Ennio Morricone - The Best of Ennio Morricone - Greatest Hits (HD Audio)


#EnnioMorricone #EnnioMorriconeMusic #spaghettiwesternmusic #TheBestOfEnnioMorricone
Maestro Ennio Morricone and his timeless masterpieces.

New Ennio Morricone Playlists

Spotify — The Greatest Hits Playlist
spoti.fi/3f5xx7f
Deezer — Ennio Morricone Spaghetti Western Musique
bit.ly/3gzBsJJ
Tidal — Legends: Ennio Morricone
listen.tidal.com/playlist/fa2b796e-dcd8-422f-9217-8c4d29e3fd1b

ESpotify — The Ecstasy of Gold — Ennio Morricone Masterpieces spoti.fi/38yepfC
YouTubeMusic Music — The Ecstasy of Gold — Ennio Morricone Masterpieces bit.ly/2O8YGdv
YouTubeMusic Music — Sergio Leone Greatest Western Themes bit.ly/3gwTH2I
Amazon hyperurl.co/SergioLeone_Amazon
Deezer hyperurl.co/SergioLeone_Deezer

The Best of Ennio Morricone — Greatest Hits
1. The Ecstasy of Gold (The Good, the Bad and the Ugly) 0:00 — 3:22
2. The Good, the Bad and the Ugly 3:22 — 6:04
3. Once upon a Time in the West 6:05 — 9:15
4. For a Few Dollars More 9:16 — 13:05
5. A Fistful of Dynamite 13:06 — 17:43
6. Cinema Paradiso — Main Theme 17:44 — 20:13
7. Chi Mai (Maddalena

Andrea Bocelli, Sarah Brightman - Time To Say Goodbye (HD)


Andrea Bocelli and Sarah Brightman: Time To Say Goodbye (HD)
Live From Teatro Del Silenzio, Italy / 2007

Watch the Music for Hope full event here: andreabocelli.lnk.to/LiveFromDuomoID
Listen to the Music for Hope full event here: andreabocelli.lnk.to/MusicForHope1ID

Listen to the best of Andrea Bocelli here: lnk.to/Vivere
Facebook: po.st/BocelliFB
Twitter: po.st/BocelliTw
Official Website: www.andreabocelli.com

vevo.ly/RjoVFl

Secrets (From "Gladiator" Soundtrack)


Provided to YouTube by Universal Music Group

Secrets (From «Gladiator» Soundtrack) · Gavin Greenaway · The Lyndhurst Orchestra · Hans Zimmer

The World of Hans Zimmer

℗ 2000 Universal Classics Group, a Division of UMG Recordings Inc.

Released on: 2020-12-18

Producer, Associated Performer, Producer, Synthesizer: Hans Zimmer
Producer, Producer: Klaus Badelt
Producer, Producer: Alan Mayerson
Associated Performer, Guitar: Heitor Pereira
Associated Performer, Duduk: Djivan Gasparyan
Associated Performer, Flute: Jeff Rona
Composer: Hans Zimmer
Composer: Lisa Gerrard

Auto-generated by YouTube.

J.S. Bach: St. John Passion, BWV 245 / Part Two - No.17 Choral: "Ach großer König, groß zu...


Provided to YouTube by Universal Music Group

J.S. Bach: St. John Passion, BWV 245 / Part Two — No.17 Choral: «Ach großer König, groß zu allen Zeiten» · English Baroque Soloists · John Eliot Gardiner · The Monteverdi Choir

Bach, J.S.: St. John Passion

℗ 1986 Deutsche Grammophon GmbH, Berlin

Released on: 1986-01-01

Producer: Dr. Andreas Holschneider
Producer: Charlotte Kriesch
Producer, Recording Producer, Studio Personnel, Balance Engineer: Karl-August Naegler
Studio Personnel, Recording Engineer: Wolf-Dieter Karwatky
Studio Personnel, Recording Engineer: Gregor Zielinsky
Studio Personnel, Editor: Gernot Von Schultzendorff
Composer: Johann Sebastian Bach
Author: Anonymous

Auto-generated by YouTube.

Bach - St Matthew Passion BWV 244 - Van Veldhoven | Netherlands Bach Society


The St Matthew Passion performed by the Netherlands Bach Society for All of Bach. Whether or not they are an enthusiast of classical music, practically everyone in the Netherlands knows the St Matthew Passion. Since 1870 the Netherlands has had a rich tradition of annual St Matthew Passion performances. The Netherlands Bach Society was formed in 1921, in reaction to the popular performances by Willem Mengelberg and the Concertgebouw Orchestra. The founders believed that the St Matthew should be performed where it belonged – in a church. The annual performance by the Bach Society in Naarden grew to become the Dutch St Matthew Passion.

