HUMANs Musics - A film by Yann Arthus-Bertrand / Composed by Armand Amar


HUMANs Musics — A film by Yann Arthus-Bertrand / Composed by Armand Amar

«I am deeply taken with traditional music, it moves me, it connects you to emotion.

The idea with HUMAN was to create songs that would reflect the same emotion generated by the interviews. I wanted things to open up, to open up one’s heart, to let the sadness be without any restraint. HUMAN has been one of these rare moments in my life as a film composer during which I could express all these different cultures at the same time: either working on minimalist songs or meeting with these singers and musicians coming from all around the world. Which note did I first produce? I had more like a global vision in mind, an atmosphere that would merge into the film and that would bring people together, this was my starting point. The part I created for the Mongolian sequence might be the best summary of the atmosphere I wanted the film to have.

Yann has given me a particular role as a film composer that is very diffrent from the one other directors usually give me. There is a strong friendship between us, an intimate relationship. He’s generous. You follow him because of his fantastic instinct, I can advise on the artistic process being in a way the first audience.»

Armand Amard, composer of the HUMAN music.

«Les musiques traditionnelles m’ont accaparé, elle me touchent, elles ont un rapport direct avec l’émotion. Pour HUMAN, mon idée était de construire une sorte de résonnance des interviews par un chant qui délivrerait la même émotion. J’avais envie que les choses s’ouvrent, que le cœur s’ouvre, que la tristesse s’ouvre, de ne pas avoir de retenue. HUMAN a été un des rares moments dans ma vie de compositeur de musiques de film, où j’ai pu exprimer toutes ces cultures différentes: être aussi bien dans des musiques minimalistes que dans des rencontres avec tous ces musiciens et chanteurs venus d’ailleurs. Quelle note m’est venue en premier? C’était plus une vision globale, un univers en osmose avec le film, où il était question de partage et de rencontre, qui ont été mon point de départ. D’ailleurs, pour moi ma composition faite pour les images de la Mongolie résume particulièrement l’univers que j’ai voulu pour ce film.

Avec Yann, j’ai une place particulière en tant que compositeur, différente de celle que me donnent les autres réalisateurs. Entre lui et moi, il y a une amitié profonde, nos échanges sont complices. C’est quelqu’un de généreux. Son instinct assez fantastique fait qu’on arrive à le suivre, je peux me permettre de donner mon avis dans la construction du film, parce que je suis dans le fond, le premier public.»

Armand Amar, compositeur de la musique de HUMAN.

HUMAN exhibition!

Come and discover an exclusive 8 hours film exhibition at the GoodPlanet Foundation – Domaine de Longchamp, Paris.
Unprecedented installations offering unique testimonies of love, happiness, but also hatred and violence, which confront us with the Other and bring us back to our own lives.
More information on www.goodplanet.org
Youtube: www.youtube.com/watch?v=VxRvktagWmU

The Battle (From "Gladiator" Soundtrack)


Provided to YouTube by Universal Music Group

The Battle (From «Gladiator» Soundtrack) · Gavin Greenaway · The Lyndhurst Orchestra · Lisa Gerrard

Gladiator — Music From The Motion Picture

℗ 2000 Universal Classics Group, a Division of UMG Recordings Inc.

Released on: 2012-01-01

Producer, Associated Performer, Recording Arranger: Hans Zimmer
Producer, Associated Performer, Co- Arranger: Klaus Badelt
Producer, Executive Producer: Ridley Scott
Producer, Executive Producer: Pietro Scalia
Participant: Gavin Greenaway
Participant: The Lyndhurst Orchestra
Associated Performer, Vocalist: Lisa Gerrard
Studio Personnel, Mixer: Alan Meyerson
Studio Personnel, Editor: Adam Smalley
Unknown, Other: Kevin Globerman
Unknown, Other: Bruno Roussel
Unknown, Other: Gregg Silk
Unknown, Other: Nick Wollage
Unknown, Other: Jake Jackson
Unknown, Other: Tony Stanton
Unknown, Other: Tonia Duvall
Unknown, Other: Gavyn Wright
Composer: Hans Zimmer
Composer Lyricist: Lisa Gerrard
Arranger, Orchestrator: Elizabeth Finch
Arranger, Orchestrator: Yvonne S. Moriarty
Arranger, Orchestrator: Walt Fowler
Arranger, Orchestrator: Ladd McIntosh
Arranger, Orchestrator: Jack Smalley
Arranger, Orchestrator: Bruce Fowler

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Ride in the Whirlwind (Western starring JACK NICHOLSON, Free Full Movie, English) youtube movies


Full Length Free Western Movie, Cowboy Film, English, starring JACK NICHOLSON: Ride in the Whirlwind (original title), 1h 22min, Classic Western. Ride in the Whirlwind is an Eastman Color 1966 western directed by Monte Hellman and starring Jack Nicholson, Millie Perkins, and Harry Dean Stanton. Nicholson also wrote and co-produced the film.

Three cowboys, mistaken for members of an outlaw gang, are relentlessly pursued by a posse.

Director: Monte Hellman
Writer: Jack Nicholson
Stars: Jack Nicholson, Cameron Mitchell, Millie Perkins
Ride in the Whirlwind (original title)
1h 22min | Western

COPYRIGHT: All of the films published by us are legally licensed. We have acquired the rights (at least for specific territories) from the rightholders by contract. If you have questions please send an email to: info@amogo.de

PLOT (Wikipedia): A trio of cowboys, Vern (Cameron Mitchell), Wes (Jack Nicholson) and Otis (Tom Filer), stop to rest for the night at the remote hideout of a gang of outlaws led by Blind Dick (Harry Dean Stanton). In the morning, they find themselves surrounded by a vigilante hanging party and are forced to become fugitives due to a case of mistaken identity.

Otis is killed. So are accomplices of Blind Dick, who is lynched. Vern and Wes take refuge at a farm belonging to Evan (George Mitchell), who lives alone with his wife and daughter, holding them hostage until they can make an escape. After a member of the vigilantes passes by, the two try to take Evans horses and he shoots at them, wounding Vern before he is killed himself.

Wes and Vern ride off together on one horse with the posse in pursuit. Eventually Vern can go no farther but holds off the posse until Wes can safely get away.

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