J. S. Bach
Cantatas
BWV 48 [15:56]
BWV 5 [21:37]
BWV 90 [12:44]
BWV 56 [20:05]
Soprano: Joanne Lunn
Counter-tenor: William Towers
Tenor: James Gilchrist
Bass: Peter Harvey
Monteverdi Choir
English Baroque Solists
John Eliot Gardiner
Live recordings from the Bach Cantata Pilgrimage.
Erlöserkirche, Potsdam, Germany
Volume 10 CD 1

King Arthur, or The British Worthy, a semi-opera by Henry Purcell (1691).

1-3. King arthur overture
4. King arthur act I: woden, first to thee
5. King arthur act I: the lot is cast-brave souls
6. King arthur act I: I call to wodens hall
7. King arthur act I: come if you dare-first act tune
8. King arthur act II: hither, this way
9. King arthur act II: let not a moon-born elf
10. King arthur act II: hither, this way
11. King arthur act II: come, follow me
12. King arthur act II: how blest are shepherds
13. King arthur act II: symphony-shepherd, leave decoying
14. King arthur act II: come shepherds, lead up-hornpipe
15. King arthur act II: second act tune
16. King arthur act III: prélude-what ho!
17. King arthur act III: what power art thou
18. King arthur act III: thou doting fool
19. King arthur act III: great love
20. King arthur act III: no part of my dominion
21. King arthur act III: prélude
22. King arthur act III: see we assemble-dance
23. King arthur act III: tis I that have warmd ye
24. King arthur act III: sound a parley-tis love
25. King arthur act III: third act tune: hornpipe
26. King arthur act IV: aire
27. King arthur act IV: two daughters of this aged stream
28. King arthur act IV: passacaglia
29. King arthur act V: trumpet tune
30. King arthur act V: ye blustring brethren of the skies
31. King arthur act V: symphony
32. King arthur act V: round thy coasts
33. King arthur act V: for folded flocks
34. King arthur act V: your hay it is mowed
35. King arthur act V: fairest isle
36. King arthur act V: you say tis love
37. King arthur act V: trumpet tune
38. King arthur act V: saint george
39. King arthur act V: our natives
40. King arthur act V: chaconne

Wendy Roobol, soprano
Mijke Sekhuis, soprano
Klaartje van Veldhoven, soprano
Derek Lee Ragin, countertenor
Gunther Vandeven, countertenor
Lester Lardenoye, countertenor
Mattijs Hoogendijk, tenor
Joost van Velzen, tenor
Pieter Hendriks, baritone
Ragnar van Linden van den Heuvell, baritone
Bas Kuijlenburg, baritone
Wiebe Pier Cnossen, baritone

BarokOpera Amsterdam
Frédérique Chauvet, direction

Complete canticles (Te Deums) of G.F. Handel.

01. Utrecht Te Deum in D major HWV 278 00:00
02. Utrecht Jubilate in D major HWV 279 24:44
03. Queen Caroline Te Deum in D major HWV 280 42:24
04. Chandos Te Deum in B flat major HWV 281 57:50
05. Te Deum in A major HWV 282 01:32:18
06. Dettingen Te Deum in D major HWV 283 01:48:22

Choir of Christ Church Cathedral, Oxford, The Academy of Ancient Music, Simon Preston

Netherlands Bach Society
Jos Van Veldhoven

Les Arts Florissants, William Christie

Gerhard Jenemann
Drottningholms Baroque Ensemble*
Vocalsolisten Frankfurt

Concerto Polacco
Alsfelder Vocal Ensemble
Helbich, Wolfgang

Choir of Westminster Abbey
The English Concert
Trevor Pinnock
Simon Preston

Provided to YouTube by harmonia mundi

Johannes-Passion, BWV 245, II. Teil: 39. Chorus «Ruht wohl, ihr heiligen Gebeine» · Collegium Vocale Gent · Philippe Herreweghe

J.S. Bach: Johannes-Passion

℗ harmonia mundi s.a.

Released on: 2007-07-31

Artist: Collegium Vocale Gent
Orchestra: Collegium Vocale Gent
Artist: Philippe Herreweghe
Conductor: Philippe Herreweghe
Composer: Johann Sebastian Bach

Auto-generated by YouTube.

Bach — The Best Organ Music. ► PLEASE, THUMBS UP

Provided to YouTube by National Digital Aggregator LLC

Хорошо темперированный клавир, том 1: Прелюдия и фуга No. 5 ре мажор, BWV 850 · Святослав Рихтер

Святослав Рихтер 100, Том 31 (Live)

℗ 2020 АО «Фирма Мелодия»

Released on: 2015-01-01

Auto-generated by YouTube.

