Марта работает психологом в престижном колледже. Жизнь Марты размерена: успешная карьера, симпатичный жених, Тимур, начинающий писатель, и мечты о семье. После занятий к Марте, с неожиданной просьбой, обращается ее студентка Юля, она сообщает, что беременна и хочет сделать аборт. Юле всего 17 лет и по закону требуется сопровождение взрослого. Мать Юли умерла пару лет назад, а отцу она боится рассказать. Марта, помня об ошибках своей юности, решает рассказать обо всем отцу Юли – состоятельному бизнесмену Ивану.
St Matthew Passion — Matthäus-Passion BWV 244 | (Complete) (Full Concert) (J. S. Bach)
The St Matthew Passion, (also frequently St Matthews Passion) BWV 244, (German: Matthäus-Passion), is a sacred oratorio from the Passions written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander (Christian Friedrich Henrici). It sets chapters 26 and 27 of the Gospel of Matthew (in the German translation of Martin Luther) to music, with interspersed chorales and arias. It is widely regarded as one of the masterpieces of classical sacred music. The original Latin title Passio Domini Nostri J.C. Secundum Evangelistam Matthaeum translates to «The Passion of our Lord J[esus] C[hrist] according to the Evangelist Matthew.»
Although Bach wrote four (or five) settings of the Passions only two have survived; the other is the St John Passion. The St Matthew Passion was probably first performed on Good Friday (11 April) 1727[1] in the Thomaskirche in Leipzig, where Bach was the Kantor of the School and Directoris Chori musici of Leipzig. He revised it by 1736, performing it again on 30 March 1736, this time including two organs in the instrumentation. He further revised and performed it again on 24 March 1742. Possibly due to the second organ being under repair, he switched the continuo instrument to harpsichord in Coro II, reinforced the continuo group in Coro II with a viola da gamba, and inserted a ripieno soprano in both movements 1 and 29. There is evidence of a further revision in 1743--1746, when the score as we know it originated, but no performance.
Die Matthäus-Passion, BWV 244, ist eine oratorische Passion von Johann Sebastian Bach. Der Bericht vom Leiden und Sterben Jesu Christi nach dem Evangelium nach Matthäus bildet das Rückgrat. Ergänzt wird er um eingestreute Passionschoräle und erbauliche Dichtungen von Picander in freien Chören und Arien. Die Matthäus-Passion und die Johannes-Passion sind die beiden einzigen vollständig erhaltenen authentischen Passionswerke von Bach. Mit etwa 200 Minuten Aufführungsdauer und einer Besetzung von Solisten, zwei Chören und zwei Orchestern ist die Matthäus-Passion Bachs umfangreichstes und am stärksten besetztes Werk und stellt einen Höhepunkt protestantischer Kirchenmusik dar. Die Uraufführung fand am 11. April 1727 in der Thomaskirche in Leipzig statt. Nach Bachs Tod geriet das Werk in Vergessenheit. Die Wiederaufführung in einer gekürzten Version unter Felix Mendelssohn Bartholdy im Jahr 1829 leitete die Bach-Renaissance ein.
Passio secundum Matthaeum est longissimum oratorium a Iohanne Sebastiano Bach (BWV 244) compositum.
Texus musica est apud Evangelium secundum Matthaeum quod Ultima Cena et Crucifixio Iesu tractantur.
Pasión según san Mateo, Matthäus-Passion (J. S. Bach), Pasja według św. Mateusza, Матеус пасион, Passió segons sant Mateu, Matoušovy pašije, Κατά Ματθαίον Πάθη (Μπαχ), Matthäuspassion (Bach), Matthäus-Passion, Matteus-passio (Bach), Passione secondo Matteo, マタイ受難曲, 마태오 수난곡 (바흐), Passio secundum Matthaeum (Bach), Matthäus-Passion (J.S. Bach), Matteuspasjonen (Bach), Matteuspasjonen av Bach, Страсти по Матфею (Бах), Matteuspassionen,
1727
Soundtrack from the movie: England, my England: The story of Henry Purcell (selection of the best-known works by Henry Purcell)
01 Trumpet Sonata in D Major, Z. 850: I. Allegro 00:00
02 Trumpet Sonata in D Major, Z. 850: II. Adagio
03 Trumpet Sonata in D Major, Z. 850: III. Allegro
04 The Married Beau: Overture
05 «Come ye sons of art», Z. 323: II. Ritornello
Sublime, extreme and all-embracing… only superlatives will do to describe Bach’s Mass in B minor, the Hohe Messe, performed by the Netherlands Bach Society for All of Bach. In between an awe-inspiring Kyrie and the jubilant final Dona nobis pacem, there are nine completely unique arias and duets, fourteen impressive ensemble sections for four, five, six and even eight voices, a broad spectrum of instrumental solos, and an incredible variety of styles.
Recorded for the project All of Bach on December 15th 2016 at the Grote Kerk, Naarden. If you want to help us complete All of Bach, please subscribe to our channel bit.ly/2vhCeFB or consider donating bit.ly/2uZuMj5.
All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and her guest musicians. Visit our free online treasury for more videos and background material allofbach.com/en/. For concert dates and further information go to www.bachvereniging.nl/nederlandse-bachvereniging.
Jos van Veldhoven, conductor
Hana Blažíková, soprano 1
Anna Reinhold, soprano 2
David Erler, alto
Thomas Hobbs, tenor
Peter Harvey, bass
J.S. Bach: Mass in B Minor, BWV 232 / Credo — Et resurrexit · English Baroque Soloists · John Eliot Gardiner · The Monteverdi Choir
Bach, J.S.: Mass In B Minor BWV 232
℗ 1985 Deutsche Grammophon GmbH, Berlin
Released on: 1985-01-01
Producer, Executive Producer: Dr. Andreas Holschneider
Producer, Executive Producer: Charlotte Kriesch
Producer, Recording Producer: Dr. Steven Paul
Studio Personnel, Balance Engineer: Karl-August Naegler
Studio Personnel, Recording Engineer, Editor: Klaus Behrens
Studio Personnel, Editor: Gregor Zielinsky
Composer: Johann Sebastian Bach
Author: Anonymous