Henry Purcell (1659 — 1695). Odes

Come, Ye Sons Of Art, Away. Ode For The Birthday Of Queen Mary II, 1694
* Ouverture
* Come, Ye Sons Of Art, Away
* Sound The Trumpet, Sound
* Come, Ye Sons Of Art
* Strike The Viol, Touch The Lute
* The Day That Such A Blessing Gave
* Bid The Virtues, Bid The Graces
* These Are The Sacred Charmes
* See Nature, Rejoicing

Welcome To All The Pleasures. Ode For St. Cecilias Day, 1683
* Ouverture
* Welcome To All The Pleasures
* Here The Deities Approve / While Joys Celestial
* Then Lift Up Your Voice / The Powr Shall Divert Us A Pleasanter Way
* Beauty, Thou Scene Of Love
* In A Consort Of Voices

Of Old, When Heroes Thought It Base. The Yorkshire Feast Song, 1690
* Symphony
* Of Old, When Heroes Thought It Base / Brigantium, Honourd With A Race Divine
* The Bashful Thames, For Beauty So Renowned
* The Pale And The Purple Rose
* And In Each Track Of Glory Since
* Symphony
* And Now When The Renownd Nassau
* They Did No Stroms, No Threatnings Fear
* So When The Glittring Queen Of Night
* Let Music Join
* Sound, Trumpets, Sound!
* Sound All To Him

The English Concert Choir
The English Concert
Trevor Pinnock

Antonio Vivaldi

CONCERTO in E Minor RV 432:
I. Allegro

CONCERTO in G Major RV 436:
I. Allegro
II. Largo
III. Allegro

CONCERTO in D Major RV 429:
I. Allegro
II. Andante
III. Allegro

CONCERTO in A Minor RV 440:
I. Allegro non Molto
II. Larghetto
III. Allegro

CONCERTO in C Major RV 533:
I. Allegro Molto
II. Largo
III. [Allegro]

CONCERTO in G Major RV 438:
I. Allegro
II. Andante
III. Allegro

CONCERTO in G Major RV 438 «bis»:
I. [Allegro]

CONCERTO in D Major RV 427:
I. Allegro
II. Largo
III. [Allegro]

CONCERTO in E Minor RV 431:
I. Allegro
II. Allegro

Academia Montis Regalis
Barthold Kuijken [flauto traversiere, direction]

On May 7, 1824, Beethoven shared his 9th Symphony with the world even though he could never hear it. On May 7, 2015 celebrate the anniversary of Beethoven’s most glorious and jubilant masterpiece with Riccardo Muti and the Chicago Symphony Orchestra and Chorus. An exhilarating testament to the human spirit, Beethoven’s Ninth bursts with brooding power and kinetic energy and culminates in the exultant hymn, “Ode to Joy.”The video is now available free on demand for all to enjoy! — See more at: cso.org/beethoven9
#sharethejoy

No matter where you are watching or listening from we are #HearTogether.

Music entertains, uplifts and inspires us. We need it now more than ever. So while our doors may be closed, the music continues online.

ABOUT THE CONCERT

Performed live in March this year, shortly before the Centre had to close the its doors due to coronavirus, our Signature Event saw standing ovations for the players of Freiburg Baroque, Bezuidenhout and their masterful interpretations of Beethoven. Now you can relieve this performance online or enjoy it for the very first time.

View the program notes for this concert here: mrc-assets.s3.amazonaws.com/assets/File/10286.pdf

PROGRAM

Ludwig van Beethoven
Piano Concerto No.1 in C, Op.15
Piano Concerto No.2 in B flat, Op.19
Piano Concerto No.3 in C minor, Op.37

Johann Sebastian Bach ( 1685 — 1750 )

The Art of Fugue, BWV.1080

00:00 Contrapunctus 1
02:52 Contrapunctus 3
05:32 Contrapunctus 2
08:08 Contrapunctus 4
12:25 Contrapunctus 7
16:51 Contrapunctus 5
20:18 Contrapunctus 6
24:42 Contrapunctus 10
29:20 Contrapunctus 9
32:18 Contrapunctus 9
37:51 Contrapunctus 8
44:15 Contrapunctus 12a *
46:30 Contrapunctus 12b *
48:39 Contrapunctus 13a
50:55 Contrapunctus 13b
53:16 Contrapunctus 19
01:02:08 Contrapunctus 16
01:07:05 Contrapunctus 14
01:11:00 Contrapunctus 15
01:15:37 Contrapunctus 17

André Isoir, organist
* played four-handed with Pierre Farago
Rec. Saint-Cyprien-en-Périgord, 1998 ( La Dolce Volta )

Johann Sebastian Bach (1685-1750)
The Well-Tempered Clavier, Book I

Sviatoslav Richter, Piano

The Great Hall of Moscow Conservatory
Nos.1-12: April 20, 1969
Nos.13-24: April 21, 1969

Dedicated to dearest best friend

From the Festival d’Ambronay, 2012
Contralto Nathalie Stutzmann conducts violinist Satomi Watanabe and Orfeo 55
Johann Sebastian Bach — Saint Matthew Passion «Ebarme Dich, mein Gott» BWV 244

Click here to watch other concerts at the Festival dAmbronay: bit.ly/ConcertsFestivaldAmbronay
Subscribe for more content: goo.gl/ZWoSxm

Satomi Watanabe — violinist
Nathalie Stutzmann — contraalto and conductor
Orfeo 55

A coproduction of
Ozango — Le Festival d’Ambronay
with the participation of France Télévisions
in association with M_Media
with the support of Centre National du Cinéma et de limage animée

Video director: Isabelle Soulard

ytimg.preload(https://r2---sn-pivhx-n8vs.googlevideo.com/generate_204);ytimg.preload(https://r2---sn-pivhx-n8vs.googlevideo.com/generate_204?conn2);Bach / Gould — Two

Provided to YouTube by Warner Classics International

St Matthew Passion, BWV 244, Pt. 1: Chorale. «Herzliebster Jesu, was hast du verbrochen» · Nikolaus Harnoncourt · Choir of Kings College, Cambridge · Regensburger Domspatzen

Bach: St Matthew Passion, BWV 244

℗ 1970 TELDEC CLASSICS INTERNATIONAL GMBH

Choir: Choir of Kings College, Cambridge
Orchestra: Concentus Musicus Wien
Conductor: Nikolaus Harnoncourt
Chorus: Regensburger Domspatzen
Composer: Johann Sebastian Bach

Auto-generated by YouTube.