This Concerto for Oboe and Violin in C Minor, performed by Emma Black and Shunske Sato for All of Bach, is a reconstruction of the supposed original form of the concerto for two harpsichords in C Minor. In this version, each instrument makes full use of its own timbre and characteristics. In the finale, the violin clearly gets more scope than the oboe to show off its most virtuoso side, while in the second movement – a rocking Siciliano – both instruments become closely entangled.

Recorded for the project All of Bach on December 6th 2019 at Stadsgehoorzaal, Leiden. If you want to help us complete All of Bach, please subscribe to our channel bit.ly/2vhCeFB and consider donating bit.ly/2uZuMj5.

For more information on BWV 1060r and this production go to allofbach.com/en/bwv/bwv-1060r/

All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and its guest musicians. Visit our free online treasury for more videos and background material allofbach.com/en/. For concert dates and further information go to www.bachvereniging.nl/nederlandse-bachvereniging.

Netherlands Bach Society
Emma Black, oboe
Shunske Sato, violin and direction

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00:00:00 — Overture (Suite) No. 3 in D Major, BWV 1068: II. Air, «Air on a G String»
00:04:57 — Brandenburg Concerto No. 2 in F Major, BWV 1047
00:09:25 — Concerto for 2 Violins in D Minor, BWV 1043
00:12:58 — Harpsichord Concerto in F Minor, BWV 1056: II. Largo
00:15:48 — Harpsichord Concerto in D Major, BWV 1045
00:23:10 — Violin Concerto in E Major, BWV 1042
00:30:32 — Concerto for Flute, Violin, Harpsichord and Strings in A Minor, BWV 1044, «Triple Concerto»
00:38:19 — Brandenburg Concerto No. 3 in G Major, BWV 1048
00:43:01 — Concerto for Violin and Oboe in C Minor, BWV 1060: I. Allegro
00:48:00 — Harpsichord Concerto in E Major, BWV 1053
00:55:36 — Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie
00:56:55 — Toccata and Fugue in D Minor, BWV 565: Toccata
00:59:52 — Goldberg Variations, BWV 988: I. Aria
01:03:49 — Cello Suite No. 1 in G Major, BWV 1007: Prelude
01:06:20 — Concerto in the Italian Style, BWV 971, «Italian Concerto»: I. Allegro
01:10:07 — Herz und Mund und Tat und Leben, BWV 147: X. Jesu, joy of mans desiring (arr. M. Hess)
01:13:21 — Violin Partita No. 3 in E Major, BWV 1006: I. Preludio
01:17:20 — Brandenburg Concerto No. 4 in G Major, BWV 1049: I. Allegro
01:23:41 — Well-Tempered Clavier, Book I: Prelude and Fugue No. 1 in C Major, BWV 846
01:28:04 — Anna Magdalena Notenbuch: Minuet in G Major, BWV Anh 114
01:29:36 — Violin Concerto in A Minor, BWV 1041: III. Allegro assai
01:33:21 — Kommt, eilet und laufet, BWV 249, «Easter Oratorio»: Adagio
01:38:24 — Cantata Nº 208, Sheep May Safely Graze, BWV 208
01:42:55 — Air on the G String Suite No. 3, BWV 1068
01:46:21 — Double Violin Concerto in D minor BWV1043 — Largo ma non tanto

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ABOUT THE CONCERT

Performed live in March this year, shortly before the Centre had to close the its doors due to coronavirus, our Signature Event saw standing ovations for the players of Freiburg Baroque, Bezuidenhout and their masterful interpretations of Beethoven. Now you can relieve this performance online or enjoy it for the very first time.

View the program notes for this concert here: mrc-assets.s3.amazonaws.com/assets/File/10286.pdf

PROGRAM

Ludwig van Beethoven
Piano Concerto No.1 in C, Op.15
Piano Concerto No.2 in B flat, Op.19
Piano Concerto No.3 in C minor, Op.37

Johann Sebastian Bach ( 1685 — 1750 )

The Art of Fugue, BWV.1080

00:00 Contrapunctus 1
02:52 Contrapunctus 3
05:32 Contrapunctus 2
08:08 Contrapunctus 4
12:25 Contrapunctus 7
16:51 Contrapunctus 5
20:18 Contrapunctus 6
24:42 Contrapunctus 10
29:20 Contrapunctus 9
32:18 Contrapunctus 9
37:51 Contrapunctus 8
44:15 Contrapunctus 12a *
46:30 Contrapunctus 12b *
48:39 Contrapunctus 13a
50:55 Contrapunctus 13b
53:16 Contrapunctus 19
01:02:08 Contrapunctus 16
01:07:05 Contrapunctus 14
01:11:00 Contrapunctus 15
01:15:37 Contrapunctus 17

André Isoir, organist
* played four-handed with Pierre Farago
Rec. Saint-Cyprien-en-Périgord, 1998 ( La Dolce Volta )

