Israel «IZ» Kamakawiwoʻoles Platinum selling hit «Over the Rainbow» OFFICIAL video. Loved all through the world, IZs version of «Over the Rainbow» has touched millions.

With each passing year, IZ’s presence in the music industry and the sales of his recordings continue to grow despite the trends that surround the industry. An amazing story about an amazing man, the man referred to by some as the “Hawaiian Suppaman”. While IZ has always been revered in Hawai‘i, his worldwide influence came later. IZ’s music first gained national attention in the mid 1990’s. Produced by Jon de Mello for The Mountain Apple Company • HAWAI`I — Subscribe for more IZ!

Check out the Best Of Israel «IZ» Kamakawiwoʻole here: www.youtube.com/playlist?list=PLknpBItcAe8PB7XWUZ45Z6nhEOeiLrjpI

Lyrics:

Ooh, ooh, ooh
Ooh, ooh
Somewhere over the rainbow
Way up high
And the dreams that you dream of
Once in a lullaby
Somewhere over the rainbow
Bluebirds fly
And the dreams that you dream of
Dreams really do come true
Someday, I wish upon a star
Wake up where the clouds are far behind me
Where trouble melts like lemon drops
High above the chimney top
Thats where youll find me
Somewhere over the rainbow
Bluebirds fly
And the dreams that you dare to
Oh why, oh why cant I?
Well, I see trees of green and red roses too
Ill watch them bloom for me and you
And I think to myself
What a wonderful world
Well, I see skies of blue and I see clouds of white
And the brightness of day
I like the dark
And I think to myself what a wonderful world
The colors of the rainbow so pretty in the sky
And also on the faces of people passing by
I see friends shaking hands saying
How do you do?
Theyre really saying I, I love you
I hear babies cry and I watch them grow
Theyll learn much more then well know
And I think to myself what a wonderful world
World
Someday I wish upon a star
Wake up where the clouds are far behind me
Where trouble melts like lemon drops
High above the chimney top
Thats where youll find me
Oh, somewhere over the rainbow
Way up high
And the dreams that you dare to
Why oh, why cant I?
Ooh, ooh
Ooh, ooh

BUY THE SONG:
Official Website: www.izhawaii.com
iTunes: geo.itunes.apple.com/us/album/somewhere-over-the-rainbow-what-a-wonderful-world/id4940194?i=6920352

Watch the official music video for «I Will Always Love You» by Whitney Houston
Listen to Whitney Houston: WhitneyHouston.lnk.to/listenYD

Subscribe to the official Whitney Houston YouTube channel: WhitneyHouston.lnk.to/subscribeYD

An Evening with Whitney: The Whitney Houston Hologram Tour is coming to Europe and the UK March 2020! Tickets

Димаш Кудайберген выступил с песней «Любовь, похожая на сон» на музыкальном шоу «Новая Волна 2019».
муз. И. Крутой, ст. В. Горбачёва. Выступление на «Новой волне 2019»

Музыка Игоря Крутого — music.mediacube.network/igorkrutoy
Интернет-ресурсы Игоря Крутого:
Instagram: www.instagram.com/igorkrutoy65/
Одноклассники: ok.ru/igorkrutoy
Сайт: www.igorkrutoy.com/
#игорькрутой #димаш

Provided to YouTube by Universal Music Group

Not Yet (From «Gladiator» Soundtrack) · Gavin Greenaway · The Lyndhurst Orchestra · Hans Zimmer · Lisa Gerrard

The World of Hans Zimmer

℗ 2000 Universal Classics Group, a Division of UMG Recordings Inc.

Released on: 2020-12-18

Producer, Associated Performer, Producer, Synthesizer: Hans Zimmer
Producer, Producer: Klaus Badelt
Producer, Producer: Alan Mayerson
Associated Performer, Vocals: Lisa Gerrard
Associated Performer, Guitar: Heitor Pereira
Associated Performer, Duduk: Djivan Gasparyan
Associated Performer, Flute: Jeff Rona
Associated Performer, Performer: Djimon Hounsou
Composer: Hans Zimmer
Composer: Lisa Gerrard

Auto-generated by YouTube.

Provided to YouTube by Universal Music Group

Disc Wars · Daft Punk

TRON: Legacy — The Complete Edition

℗ 2010 Walt Disney Records

Released on: 2020-12-18

Unknown, Other: Daft Punk
Unknown, Other: Alan Meyerson
Unknown, Other: Mitchell Leib
Unknown, Other: Pat Sullivan
Producer: Mitchell Leib
Producer: Daft Punk
Producer: Thomas Bangalter
Producer: Guy-Manuel de Homem-Christo
Composer: Thomas Bangalter
Composer: Guy-Manuel de Homem-Christo

Auto-generated by YouTube.

