Interstellar Docking Scene Music — No Time For Caution — Hans Zimmer
Interstellar is a 2014 science fiction film directed by Christopher Nolan. Starring Matthew McConaughey, Anne Hathaway, Jessica Chastain, and Michael Caine, the film features a team of space travelers who travel through a wormhole in search of a new habitable planet. It was written by Jonathan Nolan and Christopher Nolan, Christopher combined his idea with an existing script by his brother that was developed in 2007 for Paramount Pictures and producer Lynda Obst. Nolan is producing the film with Obst and Emma Thomas. Theoretical physicist Kip Thorne, whose works inspired the film, acted as both an executive producer and a scientific consultant for the film.
Warner Bros., who produced and distributed some of Nolans previous films, negotiated with Paramount, traditionally a rival studio, to have a financial stake in Interstellar. Legendary Pictures, which formerly partnered with Warner Bros., also sought a stake. The three companies co-financed the film, and the production companies Syncopy and Lynda Obst Productions were enlisted. The director also hired cinematographer Hoyte van Hoytema since his long-time collaborator Wally Pfister was busy working on Transcendence, his directorial debut. Interstellar was filmed with a combination of anamorphic 35 mm and IMAX 70 mm film photography. Filming took place in the last quarter of 2013 in locations in the province of Alberta, Canada, in southern Iceland, and in Los Angeles, California. The visual effects company Double Negative created visual effects for Interstellar.
Interstellar premiered on October 26, 2014 in Los Angeles, California. Commercially, it is scheduled for a limited release in North America (United States and Canada) on November 5, 2014 and a wide release on November 7, 2014. It will also be released in Belgium, France and Switzerland on November 5, 2014 and in additional territories in the following days, including the United Kingdom on November 7, 2014. For the limited release in North America, it will be released in 70 mm and 35 mm film formats in approximately 240 theaters which still project the formats, including at least 41 70 mm IMAX theaters. For the wide release, it will expand to theaters that will show it in digital format. Paramount Pictures will distribute the film in North America, and Warner Bros. will distribute it in the remaining territories
Interstellar OST — No Time For Caution — Hans Zimmer (Original Motion Picture Soundtrack)
Interstellar Docking Soundtrack
Interstellar OST,Interstellar Soundtrack,Interstellar Docking,Interstellar No Time For Caution,Interstellar
℗ 2000 Universal Classics Group, a Division of UMG Recordings Inc.
Released on: 2020-12-18
Producer, Producer, Recording Arranger: Hans Zimmer
Producer, Producer, Co- Arranger: Klaus Badelt
Producer, Executive Producer: Ridley Scott
Producer, Executive Producer: Pietro Scalia
Participant: Gavin Greenaway
Participant: The Lyndhurst Orchestra
Studio Personnel, Mixer: Alan Meyerson
Studio Personnel, Editor: Adam Smalley
Unknown, Other: Kevin Globerman
Unknown, Other: Bruno Roussel
Unknown, Other: Gregg Silk
Unknown, Other: Nick Wollage
Unknown, Other: Jake Jackson
Unknown, Other: Tony Stanton
Unknown, Other: Tonia Duvall
Unknown, Other: Gavyn Wright
Composer Lyricist: Hans Zimmer
Arranger: Yvonne S. Moriarty
Arranger: Jack Smalley
Arranger: Walt Fowler
Arranger: Ladd McIntosh
Arranger: Elizabeth Finch
Arranger: Bruce Fowler
The Lord of the Rings: The Two Towers (Original Motion Picture Soundtrack)
℗ 2002 New Line Productions, Inc.