Dedicated to dearest best friend

Baroque music is a period or style of Western art music composed from approximately 1600 to 1750. This era followed the Renaissance music era, and was followed in turn by the Classical era. Baroque music forms a major portion of the «classical music» canon, and is now widely studied, performed, and listened to. Key composers of the Baroque era include Johann Sebastian Bach, Antonio Vivaldi, George Frideric Handel, Claudio Monteverdi, Domenico Scarlatti, Alessandro Scarlatti, Henry Purcell, Georg Philipp Telemann, Jean-Baptiste Lully, Jean-Philippe Rameau, Marc-Antoine Charpentier, Arcangelo Corelli, Tomaso Albinoni, François Couperin, Giuseppe Tartini, Heinrich Schütz, Giovanni Battista Pergolesi, Dieterich Buxtehude, and Johann Pachelbel.
The Baroque period saw the creation of common-practice tonality, an approach to writing music in which a song or piece is written in a particular key; this kind of arrangement has continued to be used in almost all Western popular music. During the Baroque era, professional musicians were expected to be accomplished improvisers of both solo melodic lines and accompaniment parts. Baroque concerts were typically accompanied by a basso continuo group (comprising chord-playing instrumentalists such as harpsichordists and lute players improvising chords from a figured bass part) while a group of bass instruments—viol, cello, double bass—played the bassline. A characteristic Baroque form was the dance suite. While the pieces in a dance suite were inspired by actual dance music, dance suites were designed purely for listening, not for accompanying dancers.
During the period, composers and performers used more elaborate musical ornamentation (typically improvised by performers), made changes in musical notation (the development of figured bass as a quick way to notate the chord progression of a song or piece), and developed new instrumental playing techniques. Baroque music expanded the size, range, and complexity of instrumental performance, and also established the mixed vocal/instrumental forms of opera, cantata and oratorio and the instrumental forms of the solo concerto and sonata as musical genres. Many musical terms and concepts from this era, such as toccata, fugue and concerto grosso are still in use in the 2010s. Dense, complex polyphonic music, in which multiple independent melody lines were performed simultaneously (a popular example of this is the fugue), was an important part of many Baroque choral and instrumental works.
The term «baroque» comes from the Portuguese word barroco, meaning «misshapen pearl». Negative connotations of the term first occurred in 1734, in a criticism of an opera by Jean-Philippe Rameau, and later (1750) in a description by Charles de Brosses of the ornate and heavily ornamented architecture of the Pamphili Palace in Rome; and from Jean Jacques Rousseau in 1768 in the Encyclopédie in his criticism of music that was overly complex and unnatural. Although the term continued to be applied to architecture and art criticism through the 19th century, it was not until the 20th century that the term «baroque» was adopted from Heinrich Wölfflins art-history vocabulary to designate a historical period in music.

#Baroque
#BaroqueMusic
#BaroqueHistory

Georg Friedrich Haendel
Admeto, Re di Tessaglia: ouverture

Performing the first movement of Bachs Keyboard Concerto No. 1 in D minor, BWV 1052, with Leonard Bernstein conducting the New York Philharmonic. Goulds performance begins at 18:03.

Originally aired on January 31, 1960 on CBS Television as part of its Ford Presents series, this program was entitled «The Creative Performer.» The entire show is actually three performances — by Gould, the soprano Eileen Farrell (singing the «Suicidio!» aria from *La Gioconda*),