Recorded for the project All of Bach on April 16th and 19th 2014 at the Grote Kerk, Naarden. If you want to help us complete All of Bach, please subscribe to our channel bit.ly/2vhCeFB or consider donating bit.ly/2uZuMj5.

For the documentary about our performance of St Matthew Passion go to www.youtube.com/watch?v=yvlL-WHXK_w
For the interview with violinist Shunske Sato on BWV 244 go to www.youtube.com/watch?v=ak0Pxyt9Qfw
For the interview with conductor Jos van Veldhoven on BWV 244 (St Matthew tradition) go to www.youtube.com/watch?v=T-ShZbOGdV8
For the interview with conductor Jos van Veldhoven on BWV 244 (manuscript) go to www.youtube.com/watch?v=53VrYf_8B0I
For the interview with conductor Jos van Veldhoven on BWV 244 (rhetoric) go to www.youtube.com/watch?v=LNBD3PYKXWQ
For the interview with tenor Charles Daniels on BWV 244 go to www.youtube.com/watch?v=CC93_G3FgTY
For more information on BWV 244 and this production go to allofbach.com/en/bwv/bwv-244/

All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and her guest musicians. Visit our free online treasury for more videos and background material allofbach.com/en/. For concert dates and further information go to www.bachvereniging.nl/nederlandse-bachvereniging.

Netherlands Bach Society
Kampen Boys Choir
Jos van Veldhoven, conductor

Soloists Coro 1
Benjamin Hulett, evangelist
Griet De Geyter (First Maid, Pilate’s Wife), soprano
Tim Mead, alto
Robert Murray, tenor
Andreas Wolf (Jesus), bass

Soloists Coro 2
Lore Binon, soprano
Alex Potter (First Witness), alto
Charles Daniels (Second Witness), tenor
Sebastian Noack (Judas, Pilate), bass

Henry Purcell - The Fairy Queen Z 629 - Complete Opera (Best Version) - Links in description


Complete Opera (Best Version) — Links in description
The Fairy Queen (Semi-Opera Z. 629) by Henry Purcell (1692)

Performed by English Baroque Soloists
Conducted by John Eliot Gardiner

First Music
1. Prelude — 0:00
2. Hornpipe — 1:58
Second Music
3. Air — 2:53
4. Rondeau — 3:40
5. Overture — 5:10
Act I
6. Song In Two Parts: «Come, Come, Come, Let Us Leave» — 7:13
7. Scene Of The Drunken Poet: «Fill Up The Bowl» — 9:37
8. First Act Tune: Jig — 16:17
Act II
9. Prelude And Song: «Come All Ye Songsters Of The Sky» — 17:30
10. Prelude — 19:22
11. Trio: «May The God Of Wit Inspire» — 20:12
12. Echo — 21:16
13. Chorus: «Now Joyn Your Warbling Voices All» — 22:50
14. A Dance Of Fairies — 23:18
15. Song And Chorus: «Sing While We Trip It On The Green» — 24:02
16. Song: «See, Even Night Her Self Is Here» — 25:44
17. Song: «I Am Come To Lock All Fast» — 30:01
18. Song: «One Charming Night» — 31:12
19. Song And Chorus: «Hush, No More, Be Silent All» — 33:10
20. A Dance For The Followers Of Night — 36:30
21. Second Act Tune: Air — 38:21
Act III
22. A Song In Two Parts And Chorus: «If Loves A Sweet Passion» — 39:42
23. Overture: Symphony While The Swans Come Forward — 47:42
24. Dance For The Fairies — 49:45
25. Dance For The Green Men — 50:34
26. Song: «Ye Gentle Spirits Of The Air, Appear» — 52:02
27. Dialogue Between Coridon And Mopsa: «Now The Maids And The Men» — 57:07
28. Song: «When I Have Often Heard» — 1:01:03
29. A Dance Of Haymakers — 1:04:16
30. Song And Chorus: «A Thousand Thousand Ways Well Find» — 1:05:13
31. Third Act Tune: Hornpipe — 1:07:21
Act IV
32. Symphony — 1:08:21
33. Solo And Chorus: «Now The Night Is Chacd Away» — 1:14:32
34. Duet: «Let The Fifes, And The Clarions» — 1:16:38
35. Entry Of Phoebus — 1:18:34
36. Song: «When A Cruel Long Winter»-Chorus: «Hail! Great Parent Of Us All» — 1:19:10
37. Song: «Thus The Ever Grateful Spring» (Spring) — 1:23:28
38. Song: «Heres The Summer, Sprightly, Gay (Summer) — 1:25:25
39. Song: „See My Many Colourd Fields“ (Autumn) — 1:27:04
40. Song And Chorus: „Now Winter Comes Slowly“ (Winter) — 1:30:07
41. Fourth Act Tune: Air — 1:33:29
Act V
42. Prelude — 1:34:25
43. Epithalamium: „Thrice Happy Lovers“ — 1:35:32
44. The Plaint: „O Let Me Weep“ — 1:38:09
45. Entry Dance — 1:45:51
46. Symphony — 1:46:59
47. Song: „Thus The Gloomy World“ — 1:48:12
48. Solo And Chorus: „Thus Happy And Free“ — 1:53:55
49. Song: „Yes Daphne, In Your Looks I Find“ — 1:55:32
50. Monkeys Dance — 1:57:26
51. Song: „Hark How All Things“ — 1:58:28
52. Song And Chorus: „Hark! the Eching Air“ — 2:00:35
53. Duet And Chorus: „Sure The Dull God“ — 2:03:27
54. Prelude — 2:05:32
55. Solo: „See, See, I Obey“ — 2:06:04
56. Duet „Turn Then Thine Eyes“ — 2:08:02
57. Solo: „My Torch, Indeed“ — 2:09:27
58. Trio: They Shall Be As Happy» — 2:10:12
59. Air — 2:11:21
60. Chorus: «They Shall Be As Happy» — 2:12:51
61. Chaconne: Dance For Chinese Man And Woman — 2:14:01

