This Concerto for Oboe and Violin in C Minor, performed by Emma Black and Shunske Sato for All of Bach, is a reconstruction of the supposed original form of the concerto for two harpsichords in C Minor. In this version, each instrument makes full use of its own timbre and characteristics. In the finale, the violin clearly gets more scope than the oboe to show off its most virtuoso side, while in the second movement – a rocking Siciliano – both instruments become closely entangled.

Recorded for the project All of Bach on December 6th 2019 at Stadsgehoorzaal, Leiden. If you want to help us complete All of Bach, please subscribe to our channel bit.ly/2vhCeFB and consider donating bit.ly/2uZuMj5.

For more information on BWV 1060r and this production go to allofbach.com/en/bwv/bwv-1060r/

All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and its guest musicians. Visit our free online treasury for more videos and background material allofbach.com/en/. For concert dates and further information go to www.bachvereniging.nl/nederlandse-bachvereniging.

Netherlands Bach Society
Emma Black, oboe
Shunske Sato, violin and direction

Enjoy this selection of classical music masterpieces performed by some of the best musicians of our time. From Beethoven to Tchaikovsky, more than an hour of quality music youve surely heard more than once. The best way to get into Classical Music!

Chapters:
0:00 Ludwig van Beethoven — Symphony No. 5 in C minor, Op. 67
7:15 Georg Friedrich Händel — «Zadok the Priest», HWV 258
12:37 Ludwig van Beethoven — Sonata No. 8 in C minor, Op. 13, «Pathétique»
18:07 Léo Delibes — Flower Duet, from Lakmé
23:04 Giacomo Puccini — Nessun Dorma, from Turandot
25:55 Ludwig van Beethoven — Sonata No. 14 in C sharp minor, Op. 27, No. 2 «Moonlight»
32:38 Johann Sebastian Bach — Toccata and Fugue in D minor, BWV 565
40:53 Georges Bizet — Prelude, from Carmen
43:09 Johann Sebastian Bach — Prelude in C major, BWV 846
45:25 Wolfgang Amadeus Mozart — Duet Papageno and Papagena, from Die Zauberflöte
47:43 Pyotr Illych Tchaikovsky — Dance of the Sugar Plum Fairy, from The Nutcracker
49:43 Ludwig van Beethoven — Sonata No. 21 in C major, Op. 53, «Waldstein»
1:00:53 Richard Wagner — The Ride of the Valkyries, from Die Walküre, Act III
1:05:47 Pyotr Illych Tchaikovsky — Piano Concerto No. 1 in B Flat Minor, Op. 23

Watch the full concert you liked the most on the @EuroArtsChannel by following the links below:

Ludwig van Beethoven — Symphony No. 5 in C minor, Op. 67
youtu.be/RegMZfOv4OU
Georg Friedrich Händel — «Zadok the Priest», HWV 258
youtu.be/rNlE9rueKYY
Ludwig van Beethoven — Sonata No. 8 in C minor, Op. 13, «Pathétique»
youtu.be/-Vn0imk60CA
Léo Delibes — Flower Duet, from Lakmé
youtu.be/mKPMZSiIOFY
Giacomo Puccini — Nessun Dorma, from Turandot
youtu.be/or79LIOwa8k
Ludwig van Beethoven — Sonata No. 14 in C sharp minor, Op. 27, No. 2 «Moonlight»
youtu.be/1mH-qwWcyc4
Johann Sebastian Bach — Toccata and Fugue in D minor, BWV 565
youtu.be/LQ4pa1y9oVA
Georges Bizet — Prelude, from Carmen
Johann Sebastian Bach — Prelude in C major, BWV 846
youtu.be/oh-4F17wlCQ
Wolfgang Amadeus Mozart — Duet Papageno and Papagena, from Die Zauberflöte
youtu.be/ULihXz-MHH8
Pyotr Illych Tchaikovsky — Dance of the Sugar Plum Fairy, from The Nutcracker
youtu.be/xtLoaMfinbU
Ludwig van Beethoven — Sonata No. 21 in C major, Op. 53, «Waldstein»
youtu.be/Y7BjlA0gDvg
Richard Wagner — The Ride of the Valkyries, from Die Walküre, Act III
www.youtube.com/watch?v=7hbhys8Nrpw
Pyotr Illych Tchaikovsky — Piano Concerto No. 1 in B Flat Minor, Op. 23
youtu.be/Bj_DgWSI5ZM

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Do you want more? Check out the second compilation here: youtu.be/uM9PQ3IpumU

#wocomoCLASSICAL

Pyotr Ilyich Tchaikovsky — the Violin Concerto in D major, op.35 (1878)

1. Allegro moderato — 00:03
2. Canzonetta. Andante — 19:36
3. Finale. Allegro vivacissimo — 26:03

Encore — 38:16
Johann Sebastian Bach — Ich ruf zu Dir, BWV 639
Anders Hillborgs arrangement for violin and strings

The Nobel Prize Concert 2018

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———
Franz Schubert (1797-1828) — Sonatas, Impromptus and Allegretto
Sonata in A / A-dur / La Maj, Op.posth.120 D.664
*Click to activate the English subtitles for the presentation* (00:00-01:52)
Allegro moderato (00:00)
Andante (11:35)
Allegro (16:57)

Impromptus, Op.90 D.899
*Click to activate the English subtitles for the presentation* (25:09-26:43)
N°1 in C minor / c-moll / ut min (25:09)
N°2 in E flat / Es-dur / Mi bémol Majeur (35:02)
N°3 in G flat / Ges-dur / Sol bémol Majeur (40:43)
N°4 in A flat / As-dur / La bémol Majeur (47:25)

