Johann Sebastian Bach
Johannes-Passion BWV 245 (St John Passion)
English Baroque Soloists

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Soothing music and ambience for meditation, relaxation and sleeping.

Tracklist:

Performed by Dag Åsbjørn Johansen:
Bach — Little Prelude in C Major (BWV 924)
Beethoven — Bagatelle No. 25 in A minor (WoO 59, Bia 515) «Für Elise»
Beethoven — Moonlight Sonata (1st Movement, Op. 27, No. 2)
Chopin — Waltz in A Flat Major (Op. 69, No. 1)
Mozart — K. 332 — Piano Sonata No. 12 in F major (2nd Movement)
Satie — Gymnopédie No. 1
Bach — Prelude in C Major (BWV 846) from «Das Wohltemperierte Klavier» vol. 1
Mozart — Romance Piano version of 2. movement from Piano Concerto no. 20 in D minor K. 466
Haydn — Andantino
Mozart — Piano Version of Gavotte (Allegro) from Les petits riens, K.Anh.10/299b
Mozart — 2. movement from Sonata no. 17 in B flat major K. 570
Chopin — Preludes Op. 28 no. 7
Chopin — Preludes Op. 28 no. 4
Chopin — Preludes Op. 28 no. 6
Chopin — Preludes Op. 28 no. 20
Chopin — Preludes Op. 28 no. 15 «Raindrop» prelude
Grieg — A Little Girl I Know — Eg veit ei lita gjente Op. 17 no. 16
Grieg — I Sing With a Sorrowful Heart — Jeg sjunger med sorrigfullt hjerte Op. 17 no. 14
Grieg — Notturno Op. 54 no. 4
Grieg — The Pig — Grisen Op. 17 no. 8
Grieg — When my Eye weary and faint — Når mitt øye trett av møye Op. 17 no. 9
Grieg — Solitary Traveler — Ensom vandrer Op. 43 no. 2
Grieg — Arietta Op. 12 no. 1
Grieg — The Young Man — Ungersvennen Op. 17 no. 2
Grieg — Lullaby of Gjendine — Gjendines bånsull Op. 66 no. 19
Grieg — Shepherdess Song — Leik (kulokk) Op. 17 no. 22
Debussy — Clair de Lune (Suite Bergamasque, No. 3)
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℗ 2020 Odd Eagle Productions

Performed by Various, licensed by PremiumBeat, Storyblocks and YouTube Audio Library:
Chopin — Nocturne in E Flat Major (Op. 9, No. 2) (Storyblocks)
Chopin — Nocturne in E minor (Op. 72, No. 1) (Storyblocks)
Chopin — Waltz in C Sharp Minor (Op. 64, No. 2) (Storyblocks)
Chopin — Nocturne in B Flat Minor (Op. 9, No. 1) (PremiumBeat)
Beethoven — Sonata No. 8 in C minor (2nd Movement, Op. 13) (Storyblocks)
Satie — Gymnopédie No. 3 — Wahneta Meixsell (YouTube Audio Library)
Bach — Suite No. 2 in C minor (BWV 813) Allemande — Wahneta Meixsell (YouTube Audio Library)
Liszt — Consolation No.3 in D flat Major S.172 (Storyblocks)

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© 2020 Sleepify

#relax #classical #fireplace

J. S. Bach
Cantatas:
BWV 139 [17:29]
BWV 163 [14:29]
BWV 52 [14:55]
BWV 140 [25:25]
Soprano: Gillian Keith [BWV 139, BWV 52]
Soprano: Susan Hamilton [BWV 163, BWV 140]
Alto: Hilary Summers
Tenor: William Kendall
Bass: Peter Harvey
Monteverdi Choir
English Baroque Soloists
John Eliot Gardiner
Live recordings from the Bach Cantata Pilgrimage.
Winchester Cathedral, England.

