Хорошо темперированный клавир, том 1: Прелюдия и фуга...


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Хорошо темперированный клавир, том 1: Прелюдия и фуга No. 7 ми-бемоль мажор, BWV 852 · Святослав Рихтер

Святослав Рихтер 100, Том 31 (Live)

℗ 2020 АО «Фирма Мелодия»

Released on: 2015-01-01

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St Matthew Passion, BWV 244, Pt. 1: "Er sprach. Gehet hin in die Stadt"


Provided to YouTube by Warner Classics International

St Matthew Passion, BWV 244, Pt. 1: «Er sprach. Gehet hin in die Stadt» · Nikolaus Harnoncourt · Karl Ridderbusch · Kurt Equiluz

Bach: St Matthew Passion, BWV 244

℗ 1970 TELDEC CLASSICS INTERNATIONAL GMBH

Orchestra: Concentus Musicus Wien
Bass Vocals: Karl Ridderbusch
Tenor Vocals: Kurt Equiluz
Conductor: Nikolaus Harnoncourt
Composer: Johann Sebastian Bach

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Haendel, Dixit Dominus / Bach, Christ lag in Todesbanden - Chapelle Royale du Château de Versailles


En juin 2014, Sir John Eliot Gardiner célébrait les 50 ans du Monteverdi Choir en interprétant, à la Chapelle Royale du Château de Versailles, trois oeuvres majeures de la musique baroque: la déchirante cantate «Christ Lag in Todesbanden» de Bach, le virtuose «Dixit Dominus» de Haendel, authentique feu dartifice vocal, et le grand Motet versaillais «In Convertendo» de Rameau!

PROGRAMME ⤵

George Frideric Haendel (1685 – 1759)
«Dixit Dominus»

Jean-Sébastien Bach (1685 – 1750)
«Christ lag in Todesbanden, cantate BWV 4»

Jean-Philippe Rameau (1683-1764)
«In Convertendo»

DISTRIBUTION ⤵

The Monteverdi Choir
The English Baroque Soloists
Sir John Eliot Gardiner — Direction musicale

Concert filmé à la Chapelle Royale du Château de Versailles le 22 juin 2014.

Rejoignez-nous sur:

Facebook: www.facebook.com/chateauversailles.spectacles/
Twitter Château de Versailles Spectacles: twitter.com/CVSpectacles
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Instagram: www.instagram.com/chateauversailles.spectacles/

Chopin - Nocturne op.9 No.2


Nocturne in E-flat major, Op. 9, No. 2
Played by Vadim Chaimovich (https://www.youtube.com/vadimchaimovich)
FB-Vadim: www.facebook.com/vadimchaimovich
— Instagram
www.instagram.com/andrearomanoandrea

Vincent van Gogh painted The Starry Night one year before dying.
Chopin composed his popular Nocturne when he was about twenty.
it does not matter if you think that it is too late for you or that you still have a lot of time...you have to decide whether you are Chopin or van Gogh.

The idea behind these videos is coming from a research published by the Psychology Department of Berkeley University studying the relation between colors, emotions and how external stimuli are impacting decision making.

The study results demonstrate a strong correlation between faster music in minor tone and the choice from participants of colors from that were saturated, yellower and lighter whereas a slower and minor music produced the opposite pattern (choice of desaturated, darker and bluer colors).

Based on these findings, we wanted to create synesthesia in our videos and trigger more intense and long-lasting emotions in our viewers, get higher audience retention and interaction. We decided to do that by associating drawings from the major painters that were following the scientific findings of this research.
The choice of these paintings and the consecutive association with the music is also based on an accurate work that requires significant time and energy.

The analysis of the melodies returned to us a lot of information on how the painting should have been made. We needed a simple blue pattern but with an intrinsic meaning. Something that people could watch for a while without really understand it.

By creating this video I tried to do only one thing which turned to be the most difficult one: make you feel an emotional synesthesia.
When hearing the melody, dont you feel that everything is...blue? aren’t you lost in the sky? is your mind going over? It’s not for no reason.
it is not only an image, it is not only a melody. It is a trip.
You dont feel bored. Its your mind using the notes and the colors to create your own experience.

Most of the videos online with only one image are only music, but not this.

The research behind the perfect combination is the key for the unconscious.

The research:
«Music–color associations are mediated by emotion»
www.pnas.org/content/110/22/8836
Stephen E. Palmer, Karen B. Schloss, Zoe Xu, and Lilia R. Prado-León
— This popular nocturne is in rounded binary form (A, A, B, A, B, A) with coda, C. The A and B sections become increasingly ornamented with each recurrence. The penultimate bar utilizes considerable rhythmic freedom, indicated by the instruction, senza tempo (without tempo). Nocturne in E-flat major opens with a legato melody, mostly played piano, containing graceful upward leaps which becomes increasingly wide as the line unfolds. This melody is heard again three times during the piece. With each repetition, it is varied by ever more elaborate decorative tones and trills. The nocturne also includes a subordinate melody, which is played with rubato.

CGI Animated Short Film HD "Farewell" by ESMA | CGMeetup


CGI 3D Animated Farewell Short Film by ESMA — Chen Yang Hsu, Adeline Jacquot, Paul Jourdain, Alan Sorio, Eléa Trahay. Featured on www.cgmeetup.net/home/farewell/

Farewell — After the loss of womans baby during pregnancy, the arrival of a hand drawn bird will open the mind of this young artist for a new start.

Directors: Chen Yang Hsu, Adeline Jacquot, Paul Jourdain, Alan Sorio, Eléa Trahay
Music: Raphaël Joffres
Sound: José Vicente