00:00 Prelude and Fugue No.1 in C Major, BWV 846
05:00 Prelude and Fugue No.2 in C Minor, BWV 847
07:57 Prelude and Fugue No.3 in C-Sharp Major, BWV 848
11:00 Prelude and Fugue No.4 in C-Sharp Minor, BWV 849
20:00 Prelude and Fugue No.5 in D Major, BWV 850
22:46 Prelude and Fugue No.6 in D Minor, BWV 851
26:31 Prelude and Fugue No.7 in E-Flat Major, BWV 852
31:35 Prelude and Fugue No.8 in E-Flat Minor, BWV 853
42:49 Prelude and Fugue No.9 in E Major, BWV 854
48:00 Prelude and Fugue No.10 in E Minor, BWV 855
51:01 Prelude and Fugue No.11 in F Major, BWV 856
53:05 Prelude and Fugue No.12 in F Minor, BWV 857
01:00:56 Prelude and Fugue No.13 in F-Sharp Major, BWV 858
01:04:18 Prelude and Fugue No.14 in F-Sharp Minor, BWV 859
01:09:31 Prelude and Fugue No.15 in G Major, BWV 860
01:12:36 Prelude and Fugue No.16 in G Minor, BWV 861
01:17:14 Prelude and Fugue No.17 in A-Flat Major, BWV 862
01:20:53 Prelude and Fugue No.18 in G-Sharp Minor, BWV 863
01:25:27 Prelude and Fugue No.19 in A Major, BWV 864 ( Extract )
01:29:05 Prelude and Fugue No.20 in A Minor, BWV 865
01:34:07 Prelude and Fugue No.21 in B-Flat Major, BWV 866
01:36:33 Prelude and Fugue No.22 in B-Flat Minor, BWV 867
01:43:01 Prelude and Fugue No.23 in B Major, BWV 868
01:46:34 Prelude and Fugue No.24 in B Minor, BWV 869 ( Extract )
Может ли быть так, чтобы в 2020 году аренда четырехкомнатной квартиры в центре Манхэттена стоила 52 доллара в месяц. И цену нельзя было бы поднять, а вас не могли бы выселить. В Нью-Йорке бывает даже такое. Сегодня рассказ о том, что такое законы о регулировании арендной платы в Нью-Йорке и к чему они приводят. А так же, как выглядит классический старый нью-йоркский дом изнутри. Квартира с комнатами без окон и многое другое.
Если у вас есть какие-нибудь вопросы по нью-йоркской недвижимости, то вы можете не стесняясь задать их Диме Стасюку:
1-917-868-0747 (WhatsApp/Telegram/Viber)
dmitry@NewYorkRealty.US www.facebook.com/dmitriy.stasyuk/
Я пока все еще сижу дома из-за ковида, поэтому могу выкладывать только видео снятое ранее. Если вам нравятся мои материалы и вы хотите поддержать выход новых видео — samsebeskazal.com/supportme/
This is a non-profit, fan-based edit of Duduk of the North, composed by Hans Zimmer and Lisa Gerrard with Djivan Gasparyan and Sevak Sahakyan, produced by Klaus Badelt, Ridley Scott, and Hans Zimmer, and released by Decca Records in 2001.
Please support the official release.
Check out my channel for other extended music you might like.
Let me know in the comments what soundtrack/artist I should do next!
Hope you enjoy.
Tracklist:
Interstellar
— 00:00 — 01:05 — Organ Variation
00:00 — 03:54 — Tick Tock
03:54 — 05:10 — Cornfield Chase
05:10 — 08:08 — Where Were Going
07:55 — 08:56 — No Time For Caution
— Inception
— 08:57 — 13:17 — Time
— Pirates of the Caribbean
— 13:15 — 14:18 — Davy Jones
14:19 — 16:15 — The Kraken
16:15 — 18:17 — At Wits End
18:17 — 20:13 — What Shall We Die For
20:13 — 24:02 — One Day
24:03 — 26:37 — Up Is Down
26:38 — 30:05 — Drink Up Me Hearties
— Batman Trilogy
— 30:06 — 30:34 — Bank Robbery
30:34 — 31:45 — Antrozous
31:45 — 32:18 — Barbastella
32:19 — 33:06 — Vespertilio
33:05 — 36:07 — A Dark Knight
36:07 — 36:33 — Aggressive Expansion
36:33 — 36:41 — Im Not A Hero
36:42 — 39:51 — Like A Dog Chasing Cars
39:51 — 42:08 — Despair
— Man of Steel, The Da Vinci Code, Gladiator, The Last Samurai, Blue Planet II, Planet Earth II
— 42:09 — 44:19 — Flight
44:15 — 47:57 — Chevaliers de Sangreal
47:57 — 50:34 — Now We Are Free
50:35 — 51:42 — Spectres In The Fog
51:42 — 54:25 — Safe Passage
54:26 — 56:48 — The Blue Planet
56:48 — 58:11 — Planet Earth II Suite
— I do not own any rights to any of these songs.