Additional Engineer: Alex Swift
Music Editor: Andrew Dudman
Additional Engineer: Andy Bradfield
Music Editor: Becca Gatrell
Production: Bill Foley
Assistant Engineer: Chris Clark
Executive Producer: Danny Bramson
Associate Producer: David Gleeson
Musicians: Dermot Crehan
Musicians: Edward Cervenka
Assistant Engineer: Erik Jordan
Executive Producer: Fran Walsh
Production: Greg Laporta
Musicians: Gregory Knowles
Conductor, Producer: Howard Shore
Orchestration: Howard Shore
Assistant Engineer: Iain Titman
Orchestral Contractor: Isobel Griffiths
Assistant Engineer: Jake Jackson
Musicians: Jan Hendrickse
Production: Jason Poss
Co-ordinator Production: Jeff Grace
Production: Jim Bruening
Recorded by: John Kurlander
Music Editor: John Wriggle
Music Editor: Jonathan Schultz
Orchestra: London Philharmonic Orchestra
Music Editor: Malcolm Fife
Music Editor: Mark Willsher
Production: Matt Rocker
Choir: Michael McCarthy
Music Editor: Michael Price
Assistant Engineer: Mike Cox
Assistant Engineer: Mirek Stiles
Music Editor: Nigel Scott
Executive Producer: Paul Broucek
Additional Producer: Paul Broucek
Additional Engineer: Pete Lewis
Mixer: Peter Cobbin
Executive Producer: Peter Jackson
Mastering Engineer: Peter Mew
Music Editor: Raphael Mouterde
Assistant Engineer: Richard Lancaster
Orchestral Contractor: Ruth Cornes
Music Editor: Simon Kiln
Musicians: Slyvia Hallett
Musicians: Sonia Slany
Assistant Engineer: Steve Browell
Assistant Engineer: Steve Pelluet
Music Editor: Steve Price
Choir: Terry Edwards
Performance: The London Oratory School Schola
Performance: The London Voices
Music Editor: Tim Starnes
Production: Tim Stritmater
Assistant Engineer: Toby Wood
Lyricist: Fran Walsh
Composer: Howard Shore
Lyricist: J.R.R. Tolkien
J.S. Bach: St. John Passion, BWV 245 / Part Two — No.22 Choral: «Durch dein Gefängnis, Gottes Sohn» · English Baroque Soloists · John Eliot Gardiner · The Monteverdi Choir
Bach, J.S.: St. John Passion
℗ 1986 Deutsche Grammophon GmbH, Berlin
Released on: 1986-01-01
Producer: Dr. Andreas Holschneider
Producer: Charlotte Kriesch
Producer, Recording Producer, Studio Personnel, Balance Engineer: Karl-August Naegler
Studio Personnel, Recording Engineer: Wolf-Dieter Karwatky
Studio Personnel, Recording Engineer: Gregor Zielinsky
Studio Personnel, Editor: Gernot Von Schultzendorff
Composer: Johann Sebastian Bach
Author: Anonymous
Anthony Rolfe Johnson, Evangelist (tenor)
Andreas Schmidt, Jesus (baritone)
Barbara Bonney, soprano (Pilates wife)
Ann Monoyios, soprano
Anne Sofie von Otter, alto (contralto)
Michael Chance, countertenor (Altus, First witness)
Howard Crook, tenor (Second witness)
Olaf Bär, baritone (Pilate, Peter, High priest I)
Cornelius Hauptmann, bass (Judas, Pontifex)
THE MONTEVERDI CHOIR
Soprano: Donna Deam, Rona Eastwood, Jane Fairfield, Suzanne Flowers, Carol Hall, Susan Hemington Jones, Ruth Holton (Ancillae), Lucinda Houghton, Nicola Jenkin, Jean Knibbs, Rachel Platt, Gill Ross (Ancillae)
Altos: Richard Baker, Julian Clarkson, Patrick Collin, Jonathan Peter Kenny, Peter Nardone, Philip Newton, Christopher Royall, Ashley Stafford
Tenors: Clifford Armstrong, Brian Parsons, Philip Pettifor, Nicolas Robertson, Angus Smith, Paul Sutton, Paul Tindall, Andrew Tusa
Basses: Michael Boswell, Alan Brafield, Stephen Charlesworth, Hans Gabler, James Ottaway, Charles Pott, Richard Savage, Lawrence Wallington
THE LONDON ORATORY JUNIOR CHOIR
Direction: Patrick Russill
Edward Bruggemeyer, Jonathan Hoban, Victoria Hoban, Cornelia La Via, Julia Manning, Sophia Martinez, Sorelle Martinez, Sarah McAdam, Christopher McCarthy, Silvia Montello, Emma Murphy, Emma ONeill, Beth OReilly, Kate OReilly, Luke OReilly, Eamonn Stack, Danielle Williams
J. S. Bach
Cantatas:
BWV 138 [17:03]
BWV 99 [16:43]
BWV 51 [16:29]
BWV 100 [21:02]
Soprano: Malin Hartelius
Counter-tenor: William Towers
Tenor: James Gilchrist
Bass: Peter Harvey
Monteverdi Choir / English Baroque Soloists
John Eliot Gardiner
Stabat Mater
for soprano, contralto, strings and basso continuo
by Giovanni Battista Pergolesi (1710-1736)
Margaret Marshall (soprano)
Lucia Valentini Terrani (contralto)
Leslie Pearson (organ)
London Symohony Orchestra
Claudio Abbado (conductor)
Recorded in 1985
00:00 «Stabat Mater Dolorosa»
04:39 «Cujus animam gementem»
07:47 «O quam tristis et afflicta»
10:22 «Quae moerebat et dolebat»
13:12 «Quis est homo»—«Pro peccatis suae gentis...»
16:14 «Vidit suum dulcem natum»
19:48 «Eja mater fons amoris»
22:42 «Fac ut ardeat cor meum»
25:23 «Sancta mater, istud agas»
31:22 «Fac ut portem Christi mortem»
35:06 «Inflammatus et accensus»
37:57 «Quando corpus morietur» —«Amen...»
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