Samwise the Brave

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Samwise the Brave · Howard Shore

The Lord of the Rings: The Two Towers (Original Motion Picture Soundtrack)

℗ 2002 New Line Productions, Inc.

Additional Engineer: Alex Swift
Music Editor: Andrew Dudman
Additional Engineer: Andy Bradfield
Music Editor: Becca Gatrell
Production: Bill Foley
Assistant Engineer: Chris Clark
Executive Producer: Danny Bramson
Associate Producer: David Gleeson
Musicians: Dermot Crehan
Musicians: Edward Cervenka
Assistant Engineer: Erik Jordan
Executive Producer: Fran Walsh
Production: Greg Laporta
Musicians: Gregory Knowles
Conductor, Producer: Howard Shore
Orchestration: Howard Shore
Assistant Engineer: Iain Titman
Orchestral Contractor: Isobel Griffiths
Assistant Engineer: Jake Jackson
Musicians: Jan Hendrickse
Production: Jason Poss
Co-ordinator Production: Jeff Grace
Production: Jim Bruening
Recorded by: John Kurlander
Music Editor: John Wriggle
Music Editor: Jonathan Schultz
Orchestra: London Philharmonic Orchestra
Music Editor: Malcolm Fife
Music Editor: Mark Willsher
Production: Matt Rocker
Choir: Michael McCarthy
Music Editor: Michael Price
Assistant Engineer: Mike Cox
Assistant Engineer: Mirek Stiles
Music Editor: Nigel Scott
Executive Producer: Paul Broucek
Additional Producer: Paul Broucek
Additional Engineer: Pete Lewis
Mixer: Peter Cobbin
Executive Producer: Peter Jackson
Mastering Engineer: Peter Mew
Music Editor: Raphael Mouterde
Assistant Engineer: Richard Lancaster
Orchestral Contractor: Ruth Cornes
Music Editor: Simon Kiln
Musicians: Slyvia Hallett
Musicians: Sonia Slany
Assistant Engineer: Steve Browell
Assistant Engineer: Steve Pelluet
Music Editor: Steve Price
Choir: Terry Edwards
Performance: The London Oratory School Schola
Performance: The London Voices
Music Editor: Tim Starnes
Production: Tim Stritmater
Assistant Engineer: Toby Wood
Composer: Howard Shore

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The Breaking of the Fellowship (feat. "In Dreams")

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Provided to YouTube by Reprise

The Breaking of the Fellowship (feat. «In Dreams») · Howard Shore · Edward Ross

The Lord of the Rings: The Fellowship of the Ring (Original Motion Picture Soundtrack)

℗ 2001 New Line Productions, Inc.

Executive Producer: Danny Bramson
Executive Producer: Fran Walsh
Conductor, Producer: Howard Shore
Orchestration: Howard Shore
Mixer: John Kurlander
Performed by: London Philharmonic Orchestra
Associate Producer: Michael Tremante
Executive Producer: Paul Broucek
Executive Producer: Peter Jackson
Producer: Suzana Peric
Performed by: The London Oratory School Schola, featuring Edward Ross
Performed by: The London Voices
Performed by: The New Zealand Symphony Orchestra
Writer: Fran Walsh
Writer: Howard Shore

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HUMANs Musics - A film by Yann Arthus-Bertrand / Composed by Armand Amar

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HUMANs Musics — A film by Yann Arthus-Bertrand / Composed by Armand Amar

«I am deeply taken with traditional music, it moves me, it connects you to emotion.

The idea with HUMAN was to create songs that would reflect the same emotion generated by the interviews. I wanted things to open up, to open up one’s heart, to let the sadness be without any restraint. HUMAN has been one of these rare moments in my life as a film composer during which I could express all these different cultures at the same time: either working on minimalist songs or meeting with these singers and musicians coming from all around the world. Which note did I first produce? I had more like a global vision in mind, an atmosphere that would merge into the film and that would bring people together, this was my starting point. The part I created for the Mongolian sequence might be the best summary of the atmosphere I wanted the film to have.

Yann has given me a particular role as a film composer that is very diffrent from the one other directors usually give me. There is a strong friendship between us, an intimate relationship. He’s generous. You follow him because of his fantastic instinct, I can advise on the artistic process being in a way the first audience.»

Armand Amard, composer of the HUMAN music.