Book I: No. 1 in C major, BWV 846: Prelude • 2:19 Fugue • No. 2 in C minor, BWV847: 3:57 Prelude • 5:38 Fugue • No. 3 in C sharp major, BWV 848: 7:17 Prelude • 8:31 Fugue • No. 4 in C sharp minor, BWV 849: 10:33 Prelude • 13:25 Fugue • No. 5 in D major, BWV 850: 18:54 Prelude • 20:02 Fugue • No. 6 in D minor, BWV 851: 22:06 Prelude • 23:27 Fugue • No. 7 in E flat major, BWV 852: 25:34 Prelude • 30:05 Fugue • No. 8 in E flat minor, BWV 853: 31:40 Prelude • 35:36 Fugue • No. 9 in E major, BWV 854: 42:25 Prelude • 43:36 Fugue • No. 10 in E minor, BWV 855: 44:46 Prelude • 47:02 Fugue • No. 11 in F major, BWV 856: 48:24 Prelude • 49:40 Fugue • No. 12 in F minor, BWV 857: 51:12 Prelude • 53:26 Fugue • No. 13 in F sharp major, BWV 858: 58:07 Prelude • 59:26 Fugue • No. 14 in F sharp minor, BWV 859: 1:01:25 Prelude • 1:02:29 Fugue • No. 15 in G major, BWV860: 1:06:35 Prelude • 1:07:37 Fugue • No. 16 in G minor, BWV 861: 1:10:20 Prelude • 1:12:30 Fugue • No. 17 in A flat major, BWV 862: 1:15:13 Prelude • 1:16:48 Fugue • No. 18 in G sharp minor, BWV 863: 1:19:48 Prelude • 1:21:27 Fugue • No. 19 in A major, BWV 864: 1:25:11 Prelude • 1:26:31 Fugue • No. 20 in A minor, BWV 865: 1:28:48 Prelude • 1:30:04 Fugue • No. 21 in B flat major, BWV 866: 1:34:49 Prelude • 1:36:15 Fugue • No. 22 in B flat minor, BWV 867: 1:38:00 Prelude • 1:41:21 Fugue • No. 23 in B major, BWV 868: 1:45:10 Prelude • 1:46:11 Fugue • No. 24 in B minor, BWV 869: 1:48:26 Prelude • 1:56:53 Fugue • Book II: 2:04:19 No. 1 in C major, BWV 870: Prelude • 2:06:51 Fugue • No. 2 in C minor, BWV 871: 2:08:34 Prelude • 2:10:56 Fugue • No. 3 in C sharp major, BWV 872: 2:13:28 Prelude • 2:15:14 Fugue • No. 4 in C sharp minor, BWV 873: 2:17:04 Prelude • 2:20:47 Fugue • No. 5 in D major, BWV 874: 2:23:00 Prelude • 2:28:37 Fugue • No. 6 in D minor, BWV 875: 2:32:35 Prelude • 2:34:11 Fugue • No. 7 in E flat major, BWV 876: 2:36:07 Prelude • 2:38:27 Fugue • No. 8 in D sharp minor, BWV 877: 2:40:48 Prelude • 2:45:54 Fugue • No. 9 in E major, BWV 878: 2:50:47 Prelude • 2:55:11 Fugue • No. 10 in E minor, BWV 879: 2:59:30 Prelude • 3:04:27 Fugue • No. 11 in F major, BWV 880: 3:07:38 Prelude • 3:11:04 Fugue • No. 12 in F minor, BWV 881: 3:12:47 Prelude • 3:17:09 Fugue • No. 13 in F sharp major, BWV 882: 3:19:04 Prelude • 3:22:36 Fugue • No. 14 in F sharp minor, BWV 883: 3:25:14 Prelude • 3:28:20 Fugue • No. 15 in G major, BWV 884: 3:32:54 Prelude • 3:35:01 Fugue • No. 16 in G minor, BWV 885: 3:36:34 Prelude • 3:39:30 Fugue • No. 17 in A flat major, BWV 886: 3:42:43 Prelude • 3:46:47 Fugue • No. 18 in G sharp minor, BWV 887: 3:50:29 Prelude • 3:54:31 Fugue • No. 19 in A major, BWV 888: 3:59:11 Prelude • 4:00:53 Fugue • No. 20 in A minor, BWV 889: 4:02:11 Prelude • 4:07:34 Fugue • No. 21 in B flat major, BWV 890: 4:09:18 Prelude • 4:16:17 Fugue • No. 22 in B flat minor, BWV 891: 4:20:06 Prelude • 4:24:02 Fugue • No. 23 in B major, BWV 892: 4:30:49 Prelude • 4:32:41 Fugue • No. 24 in B minor, BWV 893: 4:37:08 Prelude • 4:39:56 Fugue

Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): brilliant-classics.lnk.to/MozartGreatPianoConcertosVol1
More Information: www.brilliantclassics.com/articles/m/mozart-the-great-piano-concertos-vol-1/

Check out part 2 here: www.youtube.com/watch?v=uaxHxTD6__g

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Composer: Wolfgang Amadeus Mozart
Artists: Derek Han (piano), Philharmonia Orchestra and Paul Freeman (conductor)
This an issue of series consisting of 14 3CD-sets with selected highlights taken from our complete edition. This part contains the following works: No. 1 K. 37, No. 11 K. 413, No. 15 K. 450, No. 20 K. 466, No. 21 K. 467 “Elvira Madigan”, No. 22 K. 482, No. 23 K. 488, No. 25 K. 503.

Tracklist:

Piano Concerto No. 15 In B-Flat Major, K 450:
0:00:00 I. Allegro
0:11:04 II. Adagio
0:16:24 III. Allegro Assai

Piano Concerto No. 11 In F Major K 413:
0:24:16 I. Allegro
0:33:29 II. Larghetto
0:41:05 III. Tempo Di Menuetto

Piano Concerto No. 23 In A Major K 488:
0:46:28 I. Allegro
0:57:16 II. Andante
1:03:31 III. Allegro

Piano Concerto No. 21 in C Major, K 467 «Elvira Madigan»:
1:11:30 I. Allegro
1:26:09 II. Andante
1:32:57 III. Allegro Vivace Assai

Piano Concerto No. 1 In F Major, K 37:
1:40:31 I Allegro
1:45:51 II. Andante
1:51:22 III. Allegro

Piano Concerto No. 25 In C Major, K 503:
1:56:19 I. Allegro Maestoso
2:13:38 II. Andante
2:21:01 III. Allegretto

Piano Concerto No. 20 In D Minor, K 466:
2:30:59 I. Allegro
2:44:54 II. Romanze
2:53:18 III. Allegro Assai

Piano Concerto No. 22 In E-Flat Major, K 482:
3:01:09 I. Allegro
3:15:10 II. Andante
3:24:02 III. Allegro

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St Matthew Passion, BWV 244, Pt. 1: Recitative. «Da das Jesus merkete, sprach er zu ihnen» · Nikolaus Harnoncourt · Karl Ridderbusch · Kurt Equiluz

Bach: St Matthew Passion, BWV 244

℗ 1970 TELDEC CLASSICS INTERNATIONAL GMBH

Orchestra: Concentus Musicus Wien
Bass Vocals: Karl Ridderbusch
Tenor Vocals: Kurt Equiluz
Conductor: Nikolaus Harnoncourt
Composer: Johann Sebastian Bach

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———
Johann Sebastian Bach (1685-1750) — St. Matthew Passion BWV244.
Oratorio in two parts for soloists, double choir and orchestra.
*Click to activate the English subtitles for the presentation* (00:00-07:26)
Part one
Kommt, Ihr Töchter, Helft Mir Klagen (00:00)
Da Jesus Diese Rede Vollendet Hatte (11:45)
Herzliebster Jesu, Was Hast Du Verbrochen (12:40)
Da Versammleten Sich Die Hohenpriester (14:09)
Ja Nicht Auf Das Fest (14:42) — Da Nun Jesus (15:00)
Wozu Dienet Dieser Unrat (15:41) — Da Das Jesus Merkete (16:17)
Du Lieber Heiland Du (18:10) — Buss Und Reu (19:15)
Da Ging Hin Der Zwölfen Einer (24:06) — Blute Nur, Du Liebes Herz (24:51)
Aber Am Ersten Tag Der Süssen Brot (30:05) — Wo Willst Du (30:19)
Er Sprach_ Gehet Hin (30:44) — Ich Bins, Ich Sollte Büssen (32:47)
Er Antwortete Und Sprach_ Der Mit Der Hand Mit Mir (34:21)
Wiewohl Mein Herz (38:19) — Ich Will Dir Mein Herze Schenken (39:50)
Und Da Sie Den Lobgesang (43:54) — Erkenne Mich, Mein Huter (45:18)
Petrus Aber Antwortete (47:10) — Ich Will Hier (48:29)
Da Kam Jesus (50:22) — O Schmerz! (52:29)
Ich Will Bei Meinem Jesu (55:35) — Und Ging Hin Ein Wenig (1:01:50)
Der Heiland Fällt (1:02:43) — Gerne Will Ich Mich Bequemen (1:04:05)
Und Er Kam Zu Seinen Jüngern (1:10:41)
Was Mein Gott Will (1:12:16) — Und Er Kam (1:14:20)
So Ist Mein Jesus Nun Gefangen (1:17:25)
Und Siehe, Einer Aus Denen (1:23:25)
O Mensch, Bewein Dein Sunde Groß (1:26:11)