Bach - The Art of Fugue, BWV 1080 [complete on Organ]


The Art of Fugue or The Art of the Fugue (original German: Die Kunst der Fuge), BWV 1080, is an incomplete masterpiece by Johann Sebastian Bach (1685--1750). The work was most likely started at the beginning of the 1740s, if not earlier. The first known surviving version, which contained 12 fugues and 2 canons, was copied by the composer in 1745. This manuscript has a slightly different title, added afterwards by his son-in-law Johann Christoph Altnickol: Die Kunst der Fuga. Bachs second version was published in 1751 after his death. It contains 14 fugues and 4 canons. «The governing idea of the work», as the eminent Bach specialist Christoph Wolff put it, is «an exploration in depth of the contrapuntal possibilities inherent in a single musical subject.»

Structure

0:00 — Contrapunctus I
3:12 — Contrapunctus II
6:24 — Contrapunctus III
9:20 — Contrapunctus IV
14:38 — Contrapunctus V
17:55 — Contrapunctus VI in Stylo Francese
22:04 — Contrapunctus VII per Augmentationem et Diminutionem
26:04 — Contrapunctus VIII
32:06 — Contrapunctus IX alla Duodecima
35:06 — Contrapunctus X alla Decima
39:30 — Contrapunctus XI Triple fugue
46:41 — Canone allOttava
49:35 — Canone alla Duodecima in Contrapunto alla Quinta
51:52 — Canone alla Decima in Contrapunto alla Terza
56:36 — Canone per Augmentationem in Contrario Motu
1:01:27 — Contrapunctus XIII rectus
1:03:59 — Contrapunctus XIII inversus
1:06:57 — Contrapunctus XII rectus
1:09:50 — Contrapunctus XII inversus

Herbert Tachezi, organ

[Wikipedia en.wikipedia.org/wiki/The_Art_of_Fugue]

Bach - Motet Komm, Jesu, komm... BWV 229 - MacLeod | Netherlands Bach Society


Komm, Jesu, komm, mein Leib ist müde, performed by the Netherlands Bach Society for All of Bach, used to be known amongst singers from Leipzig as ‘Der saure Weg’, after the most difficult phrase in the piece. The path to its origin is a straighter one, as although we still do not know precisely for whom Bach wrote this piece, it is anyway clear that he composed it himself. Moreover, we can presume that it is a funeral or memorial motet.

Recorded for the project All of Bach on May 14th 2016 at the Grote Kerk, Naarden. If you want to help us complete All of Bach, please subscribe to our channel bit.ly/2vhCeFB and consider donating bit.ly/2uZuMj5.

For the interview with soprano Klaartje van Veldhoven and conductor Stephan MacLeod on Komm, Jesu, komm, mein Leib ist müde go to www.youtube.com/watch?v=Hhc23uL8I1w
For more information on BWV 229 and this production go to allofbach.com/en/bwv/bwv-229/

All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and its guest musicians. Visit our free online treasury for more videos and background material allofbach.com/en/. For concert dates and further information go to www.bachvereniging.nl/nederlandse-bachvereniging.

Netherlands Bach Society
Stephan MacLeod, conductor