«Les musiques traditionnelles m’ont accaparé, elle me touchent, elles ont un rapport direct avec l’émotion. Pour HUMAN, mon idée était de construire une sorte de résonnance des interviews par un chant qui délivrerait la même émotion. J’avais envie que les choses s’ouvrent, que le cœur s’ouvre, que la tristesse s’ouvre, de ne pas avoir de retenue. HUMAN a été un des rares moments dans ma vie de compositeur de musiques de film, où j’ai pu exprimer toutes ces cultures différentes: être aussi bien dans des musiques minimalistes que dans des rencontres avec tous ces musiciens et chanteurs venus d’ailleurs. Quelle note m’est venue en premier? C’était plus une vision globale, un univers en osmose avec le film, où il était question de partage et de rencontre, qui ont été mon point de départ. D’ailleurs, pour moi ma composition faite pour les images de la Mongolie résume particulièrement l’univers que j’ai voulu pour ce film.

Avec Yann, j’ai une place particulière en tant que compositeur, différente de celle que me donnent les autres réalisateurs. Entre lui et moi, il y a une amitié profonde, nos échanges sont complices. C’est quelqu’un de généreux. Son instinct assez fantastique fait qu’on arrive à le suivre, je peux me permettre de donner mon avis dans la construction du film, parce que je suis dans le fond, le premier public.»

Armand Amar, compositeur de la musique de HUMAN.

HUMAN exhibition!

Come and discover an exclusive 8 hours film exhibition at the GoodPlanet Foundation – Domaine de Longchamp, Paris.
Unprecedented installations offering unique testimonies of love, happiness, but also hatred and violence, which confront us with the Other and bring us back to our own lives.
More information on www.goodplanet.org
Youtube: www.youtube.com/watch?v=VxRvktagWmU

Sona Jobarteh

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Click times for titles: 1) 0:12 2) 10:06 3) 16:52 4) 24:40 5) 34:02 6) 44:24 7) 49:30

Sona Jobarteh performed in Weimar on invitation of the University of Music FRANZ LISZT Weimar and its UNESCO Chair of Transcultural Music Studies (TMS). The TMS Chair regularly invites artists to bring the musicology students into contact with various musical cultures for inspiration and exchange.

Sona Jobarteh is the first female Kora virtuoso to come from a west African Griot family. The Kora is one of the most important instruments belonging to the Manding peoples of West Africa (Gambia, Senegal, Mali, Guinea and Guinea-Bissau). It belongs exclusively to griot families, and usually only men who are born into these families have the right to take up the instrument professionally. Sona Jobarteh combines various genres of African Music and western musical elements.

Sonah Jobarteh – Acoustic Guitar/ Kora/ Vocals
Kari Bannermann – Acoustic Guitar
Andi McLean – Electric Bass/ BVs
Mouhamadou Sarr – Djembe/ Congas/ Calabash/ BVs

Recorded on 1 July 2015 at the «mon ami», Weimar.

For further information visit:
www.hfm-weimar.de/tms

AVATAR | ULTIMATE Soundtrack Compilation MIX | James Horner

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Let me know in the comments what soundtrack/artist I should do next!
Hope you enjoy.
Tracklist:

Avatar
— 00:00 — 00:30 — You Dont Dream In Cryo
00:30 — 01:52 — Becoming One Of The People Becoming One With Neytiri
01:52 — 02:57 — Jakes First Flight
02:57 — 04:07 — Jake Enters his Avatar World
04:10 — 05:03 — Becoming One Of The People Becoming One With Neytiri
05:03 — 05:34 — Pure Spirits of the Forest
05:34 — 06:06 — The Bioluminescence Of The Night
06:06 — 07:12 — The Destruction Of Hometree
07:13 — 07:54 — War
07:49 — 10:16 — Climbing Up Iknimaya — The Path To Heaven
10:16 — 11:58 — Gathering All The Navi Clans For Battle
— I do not own any rights to any of these songs.
For listening purposes only.
Music composed by James Horner.
Video

Beethoven: Violin Concerto in D Major, Op. 61 - II. Larghetto

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Provided to YouTube by Universal Music Group

Beethoven: Violin Concerto in D Major, Op. 61 — II. Larghetto · Daniel Lozakovich · Münchner Philharmoniker · Valery Gergiev

Beethoven: Violin Concerto in D Major, Op. 61

℗ 2020 Deutsche Grammophon GmbH, Berlin

Released on: 2020-09-25

Producer, Studio Personnel, Editor: Johannes Müller
Studio Personnel, Recording Engineer: Gerald Junge
Studio Personnel, Remix Engineer: Dominik Streicher
Studio Personnel, Mastering Engineer: Christoph Stickel
Composer: Ludwig van Beethoven

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