More than 3,5 hours of the most famous and recognizable classical music recordings.The best of classical music for studying, reading, relaxing and (most of all) enjoying!
Tracklist:
0:00 P.I. Tchaikovsky – Swan Lake, Act II: No.10 Scene (Moderato)
02:42 Edvard Grieg – Morning Mood
06:22 Ludwig van Beethoven – Für Elise (Bagatelle No.25 in A minor)
08:51 Frederic Chopin — Nocturne in C-sharp minor
12:56 Georges Bizet — Habanera («Lamour est un oiseau rebelle»)
14:58 W.A. Mozart — Rondo alla Turca («Turkish March»)
18:33 Ludwig van Beethoven — Moonlight Sonata (The Piano Sonata No. 14 in C♯ minor «Quasi una fantasia», Op. 27, No. 2)
23:47 Antonio Vivaldi – The Four Seasons “Summer” (III: Presto)
26:24 P.I. Tchaikovsky – Dance Of The Sugar Plum Fairy
28:10 Federic Chopin – Prelude Op.28, no.4
30:44 Gioachino Rossini – Overture to “The Barber of Seville”
36:29 Jahannes Brahms – Hungarian Dance no.5 in F-sharp minor (fragment)
37:06 W.A Mozart – Eine kleine Nachtmusik (Serenade No. 13 for strings in G major)
42:54 J.S.Bach – Air on the G string (from Orchestral Suite No.3, BWV 1068)
45:47 W.A. Mozart – Symphony No.40 in G minor (1. Molto allegro)
51:44 Erik Satie – Gymnopedie no.1
54:56 Johann Strauss II – “Frühlingsstimmen”, Op. 410 («Voices of Spring»)
1:01:31 Frederic Chopin – Nocturne in B-flat minor, Op. 9, no.1
1:07:07 P.I. Tchaikovsky – The Nutcracker: Act I, No.4 Russian Dance
1:08:08 J.S.Bach – Orchestral Suite no.2 in B minor (7.Badinerie)
1:09:07 Gioachino Rossini – William Tell Overture
1:14:55 Antonin Dvorak – Symphony no. 9 in E minor («From the New world»: IV. Allegro con fuoco)
1:26:39 P.I. Tchaikovsky – The Nutcracker: Act I, No. 8 Waltz of the Flowers
1:31:47 Richard Wagner – Ride of the Valkyries
1:37:08 Ludwig van Beethoven — Sonata No. 8 in C Minor Pathetique, Op. 13 (II. Adagio cantabile)
1:42:08 Johann Strauss II – «An der schönen blauen Donau» (The Blue Danube),Op.314
1:49:19 Erik Satie – Gnossienne No.1
1:52:42 Edvard Grieg – In the Hall of the Mountain King
1:54:58 Frederic Chopin – Nocturne in E-flat major, Op. 9, No. 2
1:59:30 Antonio Vivaldi – The Four Seasons “Autumn” (1. Allegro)
2:04:30 Franz Liszt – Liebestraume no. 3 in A flat major
2:09:00 W.A. Mozart – Piano Concerto no.21 in C major (II. Movement)
2:13:19 Ludwig van Beethoven – The Symphony No.5 in C minor (fragment)
2:20:10 Claude Debussy – Clair de lune (from «Suite bergamasque»)
2:25:12 N.Rimsky-Korsakov – Flight of the Bumblebee (from “The Tale of Tsar Saltan)
2:26:28 P.I. Tchaikovsky – The Nutcracker: Act I, No. 2 (March)
2:28:25 Edvard Grieg — Notturno, Op.54, No.4
2:32:45 Felix Mendelssohn – Wedding March (from “A Midsumer Night’s Dream”)
2:37:46 Georges Bizet – Prelude to Act 1 for “Carmen”
2:40:02 Antonio Vivaldi – The Four Seasons “Spring” (1.Allegro)
2:43:36 Erik Satie – Gnossienne No.3
2:46:17 Johann Strauss II – Künstlerleben («Artists Life»), op.316
2:49:08 Frederic Chopin – “Revolutionary Etude” (Etude Op.10, No.12)
2:51:51 Luigi Boccherini – Minuet from String Quintet in E, Op. 11, No.5 (G 275)
2:54:00 Ludwig van Beethoven – Ode to Joy (from Symphony no. 9 in D minor)
2:57:53 Richard Strauss – Also sprach Zarathustra
2:59:14 Frederic Chopin – Waltz in D-flat major, Op 64, No 1 («Minute Waltz»)
3:01:00 Tomaso Albinoni — Adagio in G minor (attributed to Tomaso Albinoni, but actually proabably composed by Remo Giazotto).
3:04:29 Modest Mussorgsky – Night on Bald Mountain
3:11:49 Johann Strauss II – “Wiener Blut”, Op. 354
3:13:24 J.S.Bach – Toccata and Fugue in D minor, BWV 565
3:16:29 Jacques Offenbach – Overture to “Orpheus in the Underworld” (can-can section)
3:18:14 Leo Delibes – Pizzicato (from “Sylvia”)
3:20:09 Frederic Chopin – Funeral March (Piano Sonata No.2 in B flat minor Op 35: III. Marche Funebre)
3:29:33 W.A. Mozart – Requiem in D minor
3:33:01 J.S.Bach – Prelude in C major

Every composition from this video exists as a public domain or creative common content.

The fragment of Debussys «Suite bergamasque» performed by Laurens Goedhart.
Liszts «Liebesträume» performed by Martha Goldstein.
Griegs Notturno performed by Mark Gasser.
Piano versions of Mozarts «Requiem in D minor» and Piano «Concerto no.21 in C major» performed by Markus Staab.
Saties «Gnossiennes» performed by La Pianista.
Richard Wagners «Also Sprach Zarathustra» performed by Kevin MacLeod.
The fragments of Vivaldis «Spring», «Summer» and «Autumn» performed by John Harrison.

More public domain and creative commons music you can find on Musopen website.

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Provided to YouTube by Warner Classics International

St Matthew Passion, BWV 244, Pt. 1: Chorus. «Kommt, ihr Töchter, helft mir klagen» · Nikolaus Harnoncourt · Choir of Kings College, Cambridge · Regensburger Domspatzen

Bach: St Matthew Passion, BWV 244

℗ 1970 Teldec Classics, a Warner Music UK Division

Choir: Choir of Kings College, Cambridge
Orchestra: Concentus Musicus Wien
Conductor: Nikolaus Harnoncourt
Chorus: Regensburger Domspatzen
Composer: Johann Sebastian Bach

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