F major, K.459_ II.Allegretto (2:46:43)
Piano Concerto #19 in F major, K.459_ III.Allegro assai (2:55:02)

Piano: Lili Kraus
Vienna Festival Orchestra
Direction: Stephen Simon
Recorded in 1965-66
New Mastering 2017 by AB for CMRR
Find CMRRs recordings on Spotify: spoti.fi/3016eVr

COMMENTAIRE COMPLET: VOIR PREMIER COMMENTAIRE ÉPINGLÉ.
La véritable conception du concerto, l’essence du genre consiste dans la lutte qui se livre entre lorchestre, dune part, et linstrument ou le groupe dinstruments solos de lautre. Cette lutte est entrecoupée de trêves pendant lesquelles orchestre et soliste collaborent amicalement, et elle se termine par une réconciliation; elle nen est pas moins une lutte véritable. Tantôt, les armes sont communes aux deux adversaires: ce sont les thèmes principaux qui reviennent dans les soli et dans les tuttis; tantôt, chacun a les siennes: ce sont dautres thèmes réservés au soliste, et dautres, enfin, qui nappartiennent quà lorchestre.

Les péripéties de la lutte sont diverses: elle peut rester indécise et solo et orchestre se renvoient alors les thèmes de lun à lautre; le tutti peut remporter une victoire momentanée et claironner bruyamment son triomphe; ou bien, le soliste, à coups daccords, de gammes et darpèges, peut voir ses efforts couronnés de victoire, et, dans un trille étincelant, narguer lorchestre vaincu. Mais, quelle que soit lissue momentanée, nous savons quen fin de compte ni lun ni lautre ne triomphera et que la dernière cadence scellera paix et alliance entre les ennemis réconciliés.

Or, de tous les concertos, ceux de Mozart forment le groupe le plus important. Cest une raison pour laquelle ils ont droit à une étude spéciale. Il en existe une autre. Il ny a pas, dans toute lœuvre de leur compositeur, de genre où il se soit exprimé dune manière aussi complète. Ses concertos pour piano, échelonnés à travers ses années depuis sa dix-huitième jusquà sa trente-sixième, nous le présentent à tous les âges; ils constituent le témoignage le plus varié et le plus étendu de sa vie artistique.

Nous y retrouvons ses joies et ses tristesses, ses espérances et ses déceptions; nous pénétrons par eux dans ce sanctuaire intérieur, où lhomme harassé et surmené retrouvait la vie fraîche et rayonnante qui ne cessa jamais de renaître au fond de son coeur. Dans presque tous les genres si divers où il a prodigué ses richesses, on trouve une ou deux œuvres qui comptent parmi ses plus belles, mais aucun de ces genres n’offre une succession de chefs-dœuvre aussi abondante que celle des concertos pour piano.

Mozart — Piano Concertos 9 Jeunehomme,15,16,1,2,3,4,5,6,8 (Centurys recording: Lili Kraus/Simon)
www.youtube.com/watch?v=FHwmL8Md22w

Download the Goldberg Variations (mp3, wav): kimikoishizaka.bandcamp.com/album/j-s-bach-open-goldberg-variations-bwv-988-piano
Silence of the Lambs, Hannibal, The English Patient, Captain Fantastic, Before Sunrise, and Solaris are just a few films to have featured Bachs Goldberg Variations.

«Counterpoint passes back and forth between the hands in a conversational and judiciously balanced manner, while a strong lyrical inlpulse informs the cross-handed variations rapid, bravura passages (Vars 5 and 19, for example). Ishizakas restrained and concentrated way with slow minor-key variations (Vars 15,21 and 25) lets the musics agonising harmonic tension speak softly for itself.»
— Jed Distler, Gramophone Magazine

«She has the fleet fingers to speed through the virtuoso variations with compelling clarity and the sensitivity to probe the dramatic potential of the slower, more profound numbers, pleasurably aided by her consistently lovely tone.»
— Robert Schulslaper, Issue 36:1 (Sept/Oct 2012), Fanfare Magazine

«The sound quality of the recording is top notch»
«In fact, the albums an audiophile gem.»
— Reviewed by Christopher Lim in The Business Times, July 20, 2012.

J.S. Bachs «Goldberg Variations», BWV 988, recorded by Kimiko Ishizaka on a Bösendorfer grand piano, with score following provided by the iPad app from MuseScore. For more information on this project, see www.opengoldbergvariations.org

0:00 Aria
5:00 Variation 1
6:57 Variation 2
9:03 Variation 3
11:00 Variation 4
12:10 Variation 5
13:44 Variation 6
15:22 Variation 7
17:35 Variation 8
19:31 Variation 9
21:38 Variation 10
23:24 Variation 11
25:33 Variation 12
27:49 Variation 13
32:04 Variation 14
34:20 Variation 15
38:54 Variation 16 «Ouverture»
42:03 Variation 17
43:47 Variation 18
45:37 Variation 19
47:03 Variation 20
49:08 Variation 21
53:02 Variation 22
54:36 Variation 23
56:55 Variation 24
59:41 Variation 25 («Black Pearl» — slideshow)
1:09:01 Variation 26
1:11:03 Variation 27
1:12:55 Variation 28
1:15:20 Variation 29
1:17:30 Variation 30 «Quodlibet»
1:19:32 Aria da Capo

New album from Kimiko Ishizaka featuring her own compositions: www.youtube.com/playlist?list=PLeWVBqJrTS7fVZoVreWC0LN3G2EePa2op

Die Goldberg-Variationen | 哥德堡变奏曲 | ゴルトベルク変奏曲 | 골트베르크 변주곡 | Вариации Гольдберга

Download

Johann Sebastian Bach | Matthäus — Passion / St Matthew Passion (BWV 244) performed live in concert by Tölzer Knabenchor