Part two
Ach, Nun Ist Mein Jesus Hin (1:37:24) — Die Aber Jesum Gegriffen (1:42:53)
Mir Hat Die Welt (1:44:03) — Und Wiewohl Viel Falsche Zeugen Herzutraten (1:45:32)
Mein Jesus Schweigt (1:46:57) — Geduld, Wenn Mich Falsche Zungen Stechen (1:47:58)
Und Der Hohepriester (1:52:53) — Da Speieten Sie (1:54:55)
Wer Hat Dich So Geschlagen (1:55:43) — Petrus Aber Saß Draußen Im Palast (1:57:19)
Da Hub Er An, Sich Zu Verfluchen (1:58:43) — Erbarme Dich, Mein Gott (2:00:15)
Bin Ich Gleich Von Dir Gewichen (2:07:38) — Des Morgens Aber (2:09:16)
Und Er Warf Die Silberlinge (2:10:33) — Gebt Mir Meinen Jesum Wieder! (2:11:27)
Sie Hielten Aber Einen Rat (2:15:39) — Befiehl Du Deine Wege (2:18:33)
Auf Das Fest Aber Hatte (2:20:12) — Wie Wunderbarlich (2:23:02)
Der Landpfleger Sagte (2:24:26) — Er Hat Uns Allen Wohlgetan (2:24:40)
Aus Liebe Will Mein Heiland Sterben (2:26:00) — Sie Schrieen Aber Noch Mehr (2:30:45)
Erbarm Es Gott! (2:33:24) — Können Tränen Meiner Wangen (2:34:50)
Da Nahmen Die Kriegsknechte (2:44:30) — O Haupt voll Blut und Wunden (2:45:44)
Und da sie ihn verspottet (2:49:01) — Ja! Freilich Will In Uns Das Fleisch Und Blut (2:50:10)
Komm, süßes Kreuz (2:50:53) — Und da sie an die Stätte (2:57:32)
Desgleichen schmähten ihn (3:01:57) — Ach, Golgatha (3:02:15)
Sehet, Jesus hat die Hand (3:03:50) — Und von der sechsten Stunde (3:08:28)
Wenn ich einmal soll scheiden (3:11:21) — Und Siehe Da (3:13:41)
Am Abend, Da Es Kühle War (3:16:46) — Mache dich, mein Herze, rein (3:19:22)
Und Joseph nahm den Leib (3:29:42) — Nun ist der Herr (3:33:05)
Wir setzen uns mit Tränen nieder (3:35:25)

Sopran: Elisabeth Schwarzkopf
Alt: Christa Ludwig
Tenor: Peter Pears / Nicolai Gedda
Bariton: Dietrich Fischer-Dieskau
Bass: Walter Berry
Philarmonia Choir and Boys of Hampstead Parish Church Choir
Wilhelm Pitz ( Choir Master / Chef de Choeur)
Director: OTTO KLEMPERER
Recorded in 1961
Find CMRRs recordings on Spotify: spoti.fi/3016eVr

COMMENTAIRE COMPLET: VOIR PREMIER COMMENTAIRE ÉPINGLÉ
Nous savons que Bach ne dut pas être très satisfait de la manière dont fut exécutée sa plus grande oeuvre ce Vendredi Saint 1729; son memorandum nous le dit de façon très nette. Nous savons également que les musiciens de maintenant jouent dune manière tout à fait différente de celle de leurs collègues du XVII e siècle: nos instruments sont fabriqués, ajustés et joués tout à fait autrement; même nos chanteurs amateurs utilisent une autre technique vocale; et nous sommes tous aujourdhui très éloignés des méthodes dinterprétation entièrement spontanées des Leipzigois de Bach.

Nous ne pouvons espérer — et nous ne le voudrions pas dailleurs — exécuter la Passion selon Saint Matthieu comme elle fut entendue par les Leipzigois en 1729; nous pouvons seulement essayer de rendre la musique aussi proche que possible, après recherche et étude attentives, de ce que nous pensons être le voeu de Bach.

Johann Sebastian Bach PLAYLIST (reference recordings): www.youtube.com/playlist?list=PL3UZpQL9LIxOLRwxl1dEfDrH3c8mX5UB1