Allegretto in C minor, D.915 (55:52)
*Click to activate the English subtitles for the presentation* (55:52-56:18)
c-moll / Ut mineur

Sonata in C minor / c-moll / Ut min, Op.posth. D.958
*Click to activate the English subtitles for the presentation* (1:02:37-1:05:32)
Allegro (1:02:37)
Adagio (1:14:16)
Menuetto — Allegro (1:22:40)
Allegro (1:26:19)

Sonata in B flat / B-dur / Si bémol Maj, D.960
*Click to activate the English subtitles for the presentation* (1:36:14-1:39:51)
Molto moderato (1:36:14)
Andante sostenuto (1:56:27)
Scherzo — Allegro vivace con delicatezza (2:07:17)
Allegro, ma non troppo (2:12:05)

Sonata in A / A-dur / La Maj, D.959
*Click to activate the English subtitles for the presentation* (2:20:31-2:24:13)
Allegro (2:20:31)
Andantino (2:36:08)
Scherzo — Allegro vivace (2:45:04)
Rondo — Allegretto (2:50:54)

Piano: Claudio Arrau
Recorded in 1978,1980,1982
Find CMRRs recordings on Spotify: spoti.fi/3016eVr

*COMMENTAIRE COMPLET: VOIR PREMIER COMMENTAIRE ÉPINGLÉ.*
Impromptus op. 90 D.899
Les deux groupes de quatre Impromptus chacun (D 899 et D 935) ont presque certainement été composés en 1827, et le n° I et le n° 2 de D 899 ont été imprimés peu avant la fin de 1827. Lorsque le troisième Impromptu a été publié dix ans plus tard, il est apparu un demi-ton plus haut en sol au lieu de sol bémol pour faciliter la tâche du joueur. Si un signe en croix est plus facile à lire que six signes en si bémol, la pièce nest pas plus facile à jouer. Ainsi, lintention de Schubert de faire se terminer le second Impromptu dans une tonalité mineure au lieu dune majeure, comme préparation à la tonalité de sol, est également détruite par la transposition.

Le titre «Impromptu», qui est apparu pour la première fois quelques années auparavant, fait référence à une pièce de caractère similaire à une improvisation. Comme relativement peu de matériaux de composition sont traités de différentes manières dans ces œuvres, chaque Impromptu de Schubert donne limpression davoir été créé dans un moment dinspiration créative. Mais quel soin extrême a été apporté par le compositeur pour assurer les fins développements harmoniques et les modulations! Dans le détail, les Impromptus (D 899 et D 935) montrent le compositeur au sommet de son art; ensemble, ils forment une de ses œuvres majeures.

Le premier et le plus vaste des quatre Impromptus, D 899, nest pas sans rappeler un rondo et se développe, même dans ses variations et ses prolongements, à partir dun seul thème. Le troisième, de caractère nocturne, est tout aussi dense, tandis que les Impromptus 3 et 4 sont basés sur la forme ABA. Le 2e Impromptu est suivi dune coda basée sur la partie centrale de la pièce, qui apporte avec elle la surprenante tonalité mineure.

Claudio Arrau: The Emperor (A film in English — Español Subtitulado) / The Emperor Concerto www.youtube.com/watch?v=lqFGXwomwOw

It goes deep into your soul.

It is the most beautiful involvement of a interpreter with a work.

She was in a trance. She was out of this world.

No words. Just watch, listen and get out of this world for some minutes with her.

Provided to YouTube by The Orchard Enterprises

St. Matthew Passion, BWV 244: Part II. No. 47, Erbarme dich, mein Gott (Recorded 1946) · Marian Anderson · Johann Sebastian Bach · RCA Symphony Orchestra · Robert Shaw

Marian Anderson in Oratorio and Spiritual Vol. 1

℗ 1996 Nimbus Records Limited

Released on: 1996-01-01

Auto-generated by YouTube.

Provided to YouTube by Warner Classics International

St Matthew Passion, BWV 244, Pt. 1: Chorus. «Wozu dient dieser Unrat» · Nikolaus Harnoncourt · Regensburger Domspatzen

Bach: St Matthew Passion, BWV 244

℗ 1970 TELDEC CLASSICS INTERNATIONAL GMBH

Orchestra: Concentus Musicus Wien
Conductor: Nikolaus Harnoncourt
Chorus: Regensburger Domspatzen
Composer: Johann Sebastian Bach

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Provided to YouTube by Warner Classics International

St Matthew Passion, BWV 244, Pt. 1: Recitative. «Da das Jesus merkete, sprach er zu ihnen» · Nikolaus Harnoncourt · Karl Ridderbusch · Kurt Equiluz

Bach: St Matthew Passion, BWV 244

℗ 1970 TELDEC CLASSICS INTERNATIONAL GMBH

Orchestra: Concentus Musicus Wien
Bass Vocals: Karl Ridderbusch
Tenor Vocals: Kurt Equiluz
Conductor: Nikolaus Harnoncourt
Composer: Johann Sebastian Bach

Auto-generated by YouTube.

Provided to YouTube by Warner Classics International

St Matthew Passion, BWV 244, Pt. 1: Recitative. «Du lieber Heiland du» · Nikolaus Harnoncourt · Paul Esswood

Bach: St Matthew Passion, BWV 244

℗ 1970 TELDEC CLASSICS INTERNATIONAL GMBH

Orchestra: Concentus Musicus Wien
Conductor: Nikolaus Harnoncourt
Counter-tenor Vocals: Paul Esswood
Composer: Johann Sebastian Bach

Auto-generated by YouTube.