Provided to YouTube by Universal Music Group

J.S. Bach: «Christen, ätzet diesen Tag» Cantata, BWV 63 — No. 1 «Christen, ätzet diesen Tag» · English Baroque Soloists · John Eliot Gardiner · The Monteverdi Choir

Bach, J.S.: Christmas Cantatas BWV 63, 64, 121

J. S. Bach
Cantatas:
BWV 109 [25:11]
BWV 38 [16:29]
BWV 98 [13:20]
BWV 188 [23:40]
Soprano:Joanne Lunn
Counter-tenor: William Towers
Tenor: Paul Agnew
Bass: Gotthold Schwarz
Monteverdi Choir
English Baroque Soloists
John Eliot Gardiner
Live recordings from the Bach Cantata Pilgrimage:
Old Royal Naval College, Greenwich, England
Volume 11 Cd 2

J. S. Bach
Cantatas
BWV 70 [22:59]
BWV 132 [17:40]
BWV 147 [28:07]
Soprano: Brigitte Geller
Counter-tenor: Michael Chance
Tenor: Jan Kobow
Bass: Dietrich Henschel
Monteverdi Choir
English Baroque Soloists
John Eliot Gardiner
Live recordings from the Bach Cantata Pilgrimage:
Michaeliskirche, Lüneburg, Germany.
Volume 13 CD 2

Baroque music is a period or style of Western art music composed from approximately 1600 to 1750. This era followed the Renaissance music era, and was followed in turn by the Classical era. Baroque music forms a major portion of the «classical music» canon, and is now widely studied, performed, and listened to. Key composers of the Baroque era include Johann Sebastian Bach, Antonio Vivaldi, George Frideric Handel, Claudio Monteverdi, Domenico Scarlatti, Alessandro Scarlatti, Henry Purcell, Georg Philipp Telemann, Jean-Baptiste Lully, Jean-Philippe Rameau, Marc-Antoine Charpentier, Arcangelo Corelli, Tomaso Albinoni, François Couperin, Giuseppe Tartini, Heinrich Schütz, Giovanni Battista Pergolesi, Dieterich Buxtehude, and Johann Pachelbel.
The Baroque period saw the creation of common-practice tonality, an approach to writing music in which a song or piece is written in a particular key; this kind of arrangement has continued to be used in almost all Western popular music. During the Baroque era, professional musicians were expected to be accomplished improvisers of both solo melodic lines and accompaniment parts. Baroque concerts were typically accompanied by a basso continuo group (comprising chord-playing instrumentalists such as harpsichordists and lute players improvising chords from a figured bass part) while a group of bass instruments—viol, cello, double bass—played the bassline. A characteristic Baroque form was the dance suite. While the pieces in a dance suite were inspired by actual dance music, dance suites were designed purely for listening, not for accompanying dancers.
During the period, composers and performers used more elaborate musical ornamentation (typically improvised by performers), made changes in musical notation (the development of figured bass as a quick way to notate the chord progression of a song or piece), and developed new instrumental playing techniques. Baroque music expanded the size, range, and complexity of instrumental performance, and also established the mixed vocal/instrumental forms of opera, cantata and oratorio and the instrumental forms of the solo concerto and sonata as musical genres. Many musical terms and concepts from this era, such as toccata, fugue and concerto grosso are still in use in the 2010s. Dense, complex polyphonic music, in which multiple independent melody lines were performed simultaneously (a popular example of this is the fugue), was an important part of many Baroque choral and instrumental works.
The term «baroque» comes from the Portuguese word barroco, meaning «misshapen pearl». Negative connotations of the term first occurred in 1734, in a criticism of an opera by Jean-Philippe Rameau, and later (1750) in a description by Charles de Brosses of the ornate and heavily ornamented architecture of the Pamphili Palace in Rome; and from Jean Jacques Rousseau in 1768 in the Encyclopédie in his criticism of music that was overly complex and unnatural. Although the term continued to be applied to architecture and art criticism through the 19th century, it was not until the 20th century that the term «baroque» was adopted from Heinrich Wölfflins art-history vocabulary to designate a historical period in music.

#Baroque
#BaroqueMusic
#BaroqueHistory

Henry Purcell (1659-1695)

Dido and Aeneas

End of Act III:
Dido´s Lament When I am laid in earth, soprano
Chorus With Drooping Wings

Simone Kermes soprano
The New Siberian Singers
Musica Aeterna
Direction Teodor Currentzis