J. S. Bach
Cantatas:
BWV 109 [25:11]
BWV 38 [16:29]
BWV 98 [13:20]
BWV 188 [23:40]
Soprano:Joanne Lunn
Counter-tenor: William Towers
Tenor: Paul Agnew
Bass: Gotthold Schwarz
Monteverdi Choir
English Baroque Soloists
John Eliot Gardiner
Live recordings from the Bach Cantata Pilgrimage:
Old Royal Naval College, Greenwich, England
Volume 11 Cd 2

J.S. Bach
BWV 147 [27:07]
BWV 80 [25:41]
BWV 8 [18:22]
CD-1 [71:23]
The Bach Ensemble (on authentic instruments)
(OVPP — No Choir)
Joshua Rifkin
www.bach-cantatas.com/Performers/Rifkin.htm

Provided to YouTube by Warner Classics International

Saul and the Witch of Endor, Z. 134: «In guilty night» · John Eliot Gardiner

Purcell Edition Volume 3: Odes, Anthems

The Art of Fugue or The Art of the Fugue (original German: Die Kunst der Fuge), BWV 1080, is an incomplete masterpiece by Johann Sebastian Bach (1685--1750). The work was most likely started at the beginning of the 1740s, if not earlier. The first known surviving version, which contained 12 fugues and 2 canons, was copied by the composer in 1745. This manuscript has a slightly different title, added afterwards by his son-in-law Johann Christoph Altnickol: Die Kunst der Fuga. Bachs second version was published in 1751 after his death. It contains 14 fugues and 4 canons. «The governing idea of the work», as the eminent Bach specialist Christoph Wolff put it, is «an exploration in depth of the contrapuntal possibilities inherent in a single musical subject.»

Structure

0:00 — Contrapunctus I
3:12 — Contrapunctus II
6:24 — Contrapunctus III
9:20 — Contrapunctus IV
14:38 — Contrapunctus V
17:55 — Contrapunctus VI in Stylo Francese
22:04 — Contrapunctus VII per Augmentationem et Diminutionem
26:04 — Contrapunctus VIII
32:06 — Contrapunctus IX alla Duodecima
35:06 — Contrapunctus X alla Decima
39:30 — Contrapunctus XI Triple fugue
46:41 — Canone allOttava
49:35 — Canone alla Duodecima in Contrapunto alla Quinta
51:52 — Canone alla Decima in Contrapunto alla Terza
56:36 — Canone per Augmentationem in Contrario Motu
1:01:27 — Contrapunctus XIII rectus
1:03:59 — Contrapunctus XIII inversus
1:06:57 — Contrapunctus XII rectus
1:09:50 — Contrapunctus XII inversus

Herbert Tachezi, organ

[Wikipedia en.wikipedia.org/wiki/The_Art_of_Fugue]

Pyotr Ilyich Tchaikovsky — the Violin Concerto in D major, op.35 (1878)

1. Allegro moderato — 00:03
2. Canzonetta. Andante — 19:36
3. Finale. Allegro vivacissimo — 26:03

Encore — 38:16
Johann Sebastian Bach — Ich ruf zu Dir, BWV 639
Anders Hillborgs arrangement for violin and strings

The Nobel Prize Concert 2018

Provided to YouTube by National Digital Aggregator LLC

Хорошо темперированный клавир, том 1: Прелюдия и фуга No. 5 ре мажор, BWV 850 · Святослав Рихтер

Святослав Рихтер 100, Том 31 (Live)

℗ 2020 АО «Фирма Мелодия»

Released on: 2015-01-01

Auto-generated by YouTube.

Provided to YouTube by The Orchard Enterprises

St. Matthew Passion, BWV 244: Part II. No. 47, Erbarme dich, mein Gott (Recorded 1946) · Marian Anderson · Johann Sebastian Bach · RCA Symphony Orchestra · Robert Shaw

Marian Anderson in Oratorio and Spiritual Vol. 1

℗ 1996 Nimbus Records Limited

Released on: 1996-01-01

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