For listening purposes only.
Music composed by Hans Zimmer.
St Matthew Passion — Matthäus-Passion BWV 244 | (Complete) (Full Concert) (J. S. Bach)
The St Matthew Passion, (also frequently St Matthews Passion) BWV 244, (German: Matthäus-Passion), is a sacred oratorio from the Passions written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander (Christian Friedrich Henrici). It sets chapters 26 and 27 of the Gospel of Matthew (in the German translation of Martin Luther) to music, with interspersed chorales and arias. It is widely regarded as one of the masterpieces of classical sacred music. The original Latin title Passio Domini Nostri J.C. Secundum Evangelistam Matthaeum translates to «The Passion of our Lord J[esus] C[hrist] according to the Evangelist Matthew.»
Although Bach wrote four (or five) settings of the Passions only two have survived; the other is the St John Passion. The St Matthew Passion was probably first performed on Good Friday (11 April) 1727[1] in the Thomaskirche in Leipzig, where Bach was the Kantor of the School and Directoris Chori musici of Leipzig. He revised it by 1736, performing it again on 30 March 1736, this time including two organs in the instrumentation. He further revised and performed it again on 24 March 1742. Possibly due to the second organ being under repair, he switched the continuo instrument to harpsichord in Coro II, reinforced the continuo group in Coro II with a viola da gamba, and inserted a ripieno soprano in both movements 1 and 29. There is evidence of a further revision in 1743--1746, when the score as we know it originated, but no performance.
Die Matthäus-Passion, BWV 244, ist eine oratorische Passion von Johann Sebastian Bach. Der Bericht vom Leiden und Sterben Jesu Christi nach dem Evangelium nach Matthäus bildet das Rückgrat. Ergänzt wird er um eingestreute Passionschoräle und erbauliche Dichtungen von Picander in freien Chören und Arien. Die Matthäus-Passion und die Johannes-Passion sind die beiden einzigen vollständig erhaltenen authentischen Passionswerke von Bach. Mit etwa 200 Minuten Aufführungsdauer und einer Besetzung von Solisten, zwei Chören und zwei Orchestern ist die Matthäus-Passion Bachs umfangreichstes und am stärksten besetztes Werk und stellt einen Höhepunkt protestantischer Kirchenmusik dar. Die Uraufführung fand am 11. April 1727 in der Thomaskirche in Leipzig statt. Nach Bachs Tod geriet das Werk in Vergessenheit. Die Wiederaufführung in einer gekürzten Version unter Felix Mendelssohn Bartholdy im Jahr 1829 leitete die Bach-Renaissance ein.
Passio secundum Matthaeum est longissimum oratorium a Iohanne Sebastiano Bach (BWV 244) compositum.
Texus musica est apud Evangelium secundum Matthaeum quod Ultima Cena et Crucifixio Iesu tractantur.
Pasión según san Mateo, Matthäus-Passion (J. S. Bach), Pasja według św. Mateusza, Матеус пасион, Passió segons sant Mateu, Matoušovy pašije, Κατά Ματθαίον Πάθη (Μπαχ), Matthäuspassion (Bach), Matthäus-Passion, Matteus-passio (Bach), Passione secondo Matteo, マタイ受難曲, 마태오 수난곡 (바흐), Passio secundum Matthaeum (Bach), Matthäus-Passion (J.S. Bach), Matteuspasjonen (Bach), Matteuspasjonen av Bach, Страсти по Матфею (Бах), Matteuspassionen,
1727
Evenstar is Arwens song from Lord of the Rings. It is from the Lord of the Rings the Two Towers Soundtrack… Composed by howard shore for the Peter Jacksons films of the books by JRR Tolkien.